Category: 35mm format
-
Photography: Bound – Shot on Fuji Superia 100 at EI 100 (35mm format)
Bound Shot on Fuji Superia 100 at EI 100 Color negative film in 35mm format
-
Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops
-
Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
-
Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
-
Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
-
Photography: 5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
-
Photography: To a point – Shot on Kodak 500T (5219) at EI 500 (35mm format)
To a point Shot on Kodak 500T (5219) at EI 500 Color motion picture film in 35mm format
-
Photography: Don’t leave your sht at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop.
-
Photography: Through yonder – Shot on Fuji Press 800 at EI 800 (35mm format)
Through yonder Shot on Fuji Press 800 at EI 800 Color negative film in 35mm format
-
Photography: Forever memories – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Forever memories Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format
-
Photography: Curved plane – Shot on Fujicolor Industrial 400 at EI 400 (35mm format)
Curved plane Shot on Fujicolor Industrial 400 at EI 400 Color negative film in 35mm format
-
Photography: Burnt guardian – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Burnt guardian Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 Color reversal (Slide) film in 35mm format
-
Photography: Unhinged #02 – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Unhinged Shot on Fuji Premium 400 at EI 400 Color negative film in 35mm format
-
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
-
Photography: Child-friendly facilities – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Child-friendly facilities Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
-
Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back… Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5
-
Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
-
Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
-
Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
