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Home » 6x9 Aspect Ratio

Tag: 6×9 Aspect Ratio

Posted inMedium format, Photography

Photography: One straight line – Shot on Kodak EKTACHROME E100 at EI 100 (120 Format)

Avatar - EMby EMApril 13, 2021February 5, 2022

One straight line Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 120 format shot as 6x9Fuji GW690III Professional Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800. If you’re reading this and remembering a time when I posted daily photographs from my archive and current […]

Agfa Record III
Posted in5 Frames..., Articles

5 Frames… Of a gradually re-opened Bangkok on an Agfa Record III (120 Format / EI 160 / Kodak Portra 160)

Avatar - Graham Rogersby Graham RogersSeptember 7, 2020July 31, 2021

I am not particularly a fan of color film, although I take many color photographs with my DSLR.  When I had my first cameras as a kid, it was all black and white, but I did try some color before digital cameras began to appear. I returned to film when I bought a used Hasselblad […]

Cup holder as standard - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x9. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Posted inPhotography

Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

Avatar - EMby EMFebruary 17, 2019July 31, 2021

Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6×9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Posted inMedium format, Photography

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

Avatar - EMby EMJanuary 21, 2019July 31, 2021

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Bottom: Zeiss Ikon Ikonta 520/2 (Ikonta C) with Novar-Anastigmat 105mm f/1:6.3 (~1928) - Top: Zeiss Ikon Nettar 515/2 with Nettar-Anastigmat 110mm f/1:4.5 (~1931)
Posted inFilm camera reviews, Reviews, Zeiss Ikon film camera reviews

Recensione: vi racconto le mie folding – Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2

Pierluigi Toluby Pierluigi ToluJune 15, 2016October 16, 2020

Il panorama della fotografia analogica è ricchissimo di fotocamere e attrezzature prodotte negli ultimi secoli da centinaia di produttori diversi, e questo ci aiuta a capire la bellezza e lo stato di evoluzione che questa Arte (la Fotografia) è riuscita

Left: Zeiss Ikon Ikonta 520/2 (Ikonta C) with Novar-Anastigmat 105mm f/1:6.3 (~1928) - Right: Zeiss Ikon Nettar 515/2 with Nettar-Anastigmat 110mm f/1:4.5 (~1931)
Posted inZeiss Ikon film camera reviews

Camera review: My Zeiss Ikon folders – the Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2

Pierluigi Toluby Pierluigi ToluJune 15, 2016October 16, 2020

Over the past two centuries, the film photography panorama has had plenty of cameras and other gear produced from hundreds of manufacturers.

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Photography: Here’s a thought – Shot on Fujifilm NEOPAN 100 ACROS at EI 800 (35mm Format)
Brookes - Kodak Ektar 100 shot at ISO100. Color negative film in 120 format shot as 6x6.
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Photography: Capped – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Crisscrossing the old Route 66 on a Polaroid 600 – by Matt Andrews
  • 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz Villalba
  • 5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho
  1. Nicholas Orloff on The Lomography Atoll 17mm f/2.8 M-mount lens: Get close to your subject. No, closer. No, really, get a bit closer…March 30, 2023
  2. Carl Gundel on Canon Demi EE17: The everyday diptych machineMarch 30, 2023
  3. Castelli Daniel on 5 Frames… Crisscrossing the old Route 66 on a Polaroid 600 – by Matt AndrewsMarch 29, 2023
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