Tag: Canon
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Film review: A new film from Fuji? Introducing Fuji Super HR-20, small grain for a small wallet
A new film from Fuji? As puzzling as this might sound given the company’s penchant for...
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5 Frames With… Kodak EKTACHROME 160 (35mm / EI 160 / Canon EOS 1N) – by Daniel Kompass
I’ve been shooting film most of my life, I’d say about 75% of my photos reside on...
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No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Over...
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5 Frames With… Kodak Tri-X 400 (35mm / EI400 / Canon AE-1) – by Colleen Bryant
The images in this series are abstracted Houston landscapes, shot on 35mm film. I use double,...
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5 Frames With… Kodak T-MAX P3200 (EI 3200 / 35mm / Canon EOS 1V) – by Raymond van Mil
My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old...
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5 Frames With… ILFORD HP5 PLUS (35mm / EI 400 / Canon 7) – by Anthony Chatain
I’ve been working in the main business district of Paris, La Défense, for more than a decade....
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5 Frames With… Fuji Reala 100 (EI 100 / 35mm / Canon EOS 500) – by Madalina Chilici
After deciding to take a city break in Rome, Italy – together with my mother – I knew...
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5 Frames With… Kodak EASTMAN Double-X 5222 (EI 250 / 35mm / Contax G2) – by Frank Wu
I couldn’t resist trying this film. The truth is I am eager to experiment with any emulsion I...
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5 Frames With… Kodak Tri-X 400 (EI 400 / 35mm / Canon AE-1 Program) – by Brendan Morrison
Friendship can be hard at times. Sometimes distance can pry us apart. Other times we change and...
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EMULSIVE interview #177: I am Clara Araujo and this is why I shoot film
It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE...
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EMULSIVE interview #176: I am Josip Šore and this is why I shoot film
Welcome all. This week I have the pleasure of bringing you the work and words of Josip Šore,...
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Double exposure portraits – by Clara Araujo
One of my favorite things about shooting film is that I can make multiple exposures, which are...
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Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa...
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Camera review: Canon EOS-1 – by Juan Gauna
I brought the Canon EOS-1 a couple of years ago and among all of the cameras that I have had and...
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5 Frames With… KODAK T-MAX 400 (EI 400 / 35mm / Canon EOS 30V Date) – by Steven J Parkes
With the exception of an Olympus Trip, I sold all of my 35mm camera equipment at the beginning of...
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5 Frames With… Bergger Pancro 400 (EI 1600 / 35mm / Canon EOS 50) – by Barnaby Nutt
I have a friend who is a ‘proper’ photographer. In stark contrast (sic) to my haphazard, eclectic...
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Immersed – Shot on Cinestill 800T at EI 800 (35mm)
Immersed Shot on Cinestill 800T at EI 800 Color motion picture negative in 35mm format Write...
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EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months. It’s...
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5 Frames With… Silberra PAN100 (EI 100 / 35mm / Canon FTb) – by Aislinn Chuahiock
The moment I received my Silberra film, I immediately popped the PAN100 in my Canon FTb and paired...
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Film Comparison: Bergger Pancro 400, JCH Streetpan 400 and Rollei RPX 400 by Rebecca Joyce
The past 15 years or so have not been easy for film photographers: Most photo labs have closed...
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All Categories
- Articles (603)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (8)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (3)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (12)
- Projects (28)
- Secret Santa (16)
- Thoughts (15)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (204)
- Community Interviews (11)
- Photography (1,115)
- 110 format (4)
- 35mm format (495)
- 5 Frames With (114)
- 65mm format (3)
- Large format (13)
- Medium format (484)
- Reviews (279)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (195)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
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- JCH Films (4)
- Kodak Films (56)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (8)
- Revolog Films (2)
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- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
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- Yodica Films (1)
- Gear Reviews (14)
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