Canon
5 Frames… Of mewithoutYou on Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon Canonet G-III QL17) – by Eric Meckley
When my favorite band -- Philadephia's mewithoutYou -- came to town in Fall 2019 fall, I knew I wanted to shoot the...
EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
I first came across today's interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona....
5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon 7) – by Jason Lucey
This past summer, I became interested in Kodak T-MAX 400 in 35mm format. I was hoping for a film stock that was...
5 Frames… With Adox CMS 20 II (EI 6 / 35mm format / Canon EOS 3) – by Rudiger Hartung
ADOX CMS 20 II is a microfilm. No other film is sharper, no other film is more fine-grained, no other film resolves...
5 Frames… With Kentmere 400 (EI 400 / 35mm format / Canon 7) – by Alexandr Luknedrug
At the beginning of my experiments with black and white film, I tried almost all modern (and available) films from different manufacturers....
5 Frames… With ILFORD Delta 100 Professional (EI 100 / 35mm format / Canon A-1) – by Josh Knowles
This young lady's mother asked me several months back about shooting graduation photos. Despite not being a pro by any stretch of...
5 Frames… With ILFORD SFX 200 (EI 200 / 35mm format / Canon Sure Shot Z90W) – by Jayne Orbezo
I just bought a few rolls of fresh film at my local camera shop, Downtown Camera and they had a special on...
5 Frames… From 1977: Mario Andretti and ILFORD HP5 (EI 400 / 35mm format / Canon F1) – by Dan Carroll
Formula One racing had a profound effect on my life as a man and as a photographer. My superheroes weren’t Batman, Superman...
5 Frames… With Fomapan 200 Creative (EI 200 / 35mm format / Canon A-1) – by Clarence Laboranti
Such is the odd, pleasant surprise of the unexpected. Finding myself camera-less, purchasing a 10–pack of film days before making a visit...
Choosing a 35mm film SLR? A quick look at six (vintage?) film camera manufacturers…
Since the publication of my original book, "Nikon Film Cameras, Which one is right for you?", I’ve acquired a number of additional...
EMULSIVE interview #207: I am George Quiroga and this is why I shoot film
Up for this week's fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years...
5 Frames… With Agfa Cinerex IC1N (35mm / EI 200 / Canon Prima Zoom 90u Date) – by Guilherme Maranhão
It has been a while since me and a friend started organizing these Sunday morning walks in downtown São Paulo. Sometimes we...
Camera review: The Canon SURE SHOT Z135 – by Tom Perry
It has come to the point in my life where I am the ‘camera guy’ to family and colleagues; I will not...
5 Frames… With New Oriental Seagull 100 (EI 100 / 35mm format / Canon AV-1) – by Orrin Heath
In Japan, Fujifilm NEOPAN 100 ACROS was the least expensive black and white film. However, with the film no longer being made,...
5 Frames… With Kodak EASTMAN Double-X 5222 (EI 250 / 35mm format / Canon A-1) – by Philipp Balunovic
In 2018 I stumbled upon a small camera store in Porto, Portugal.
Research: is there really a difference between real and simulated film photographs?
To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.
5 Frames… With Psychedelic Blues (EI 400 / 35mm format / Canon AE-1) – by Hannah Pitstick
Psychedelic Blues Film is a line of experimental rolls of Kodak Ultra Max hand-fogged by photographer Dustin Adams and sold through his online shop. Each batch is unique and every roll contains an element of unpredictability.
5 Frames… With Kodak Ektar 100 (EI 100 / 35mm format / Canon Canonet QL17 GIII) – by Joan Prenza
It all began in the summer of 2018 when I made a trip to the United States.
5 Frames… Of mountain bikes with ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Canon EOS 650) – by Niall Pinder
Winter has come...to BC, which means a lot of cloud, some snow and the sun setting around 3:30pm, which is kind of ridiculous.
5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon EOS 1N) – by Chris Dixon
Having been and ILFORD user since learning to shoot with it in high school, I thought it high time I gave some Kodak stock a look (I have been shooting film again for about two years – a VERY
