At the time I shot these frames, I had owned the Contax G1 for a little less than two months. It was my first film camera and I fell in love with her immediately. You just want to hold it in your hands and enjoy the genius of the people who created it. I won’t […]
Tag: Contax G1 Film Camera
Posted in5 Frames..., Articles
5 Frames… Of Los Angeles on a quiet New Years’ Eve day 2020 (Kodak Ektar 100 / EI 100 / Contax G1 + Carl Zeiss 90mm f/2.8 Sonnar T*)
As a creative, making it to the end of 2020 felt like a literal Sysiphus myth — pushing a giant boulder uphill all year to stay creative, make money, stay healthy and not lose hope. It required a lot of patience, determination, and self-care. I made the move to LA in the midst of the […]
Posted inFeatured, Film camera reviews, Reviews
The best (and worst) film cameras of the 1990s
My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…
Posted in5 Frames..., Articles
5 Frames… With Lomography LomoChrome Purple XR 100-400 (EI 400 / 35mm format / Contax G1)
A few months ago I was heading to Europe for a few weeks. I needed a trusty camera that would allow me complete control but also auto settings that gave me the freedom to capture images without much thought. My buddy Joe suggested the Contax G1 since he’d purchased one earlier in the year. I […]
Posted inFeatured projects
Film photography in album cover design
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
Posted inDarkroom printing, Film stock reviews, Kodak Film Stock Reviews, Reviews
My first time with slide film: new Kodak EKTACHROME E100
Most of the frames which make up this mini-review are from the first roll of slide film
Posted inInterviews
EMULSIVE interview #140: I am Roger Harrison and this is why I shoot film
This has been a tough interview to put together. Tough because, as you’ll see below, it’s been an absolute nightmare picking which one of Roger Harrison’s beautiful Fuji Velvia 50 photographs to feature as the cover for this article.
