Tag: Cinestill 800T
EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it's the first year for quite some time where we haven't...
Buffalo Soldier: Examining the history and lives of black American soldiers...
Over the past two years, I’ve been pouring everything I had emotionally, physically, and financially into a staged photography series I call “Buffalo Soldier”. My project is...
5 Frames With… Cinestill 800T (EI 1600 / 120 / Rolleiflex...
I bought my Rolleiflex K4B off eBay about a year ago and got a pretty sweet deal for it. Since then, it...
Blind film review #02: CineStill 800T vs Kodak Portra 400 in...
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
5 Frames With… CineStill 800T (EI 800 / 120 / Yashica...
A while ago I was involved in a Twitter conversation about what scene from a movie you wish you could have shot yourself, or wish you could replicate.
5 Frames With… CineStill 800T (EI 800 / 120 / Hasselblad...
I had a roll of CineStill 800T in my fridge waiting for a special occasion. I was going home from work one day and I could see a promise of fog in the air.
5 Frames With… Cinestill 800T (EI 500 / 120 / Minolta...
So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was my ever trustworthy Minolta Autocord with its 75mm Rokkor lens.
5 Frames With… CineStill Tungsten 800 (35mm / EI 800 /...
The tungsten aesthetic really is my thing.
5 Frames With… CineStill 800T (EI 800 / 120 / Fuji...
I'm a latecomer to film photography, but have been working hard to catch up.
Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils...
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn't joking, it was anything but orthodox.
Every single film stock still made today – Part 1: ADOX...
Update 02: 2018-09-20
If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.
EMULSIVE interview #172: I am Joy Celine Asto and this is...
It's a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
EMULSIVE interview #171: I am John Michael Caldwell and this is...
It's wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell.
Over to you, John!
Hi John, what's this picture, then?
Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
Photography: Urgent business – Shot on Cinestill 800T (35mm)
Urgent business
Shot on Cinestill 800T at EI 800
Color motion picture negative in 35mm format
Photography: Down the canal – Shot on Cinestill 800T (35mm)
Down the canal
Shot on Cinestill 800T at EI 800
Color motion picture negative in 35mm format
EMULSIVE's most popular film photography posts of 2017
In the time honoured tradition of lazy posting at the end of each year, here's the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017.
First up, time to take
EMULSIVE interview #162: I am Sheena She and this is why...
Hey everyone and welcome to the latest EMULSIVE interview.
A word on: Cinestill 800T (35mm) – by Phil Harrison
I thought CineStillFilm 800T would be a fun film to try and used my Leica M2 and Summarit-M 50mm f2.5 lens (with lens hood) to shoot a roll in and around the Manchester Art Museum, Rylands Library and the surrounds.
Photography: Waiting for the count – Shot on Cinestill 800T at...
Waiting for the count
Shot on Cinestill 800T at EI 800
Color negative film in 120 format shot as 6×6
Film review: Cinestill 800T vs Fuji 800 (35mm) inside the Buenos...
Regular contributor Lorraine Healy is back, this time with a comparison of CineStill's 800T against the mighty Fuji 800 of yesteryear that was also recently featured in the Lomography Magazine (details for the curious are below.
