Tag: Black and White Negative Film
-
Photography: Luck of the damned – Fuji Acros 100 (120)
Luck of the damned Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format as 6×6 Push processed 2 stops
-
Photography: Lobed – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Lobed Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 120 format shot as 6×4.5 Read the full ILFORD HP5 PLUS review here.
-
Photography: Filing – Ultrafine Extreme 400 (120)
Filing Ultrafine Extreme 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6
-
Photography: Secured – Shot on Kodak Tri-X 400 at EI 800 (120)
Secured Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
-
Photography: Spitfire – Shanghai GP3 100 (120)
Spitfire Shanghai GP3 100 shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed three stops
-
EMULSIVE interview #24: I am David Toman and this is why I shoot film
Here we are again for a sit-down with another film photographer.
-
Photography: Stake-out – Rollei Retro 400S (35mm)
Stake-out Rollei Retro 400S shot at EI 25 Black and white infrared-sensitive negative film in 35mm format R72 filter
-
Photography: Trading place – Fuji Neopan 400 (35mm)
Trading place Fuji Neopan 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop
-
Photography: Prettyboy – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Prettyboy Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
-
Photography: Interlocked – Shot on Kodak Tri-X 400 at EI 800 (35mm format)
Interlocked Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format
-
Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
-
Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25 (35mm format)
Intertwined Shot on Rollei Infrared 400 at EI 25 Black and white infrared sensitive film in 35mm format
-
Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
-
Photography: Deep-rooted – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Deep-rooted Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×6 Push processed 1+1/3 stop Read the full ILFORD HP5 PLUS review here.
-
EMULSIVE interview #19: I am Diz and this is why I shoot film
Is it me, or are these weeks flying by?
-
Photography: The mighty mini – Kodak T-MAX100 (120)
The mighty mini Kodak T-MAX100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
-
Photography: Cirrius – Shot on Kodak T-MAX 100 TMX (120 format)
Cirrius Shot on Kodak T-MAX100 at EI 100 Black and white negative film in 120 format shot as 6×6
-
Photography: Whiter than white – Ilford HP5+ (120)
Whiter than white Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
-
Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)
Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6×4.5 Push processed five stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push
-
Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6