Tag: Black and White Negative Film
-
Photography: Up lit, lit up – Fuji Acros 100
Fuji Acros 100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
-
Film stock review: Kodak Professional Portra 400BW
Well here’s something you don’t see every day or every week for that matter.
-
Photography: Steppppps – Lomography Orca 110 (110)
Lomography Orca 110 shot at ISO80 Black and white film in 110 format
-
Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter
-
Photography: That Monday feeling – Shot on ILFORD SFX 200 (35mm)
That Monday feeling Shot on ILFORD SFX 200 at EI 200Black and white negative in 35mm format That Monday feelingShot on ILFORD SFX 200 at EI 200.Black and white negative in 35mm format.
-
Photography: X marks the spot – Shanghai GP3 100 (120)
Shanghai GP3 100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
-
Photography: Passage – Shot on Kodak Tri-X 400 at EI 6400 (35mm)
Passage Shot on Kodak Tri-X 400 at EI 6400 Black and white negative film in 35mm format Push processed four stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: Patched – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Patched Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops Read the full ILFORD HP5 PLUS review here.
-
Photography: Pick-me-up – Shot on ILFORD DELTA PROFESSIONAL 400 (120 format)
Pick-me-up ILFORD DELTA PROFESSIONAL 400 shot at EI 1600 Black and white negative film in 120 format shot as 6×6 Push processed two stops
-
Photography: Air roots #02- Shot on Fuji Acros 100 (120)
Air roots #01 Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as 6×4.5
-
Photography: Cafe culture – Shot on Ilford Delta 400 Professional (120)
Cafe culture Shot on ILFORD Delta 400 Professional at EI 1600 Black and white negative in 120 format shot as 6×6 Push processed two stops
-
Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
-
Photography: Derelict – Shot on Shanghai GP3 100 (120)
Derelict Shot on Shanghai GP3 100 at EI 400 Black and white negative film shot as 6×6 Push processed two stops
-
Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
-
Photography: Warning: concealed restroom – shot on Kodak BW400CN (35mm)
Warning Shot on Kodak BW400CN at EI 400 Black and white negative film in 35mm format
-
Photography: Fizz (aka “after the rain”) – Shot on Rollei RPX 400 at EI 400 (120 format)
Fizz (aka “after the rain”) Shot on Rollei RPX 400 at EI 400 Black and white negative film in 120 format shot as 6×4.5
-
Photography: Fan out – Shot on Kodak Tri-X 400 at EI 100 (120)
Fan out Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
-
Photography: Ha – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Ha Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
-
Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
-
Photography: Shuttered – Shot on ILFORD FP4 PLUS (35mm)
Shuttered Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format