Tag: Black and White Negative Film
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Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110
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Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
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Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)
Load bearing Shot on Lomography Lady Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops. Development notes: Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2) No presoak, 1-minute initial agitation
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Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)
Light traffic Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
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Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)
My pond has no fish Shot on ILFORD FP4 PLUS at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 1 2/3 stops Read the ILFORD FP4 PLUS review
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Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6×6 Pull processed one stop
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Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6×6 Push processed seven stops
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Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops
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Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
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Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5 stops. Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in 120 format shot as 6×12 Push processed one stop Development notes: Kodak HC-110: 1+47, 20°C/68°F, 10:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Snuggle buddies – Shot on Lomography Orca 110 at EI 80 (110 format)
Snuggle buddies Shot on Lomography Orca 110 at EI 80 Black and white film in 110 format
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Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back… Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5
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Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
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Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6
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Photography: Top to bottom – Shot on Fuji Acros 100 at EI 100 (120 format)
Top to bottom Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as 6×17