Author: EM
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EMULSIVE x Kodak Alaris Community Interview: Submit your questions
UPDATE: The EMULSIVE x Kodak Alaris Community Interview is now live at: https://emulsive.org/articles/community-interviews/emulsive-x-kodak-alaris-community-interview-results-time. Head on over to see the results. It’s time to introduce the third in our series of EMULSIVE Community Interviews and if the two previous interviews
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Photography: Six layers – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Six layers Kodak Ektar 100 shot at EI 100 Color negative film in 35mm format
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EMULSIVE interview #107: I am Scott Barman and this is why I shoot film – NSFW
Before you scroll on, please be aware that today’s interview is decidedly Not Safe For Work. Just in case you need some space, the interview starts below. Scroll down when you’re ready. I’m sitting down with Scott D
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Photography: Symmetry – Kodak Portra 160NC (35mm)
2016-09-29 – Symmetry Kodak Portra 160NC shot at EI 100 Color negative film in 35mm format
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Film review: Fuji Instax Mini Monochrome
Welcome to – to the best of my knowledge – the world’s first review of Fuji Instax Mini Monochrome!
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Photography: By the sack – Fuji Pro 400H (35mm)
2016-09-28 – By the sack Fuji Pro 400H shot at EI 200 Color negative film in 35mm format Over exposed by one stop
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Photography: That way – Konica Color Pro 100 shot at EI 100 (35mm format)
That way Konica Color Pro 100 shot at EI 100 Color negative film in 35mm format That wayKonica Color Pro 100 shot at EI 100.Color negative film in 35mm format.
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Photography: Erm…what? – Oriental New Seagull 400 (35mm)
Erm…what? Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format
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Cheat sheet: Kodak Tri-X 400 development times – EI 200 to EI 25600
My ILFORD FP4 PLUS development times article seemed to cause quite a buzz.
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Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
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Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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EMULSIVE interview #106: I am Robert J Davie and this is why I shoot film
Today I’m delighted to bring Rob Davie for your intellectual consumption.
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Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)
Zion NPS #01 Shot on Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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Photography: Gear porn – Graflex / Linhof Grip – Ilford FP4+ (120)
Gear porn – Graflex / Linhof Grip Ilford FP4+ shot at EI 100 Black and white negative film in 120 format shot as 6×6 Over exposed ⅓ stop – Mamiya C330F + Sekor 80/2.8 Looking for development times
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Photography: Reflection – Fuji 64D 8552 (35mm)
2016-09-19 – Reflection Fuji 64D 8552shot at EI 64 Color negative motion picture film in 35mm format
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Introducing the EMULSIVE 2016 Secret Santa
2016/10/31: UPDATE HERE! Some small details are still being finalized but I’m proud to be able to announce the return of the EMULSIVE Secret Santa for 2016!
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The EMULSIVE Global Film Lab Map (v9)
Update 09 – 2018-06-21: 334 labs / 56 countries58 labs added, 32 updated and five new countries on the map. Special thanks to Tibo Alberny and John Whitmore for their help cleaning up all the submissions.
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EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.