Tag: 35mm Format Film
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Photography: One careful owner – Shot on Kodak 250D 5207 at EI 250 (35mm format)
One careful owner Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Wishful thinking – Kodak 250D 5207 (35mm)
2015-08-04 – Wishful thinking Kodak 250D (VISION3 5207) shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Hallowed halls – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Hallowed halls Kodak 250D (VISION3 5207) motion picture film shot at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Drifted – Kodak VISION3 200T 5213 (35mm format)
Drifted Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format
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Photography: Innerscape – Shot on Fuji Eterna 500T (8673) at EI 500 (35mm format)
Innerscape Shot on Fuji Eterna 500T (8673) at EI 500 Color negative motion picture film in 35mm format
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Photography: Ride the big wheel – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
Ride the big wheel Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format
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Photography: Big block – Eastman Double-X 5222 (35mm)
Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm format Push processed 4+2/3 stops
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Photography: Bokeh blues – Fuji 500T Vivid 8547 (35mm)
Bokeh blues Fuji 500T Vivid (8547) shot at EI 500 Color motion picture negative film in 35mm format
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Photography: Burning CHROME – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Burning CHROME Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format
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Photography: Waving in the new – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Waving in the new Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+1/3 stops.
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Photography: Infra-fern – Shot on Rollei 400 Infrared at EI 25 (35mm format)
Infra-fern Rollei 400 Infrared shot at EI 25 with R72 filter. Back and white infrared-sensitive negative film in 35mm format.
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Photography: X-ray’d – Shot on LomoChrome Purple XR 100-400 at EI 400 (35mm format)
X-ray’d LomoChrome Purple XR 100-400 shot at EI 400. Color negative film in 35mm format.
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Photography: Baby blue – Shot on Fuji 500T VIVID 8547 at EI 1000 (35mm format)
Baby Blue Shot on Fuji 500T VIVID (8547) at EI 1000. Color tungsten balanced motion picture film in 35mm format.
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Photography: Cornered – Shot on LomoChrome Purple XR 100-400 (120)
Cornered Shot on LomoChrome Purple XR 100-400 at EI 200 Color negative film in 120 format shot as 6×6
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Film notes: ILFORD FP4 PLUS 125
Following on from our recent review, here’s a quick reference for ILFORD’s fine detail, old school contrast monster, FP4 PLUS. Here’s what they have to say: “For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
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Photography: Pockmarked – Shot on Maco Eagle AQS 400 / Rollei Retro 400S (35mm)
Pockmarked Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320 Black and white negative film in 135 format
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Photography: Dry dock – Shot on Fuji 64D 8552 (35mm)
Dry dock Shot on Fuji 64D 8552 at EI 64 Color negative motion picture film in 35mm format. There’s more from this roll of Fuji 64D 8552 motion picture film at the EMULSIVE Archives.