Category: 35mm format
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Photography: Cosy corner – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
Cosy corner Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
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Photography: Mud guard – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
Mudguard Shot on Kosmo Foto Mono 100 at EI 100 Black and white negative film in 35mm format
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Photography: Saw – Shot on Kodak VISION3 250D 5207 at EI 500 (35mm format)
Saw Shot on Kodak VISION3 250D (5207) at EI 500 Color negative motion picture film in 35mm format Push processed one stop
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Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110 (B
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Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format
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Photography: Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 35mm format Reversal developed overexposed one-stop Read the Bergger Pancro 400 reviews
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Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop
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Photography: Red and green should never be seen – Shot on Lomography F²/400 at EI 400 (35mm format)
Red and green should never be seen Shot on Lomography F²/400 at EI 400 Color negative film in 35mm format
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Photography: Pole position – Shot on Fuji Natura 1600 at EI 800 (35mm format)
Pole position Shot on Fuji Natura 1600 at EI 800 Color negative film in 35mm format Overexposed one stop
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Photography: Blistering barnacles – Shot on Kodak VISION3 200T 5213 at EI 200 – 35mm format
Blistering barnacles Shot on Kodak VISION3 200T 5213 at EI 200 Color motion picture film in 35mm format
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Photography: Ballast – Shot on Fuji Press 800 at EI 800 (35mm)
Ballast Shot on Fuji Press 800 at EI 800 Color negative film in 35mm format
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Photography: Protuberance – Shot on Kodak Profoto XL 100 at EI 100 (35mm)
Protuberance Shot on Kodak Profoto XL 100 at EI 100 Color negative film in 35mm format
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Photography: Bokehline – Shot on Fuji Press 800 (35mm)
Bokehline Shot on Fuji Press 800 at EI 800 Color negative film in 35mm format
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Photography: In the lines – Shot on Kodak Ektar 100 at EI 100 (35mm format)
In the lines Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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Photography: Surfing season – Shot on Fuji Superia Premium 400 (35mm)
Surfing season Shot on Fuji Superia 400 Premium at EI 400 Color negative film in 35mm format
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Photography: Latch key kid – Shot on Agfa Scala 200X at EI 200 (35mm format)
Latch key kid Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed
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Photography: Angled – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Angled Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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