One straight line Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 120 format shot as 6x9Fuji GW690III Professional Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800. If you’re reading this and remembering a time when I posted daily photographs from my archive and current […]
Tag: 6×9 Aspect Ratio
5 Frames… Of a gradually re-opened Bangkok on an Agfa Record III (120 Format / EI 160 / Kodak Portra 160)
I am not particularly a fan of color film, although I take many color photographs with my DSLR. When I had my first cameras as a kid, it was all black and white, but I did try some color before digital cameras began to appear. I returned to film when I bought a used Hasselblad […]
Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6×9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00
Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Recensione: vi racconto le mie folding – Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2
Il panorama della fotografia analogica è ricchissimo di fotocamere e attrezzature prodotte negli ultimi secoli da centinaia di produttori diversi, e questo ci aiuta a capire la bellezza e lo stato di evoluzione che questa Arte (la Fotografia) è riuscita
Camera review: My Zeiss Ikon folders – the Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2
Over the past two centuries, the film photography panorama has had plenty of cameras and other gear produced from hundreds of manufacturers.