After learning last year that our office was due to close, I wanted to use my photographic skills to give something back to the people I worked with, something that might help them find their next dream job. I thought I could offer portraits that people could use on their CVs and social media. After […]
Category: Film camera reviews
Read EMULSIVE film camera reviews right here. You’ll find film cameras that use all formats of photographic film from, 110 to 35mm, medium and large format. Reviews include the Hasselblad 500CM, Pentax 67, Mamiya Press, Ricoh GR1s, Leica M cameras and Olympus MJU.
Shooting 35mm panoramic photographs with the Pentax 67
I first heard about the 24x65mm panoramic format when I bought my Fujifilm GFX50S a few years back. The digital medium format camera is able to shoot in 24×65 cropped mode whilst keeping the raw file intact and uncropped. I thought it was fun to shoot but I didn’t really commit to the format that […]
Half a year with the Nons Camera SL42 Mk II: a real user’s review
I have had the Nons Camera SL42 Mark II for 8 months and it has transformed my instant film photography. In this mid term user’s review I’ll explain why the Nons Camera has filled a niche of its own in my instant film camera line up.
Revisiting the cameras of my youth: Five half-frame Canon cameras over five and a half decades
In the 1960s half frame 35mm cameras enjoyed some popularity and several manufacturers offered models for this format. The idea was that the standard size of the 35mm frame (24×36 mm) was divided into two, which produced a frame half the size at 24×18 mm.
Camera review: The Pentacon Six TL and the Curate’s Egg
The Pentacon looks just like a standard 35mm SLR, although it is a little taller, a little wider and a little deeper. It is also heavier although does not feel particularly unwieldy in use.
Camera review: A love letter to my Hasselblad 500CM
After graduating from college in 2020 my parents gave me a Hasselblad 500CM as a graduation present. I had been wishing for a Hasselblad since learning about them. As a quick introduction, Hasselblad is legendary within analogue photography circles, from photos on the moon during the Apollo 11 mission (I can recommend the 2019 documentary […]
Camera review: The utilitarian Kiev 60
The Kiev 60. It was the camera that got me into medium format film photography, and for better or worse, the one that I love, and the one that frustrates me the most. A Soviet tank of a camera — the T-34 if you will — it’s not one that you want to lug up […]
Medium format film camera showdown: Contax 645 vs Pentax 645NII
I love medium format cameras but sometimes I feel a bit lazy: I just want to shoot a camera that is quick and convenient to use. That is when I reach for my trusty Pentax 645NII. It is a medium format film camera, but at the smallest end of what’s officially medium format. The Pentax […]
An accidental Rolleiflex TLR: A new experience with the Rolleiflex Automat 6×6 Model RF 111A
I had used film from the late 1950s right up to the digital revolution when I was seduced by what the new cameras could do. As DSLR cameras improved (I now have a Nikon D850) there were few practical reasons for working with the older technology. But what does practicality have to do with anything? […]
Same format, different story: Making the switch from a Pentax 67 to a Mamiya 7ii
I had been meaning to get into the medium format 6×7 game for a while and I finally bought the Pentax 67 (the “middle” version before the 67II) at an auction. For a long time, it was my go-to medium format camera. We had a real love-hate relationship. I loved the 105mm lens and hated, […]
The Analogue Studio Polaroid conversion kit for the Mamiya RB67
I get easily excited about the little things. Whether it’s a new film stock, a film stock revived from the dead (come on Agfa Vista 400!), a new camera, a newly discovered old camera, or literally anything with the word Mamiya in it, my creativity starts rolling and I get my butt off the couch […]
Less than the sum of its parts? The Nikon F3P, a press camera
Back in the day, the “stock” Nikon F3 was so popular amongst Japanese photojournalists that Nikon decided to make a “Press” or “Professional” version to the Japanese market. Apparently, only accredited photojournalists could get their hands on one of these babies, so only limited quantities were produced until… Nikon decided to make extra ones called […]
Nishika & The N8000: A seedy history of telephone scams, lawsuits and fake parts
Did you ever hear the tragedy of the Nishika N8000? If you haven’t you’re going to learn all about the seemingly seedy history of this camera; from fake LCD screens to telemarketing scams ahem, creativity…
Around Europe with the Zorki 4K
I for the longest time fancied owning a completely mechanical rangefinder camera, but I always thought that they were out of my budget. That was until I, by utter chance, stumbled into the world of Fed and Zorki Ukrainian and Russian rangefinders. After doing a bit of research online, I decided on getting a Zorki […]
Maximum readiness, effective robustness: The Durst Sei Sei (Durst 66)
During the never-ending cycle of lockdowns here in the UK, I’ve set myself a little project wandering about on my permitted ‘one-exercise-a-day’ time, documenting my hometown of Stone in the West Midlands. My preferred film is ILFORD HP5 PLUS: absolutely bomb-proof. A friend regularly develops his in his coffee (Caffenol) and he gets printable negatives […]
The Nikonos V: The underwater & on-land adventure camera
The Nikonos V — with its striking orange exterior — is one of the most legendary 35mm film cameras ever made. Created for scuba diving, the Nikonos can go as deep as 50 meters underwater (about 5 bar / 72 pounds per square inch of pressure), which covers more than enough depth for recreational divers. But […]
Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera
Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera ~ by Salvador Busquets One of the most fascinating things I’ve found by collecting cameras is that from time to time, there is some exposed — but not developed — film or glass plate. They often have spent decades inside […]
Norita 66 system review: Pleasure and pain from my need for speed
Hello. My name is Aivaras and I am a bokeh junkie. I got into film photography mostly because of my ability to play with limited depth of field and I still can’t let it go. However, there are minor signs of remission; I already managed to understand that in the 35mm film world at least, […]
Swift shooter: The Chinon Auto 3001 has the functions and ergonomics to ensure you don’t miss the decisive moment
The ability to frame in the mind and see a photo before it’s even taken is a key skill, and one that only comes with practice and patience. An equally important factor, though, is the equipment.
Camera Review: The Diana Instant Square… Instant Control
Instant Pinhole photos are almost an oxymoron. The film process with the fastest feedback loop coupled with the film process with the longest exposure times. Does it make sense? Well, yes it does, particularly in the Diana Instant Square. In this article, I’ll be taking a look at the camera and how it delivers that classic Diana/toy camera […]