Tag: 2019 – February
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5 Frames… At Tsukiji Fish Market with Kodak Professional T-MAX P3200 (EI 3200 / 35mm format) Leica M3)
I shoot a lot of street photography, most of which is in Japan where I live. Grain has never been my thing.
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Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B
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Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Olympus Trip 35)
I have owned my Olympus Trip for several decades but have never taken it seriously, until lately.
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New in: CineStill “just add water” powdered developers and new improved film
There’s some very exciting news coming out of CineStill today in the form of an announcement of new powdered film developing chemistry and manufacturing updates for all new film. As I’ve noted on social media and this website before
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Cinematic storytelling part 3: developing motion picture film
Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
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Camera review: 30+ years with the Nikon FG-20
In 1984 I had just entered my 20s and my pockets were not very deep. Up to that point I had been using a Rolleiflex SL35M, my second SLR, but it had stopped working.
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EMULSIVE interview #196: I am Markus Hofstaetter and this is why I shoot film
It’s an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
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How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder
In this article, I’ll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan).
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5 Frames… With Kodak Aerochrome III 1443 Infrared (EI 400 / 35mm format / Canon EOS-1N)
I first experimented with infrared film back in the late 1970’s, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are
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Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Seeing spots Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3) 1 minute presoak, 30 seconds initial
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Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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The Hypersensitive Podcast Episode 01: Disposable income
The “0” before the “1” in the title anticipating a run into the double digits should strike fear in the hearts of everyone reading this.
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5 Frames… Of insect macros with ILFORD HP5 PLUS (EI 1600 / 35mm format / Canon EOS-5)
I have been photographing with film for many years, and also doing macro photography with digital cameras.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
