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An accidental Rolleiflex TLR: A new experience with the Rolleiflex Automat 6×6 Model RF 111A

I had used film from the late 1950s right up to the digital revolution when I was seduced by what the new cameras could do. As DSLR cameras improved (I now have a Nikon D850) there were few practical reasons for working with the older technology. But what does practicality have to do with anything? […]

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Same format, different story: Making the switch from a Pentax 67 to a Mamiya 7ii

I had been meaning to get into the medium format 6×7 game for a while and I finally bought the Pentax 67 (the “middle” version before the 67II) at an auction. For a long time, it was my go-to medium format camera. We had a real love-hate relationship. I loved the 105mm lens and hated, […]

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Less than the sum of its parts? The Nikon F3P, a press camera

Back in the day, the “stock” Nikon F3 was so popular amongst Japanese photojournalists that Nikon decided to make a “Press” or “Professional” version to the Japanese market. Apparently, only accredited photojournalists could get their hands on one of these babies, so only limited quantities were produced until… Nikon decided to make extra ones called […]

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Maximum readiness, effective robustness: The Durst Sei Sei (Durst 66)

During the never-ending cycle of lockdowns here in the UK, I’ve set myself a little project wandering about on my permitted ‘one-exercise-a-day’ time, documenting my hometown of Stone in the West Midlands. My preferred film is ILFORD HP5 PLUS: absolutely bomb-proof. A friend regularly develops his in his coffee (Caffenol) and he gets printable negatives […]

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Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera

Shot 100 years ago: Developing Kodak Premo-Pack 4×5 film from a Rochester Premo B camera ~ by Salvador Busquets One of the most fascinating things I’ve found by collecting cameras is that from time to time, there is some exposed — but not developed — film or glass plate. They often have spent decades inside […]