Category: 35mm format
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Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Mirror finish Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Bike share Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
In a sea of oil Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.
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Photography: Resident’s association – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Resident’s Association Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format
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Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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Photography: Cotton candy – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Cotton candy Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.
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Photography: Chrysalised – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Chrysalised Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
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Photography: To the gate – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
To the gate Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120 PAN + Schneider Angulon 90mm f/6.8 Read the ILFORD FP4 PLUS review
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Photography: Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400 Color negative film in 35mm format
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Photography: Off peak – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Off peak Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: The moon in her hands – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
The moon in her hands Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format
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Photography: Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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Photography: By a nose – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm format)
By a nose Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
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Photography: SHOX – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
SHOX Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
Recently published
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- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
