Tag: Black and White Negative Film
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Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6×6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter
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Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)
No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: PADI certified – Shot on Oriental Seagull 100 at EI 100 (35mm format)
PADI certified Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Photography: Y? – Shot on Oriental Seagull 100 at EI 100 (35mm format)
Y? Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)
Buttcrack Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1
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Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial
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Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Area secured Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
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Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6 Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
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Film notes: Kodak Professional T-MAX 400
Kodak T-MAX 400 is by far one of my favorite black and white films to shoot. It has a great balance of classic grain and also great latitude. Negatives are easily identified by edge markings stating “TMY-2”.
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Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)
In the shadows Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2 Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions
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Photography: Acrobatics – Shot on ILFORD FP4 PLUS (35mm format)
Acrobatics Shot on ILFORD FP4 PLUS at EI 125Black and white negative film in 35mm formatContax 139Q + Carl Zeiss Tessar T* 45mm f/2.8 Read the ILFORD FP4 PLUS review Development notesKodak HC-110: 1+31(B), 24°C/75°F, 07:00 (N
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Photography: Longan – Shot on Efke KB25 at EI 25 (35mm format)
Longan Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2 Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
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Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)
Spray Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak
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Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6×6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4 Development notes Cinestill Df96 monobath
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Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)
Journey’s end Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial agitation
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Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)
Old timer Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial
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Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)
Confusion Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak