CineStill 800T
5 Frames… Of fun at the fair on CineStill 800T (EI 800 / 35mm format / Leica M3) – by Maxime Evangelista
I have had the will to try out CineStill 800T for a long time but never had the chance to do so...
5 Frames… Of Cinestill 800T at night (EI 1250 / 35mm format / Contax 159 MM) – by Dusty Traill-Forbyth
My father was a hobby photographer and had a beautiful collection of Contax equipment. As I progressed in my work, he started...
Essay: It’s all been done before so why bother taking photographs?
I’m constantly getting back to this thought and feel it's about time to share something with you that comes very close to...
5 Frames… Showing a different side to Birmingham on CineStill 800 Tungsten (EI 400 / 120 format / Rolleiflex 2.8F) – by Kris Askey
Around mid-2018, after seven years of shooting digital, I decided to put the digital camera down for a little while as I...
5 Frames… Wandering through Bangkok with CineStill 800 Tungsten (EI 1250 / 35mm format / Yashica FX-3 Super 2000) – by Francesco Carloni
I’ve always wanted to try CineStill 800T since it came out a few years ago. I've been delighted by all the pictures...
EMULSIVE’s most popular film stock reviews of 2019
There are a few days left for 2019 but fingers crossed, it's the first year for quite some time where we haven't...
Four years and counting: Un Giro D’Italia – touring Italy or, a never-ending project
Like all good projects, this one began without me even realising it. I didn’t intend for this to become such a long...
Buffalo Soldier: Examining the history and lives of black American soldiers – by Sheldon J Walker
Over the past two years, I’ve been pouring everything I had emotionally, physically, and financially into a staged photography series I call “Buffalo Soldier”. My project is...
5 Frames… With Cinestill 800T at night (EI 1600 / 120 format / Rolleiflex K4B) – by Laura Pardo
I bought my Rolleiflex K4B off eBay about a year ago and got a pretty sweet deal for it. Since then, it...
Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
5 Frames… With CineStill 800T (EI 800 / 120 format / Yashica D TLR) – By Ed Worthington
A while ago I was involved in a Twitter conversation about what scene from a movie you wish you could have shot yourself, or wish you could replicate.
5 Frames… With CineStill 800T at night (EI 800 / 120 format / Hasselblad 500 CM) – Matias Takala
I had a roll of CineStill 800T in my fridge waiting for a special occasion. I was going home from work one day and I could see a promise of fog in the air.
5 Frames… With Cinestill 800T (EI 500 / 120 format / Minolta Autocord TLR) – by Anthony Cronin
So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was my ever trustworthy Minolta Autocord with its 75mm Rokkor lens.
5 Frames… With CineStill Tungsten 800 (EI 800 / 35mm format /Minolta X-700) – by Mila Galinova
The tungsten aesthetic really is my thing. I love seeing it used for night outdoors shots; I’m convinced that even the most mundane things, shot at night, on tungsten film, automatically become statement shots…
5 Frames… With CineStill 800T (EI 800 / 120 format / Fujifilm GS645 Professional) – by Michael C. Duke
I'm a latecomer to film photography, but have been working hard to catch up. After reading a lot about CineStill's products, I recently...
Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils Karlson
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn't joking, it was anything but orthodox.
Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20
If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.
EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It's a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It's wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell.
Over to you, John!
Hi John, what's this picture, then?
Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
Photography: Urgent business – Shot on Cinestill 800T (35mm)
Urgent business
Shot on Cinestill 800T at EI 800
Color motion picture negative in 35mm format
