Author: EM
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Photography: Let the light shine – FILM Ferrania P30 Alpha (35mm)
Let the light shine Shot on FILM Ferrania P30 Alpha at EI 320 Black and white negative film in 35mm format Push processed 3 stops and over exposed one stop
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Photography: Halo – FILM Ferrania P30 Alpha (35mm)
Halo Shot on FILM Ferrania P30 Alpha at EI 80 Black and white negative film in 35mm format
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Film stock review: Lucky New SHD 100 part 1 – 35mm EI 100 (bracketed +/- 1 stop)
Lucky Film SHD 100 black and white film was one of a number of versions of colour, black and white, and chromogenic black and white consumer films manufactured by Lucky Group Corporation in Héběi (河北), China. Sadly, the company
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Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
In vein Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5
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Photography: To the light – Rollei INFRARED 400 (4×5)
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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EMULSIVE interview #150: I am Toni Skokovic and this is why I shoot film
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic.
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Photography: V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
V Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5
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Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
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Photography: Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
Where the wild things grow Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5
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Photography: Ginger snaps – Lucky New SHD 100 (35mm)
Ginger snaps Lucky New SHD 100 shot at EI 50 Black and white negative film in 35mm format
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EMULSIVE interview #149: I am Rebecca Joyce and this is why I shoot film
Today’s interviewee is a real treat.
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Photography: Bridge end – Shot on Maco Eagle AQS 400 (35mm)
Bridge end Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI 400 Black and white negative film in 135 format
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Photography: Cylon vision – Shot on Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)
Cylon vision Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed / Lomography Sprocket Rocket.
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Photography: Hand-stitched quality – Rollei Retro 80S (120)
Hand-stitched quality Shot on Rollei Retro 80S at EI 80 Black and white negative film in 120 format shot as 6×6
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Photography: Three cats #01 + #02 – Rollei Vario Chrome (35mm)
Three cats #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox.
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Photography: Dried veins #01 + #02 – Rollei Vario Chrome (35mm)
Dried veins #01 + #02 Shot on Rollei Vario Chrome – EI 800 vs EI 400 Color reversal (slide) film in 35mm format Push processed 1-stop Exposure bracketing test Click the images to view lightbox.
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EMULSIVE interview #148: I am Ashley B Williams and this is why I shoot film
There’s a sense of good will and camaraderie in the film photography community that’s hard to beat.
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Photography: The stars above – Shot on Kodak Portra 400 at EI 400 (120 format)
The stars above Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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The best of #SummerFilmParty July 2017
Welcome to the best of #SummerFilmParty July 2017, as selected by the #SummerFilmParty panel. Thanks very much to the team for their help here and over on the Twitter account.