Growing up in Cape Town, I am very much an outdoors type of guy. I grew up going to the beach for Christmas, bodyboarding and surfing, hiking and cycling. Basically, it can all be condensed down to mountains and beaches. So, when my friend Chris asked me to go hiking in the Kerry landscape, with […]
Tag: 2020 – August
Posted in5 Frames..., Articles
5 Frames… Of a night out in Trastevere on Kodak T-MAX 400 pushed to 3200 (35mm format / EI 3200 / Nikon FG + Nikkor 50mm f/1.8 AI-S “Pancake”)
The following five frames were taken on a typical summer night in Rome, in early June 2019, where I had moved to in the spring to spend a semester abroad and work in the Italian galleries. Back then, I could already reflect on a long career as a photographer if you consider my young age. […]
Posted inPhotosets and stories
Fairchild K-20: the making of a meaningful portrait
A friend of mine gave me some 4×5 film a while back. It was originally purchased by her dad in 1979, who at the time was a professional photographer. He used mainly 120 medium format and 4×5 film for his work in that era, but did a ton of aerial work on a Fairchild K-20. […]
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5 Frames… Of Fomapan 400 Action developed in a Rondinax (35mm / EI 400 / Olympus MJU)
Being a member of a film photography society called NEG35 I have to admit to storing a small collection of film cameras in my spare room. Some work, some don’t, but just look too cool to even think about throwing away – come on I’m sure we’ve all been there! So why is it that […]
Posted in5 Frames..., Articles
5 Frames… Of a desolate Blackpool with Kodak ColorPlus 200 (35mm Format / EI 200 / OLYMPUS OM-2)
I’ve been shooting on film (or with any non-convenient high-megapixel low-character smartphone capacity) for a little under half a year now, starting very feebly with what I chose would be worthy of taking a photo of, I slowly garnered the courage to capture moments spontaneously without fear of running out of film – I started […]
Posted in5 Frames..., Articles, Featured
5 Frames… Of ballet on film shot on Kodak Portra 800 (120 Format / EI 800 / Yashica 635
‘Ballet on Film’ is an on-going collaboration with Honolulu Classical Ballet and artistic director Romi Beppu. It is an exploration into the rich hues, spirited movements and magical artistry that is ballet in Hawaii. Instead of focusing on the performance on stage, much of the visual story revolves around the in-between moments during rehearsal – […]
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5 Frames… On a panoramic-mod Zeiss Ikonta 521/16 and Rollei Retro 400S (EI 4200 / 120 Format)
I have an obsession with panoramic photos and the cameras that take them. Walk into a museum or historical exhibit and chances are you’ll find a panorama; often impossibly long and expertly taken by masters of the past. Often there’s a bigger opportunity for unintended scenes, objects, people, and situations to be captured in time. […]
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5 Frames… With a Leica M3, Summarit 50mm f/1.5 LTM and ILFORD PAN F (EI 50 / 35mm format)
Leica’s 50mm f/1.5 Summarit, which comes in M- or LTM mounts — I bought last year a mint LTM lens copy which I can use with an adapter on my Leica M3 — is often reviewed as an old vintage lens not being sharp enough in the center of the frame wide open. Even though […]
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5 Frames. Cumulus afternoon with a red filter on Rollei Superpan 200 (EI 200 / 120 format / Rolleiflex T)
Once again it was time for a spontaneous photo tour with a fixed theme. Normally I only shoot what comes to my nose. I am always very free. But that was a wonderful day, Saturday 30 May 2020. The sun was shining and cumulus clouds were gathering in the sky. The ideal weather for cloud […]
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5 Frames… In Leipzig with Kodak ColorPlus 200 (EI 100 / Revue 400SE)
One day I woke up with the feeling that I really needed to have a classic rangefinder from the late 1970s. After some Googling in fora and other resources, I decided to go for the REVUE 400SE – a white-labelled camera based on a standard design that has been used by other brands like Konica […]
Posted inArticles, Film camera reviews, Reviews
Building the CAMERADACTYL Brancopan
“Are you drilling?” asked my bleary-eyed wife, coming out of the bedroom of our small apartment at 1:30am. My desk was cluttered with tools, plastic shavings, and a half-completed CAMERADACTYL Brancopan 3D-printed camera. Of course I was drilling: the Brancopan has 27 fasteners with 1,094 thread revolutions, and there was no way that I was […]
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5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67)
I’ve been shooting a lot of panoramic images over the last few years. There’s something about the wide 1×3 aspect ratio that really appeals to me. I have a few different cameras that I use for this, but more often than not I am usually shooting them with my Mamiya RB67 ProSD with 35mm film […]
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5 Frames… Of everyday household objects in a tiny “Studio” on Fujifilm Superia Premium 400 (EI 400 / 35mm Format / Olympus OM-1N)
I don’t know about the rest of you but the COVID-19 lockdown pretty much took away my photography mojo for a while. I mean, when you are worried about the health of your family, friends and yourself, these things are going to take a back seat. What I found eventually once we settled into the […]
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5 Frames… Of Prague on ILFORD FP4 PLUS with my new Nikkormat FT2 (EI 125 / 35mm Format)
The Czech Republic has not escaped pandemic-related restrictions, with the country entering a state of emergency and national lockdown fairly early in the crisis. Outings for daily exercise were permitted, and while Prague’s parks were busy, the city centre – usually thronged with tourists – was all but deserted for several weekends. ILFORD FP4 PLUS […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #221: I am Gaetan Cormier Interview and this is why I shoot film
Stormchaser, landscape photographer and portraiture, today’s interviewee has a long and varied photographic history. Please give a warm welcome to Montrealean (-er? -an?), Gaetan Cormier! Over to you, Gaetan. Hi Gaetan, what’s this picture, then? Farm and Trees – Bronica SQ-A with 80mm lens, ILFORD FP4 PLUS GC: I learned about these cute farm buildings […]
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5 Frames… Of prototype Adox HR-50 on a tiny Rollei (35mm Format / EI 50 / Rollei 35S)
I love cycling. I also love taking pictures. An old Rollei 35mm camera turned out to be the ideal way to marry these two things without putting my fancy digital camera in danger, I even liked the pictures so much that the modern monster now stays at home for most days. One day I found […]
Posted inArticles
5 Wide Frames… With a CAMERADACTYL Brancopan and Fomapan 400 Action (35mm Format / EI 1600)
Well, here it is. My second 3D printed camera in all its glorious plastic glory, with a Mamiya universal press lens again. Actually, the same lens as the one on my Goodman One, the 65mm f/6.3. This time I’m using 35mm film, not 120…and a 2.5:1 aspect ratio because why not? That’s 24x60mm negs for […]
Posted inArticles, Opinion
Kodak Tri-X 400 follow-up: Does it even really matter?
I wrote an article here on EMULSIVE in April 2019 where I discussed some of the steps I made early on in my film photography process. I covered my earliest roll in 2016 to my then most recent work on Kodak Tri-X 400. I had sampled almost everything on offer by ILFORD, quite a few […]
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5 Frames… Of Kodak Plus-X Aerecon II 3404 (35mm format / EI 50 / Nikkormat FTN)
I bought this film in a “group buy” with a couple of other people over on Filmwasters.com and honestly, I didn’t know anything about it. I remembered shooting Plus-X back in the day and liking it, but that was the extent of my “knowledge”. As it turns out, I think that this is NOT Plus-X […]
Posted inFeatured, Film camera reviews, Leica film camera reviews, Reviews
The Leica M3: 5 reasons why it’s the greatest camera ever
The Leica M3 doesn’t do anything that another camera can’t. In fact, by today’s standards, it is severely lacking in features that are normally considered standard. No light meter. No hot shoe. No autofocus. No automatic exposure. Limited frame line selection (50/90/135). 1/50 max flash sync speed… On paper then, one might ask why anyone […]
