film.photography
Luck of the damned
Fuji Acros 100 shot at EI 400
Black and white negative film in 120 format as 6×6
Push processed 2 stops
Lobed
Shot on ILFORD HP5 PLUS at EI 400
Black and white negative film in 120 format shot as 6×4.5
Read the full ILFORD HP5 PLUS review here.
Filing
Ultrafine Extreme 400 shot at EI 400
Black and white negative film in 120 format shot as 6×6
Secured
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6×4.5
Push processed one stop
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing
Spitfire
Shanghai GP3 100 shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed three stops
Here we are again for a sit-down with another film photographer.
Stake-out
Rollei Retro 400S shot at EI 25
Black and white infrared-sensitive negative film in 35mm format
R72 filter
Trading place
Fuji Neopan 400 shot at EI 800
Black and white negative film in 35mm format
Push processed one stop
Prettyboy
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 35mm format
Push processed one stop
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
Interlocked
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 35mm format
Quadrophenia
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
Intertwined
Shot on Rollei Infrared 400 at EI 25
Black and white infrared sensitive film in 35mm format
Spinning around
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
Deep-rooted
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×6
Push processed 1+1/3 stop
Read the full ILFORD HP5 PLUS review here.
Is it me, or are these weeks flying by?
The mighty mini
Kodak T-MAX100 shot at ISO100
Black and white negative film in 120 format shot as 6×6
Cirrius
Shot on Kodak T-MAX100 at EI 100
Black and white negative film in 120 format shot as 6×6
Whiter than white
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
Mesh-ing around
Shot on Kodak Tri-X 400 at EI 12800
Black and white negative film in 120 format shot as 6×4.5
Push processed five stops
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push
Hydrant
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
