Tag: Black and White Negative Film
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Photography: Threading the needle – Shot on Shanghai GP3 100 at EI 100 (120 format)
Threading the needle Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Leica M2)
It must be 30 years since I’ve used ILFORD FP4 PLUS, of course, it was plain FP4 in those days (I stopped using it before the PLUS arrived in 1990).
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Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
View no more Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×45 Push processed three stops Read the full ILFORD HP5 PLUS review here.
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Photography: Resident’s association – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Resident’s Association Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format
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Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.
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Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120 PAN + Schneider Angulon 90mm f/6.8 Read the ILFORD FP4 PLUS review
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Photography: The moon in her hands – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
The moon in her hands Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format
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Photography: Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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Camera review: getting back on the bike with the Intrepid 4×5
It sounds very grand when you tell people that you are having a field camera made for you. I certainly felt grand and excited when I placed my order for an Intrepid 4×5 with blue bellows and lens board.
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Photography: SHOX – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
SHOX Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
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Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 4×5 format