Author: EM
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Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6×6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.
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Photography: Got a minute? – Shot on Kodak Portra 400 at EI 400 (120 format)
Got a minute? Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: One outta two – Shot on Kodak Portra 400 at EI 400 (120 format)
One outta two Shot on Kodak Portra 400 at EI 400 Color negative film in120 format shot as 6×6
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Photography: Hard grind – Shot on Kodak BW400CN at EI 400 (120 format)
Hard grind Shot on Kodak BW400CN at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Please make my friends fat – Shot on Fuji NEOPAN SS at EI 100 (35mm format)
Please make my friends fat Shot on Fuji NEOPAN SS at EI 100 Black and white negative film in 35mm format
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The return of KODAK PROFESSIONAL T-MAX P3200 film in 35mm format
Update: New T-MAX P3200 at EI 80 with the Leica M-mount 7artisans 35mm f/2 lens Update: New 5 Frames With… showing printed examples of P3200 It’s back, folks.
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Gear review: the Peak Design Slide Lite (v2)
At the end of 2017 the folks over at Peak Design were kind enough to send me the latest version (v2) of their Slide Lite camera strap to try out.
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Photography: Naughty chair – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
Naughty chair Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format
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EMULSIVE interview #175: I am Ioana Tăut and this is why I shoot film
I’m so pleased to be able to bring you the words and work of Ioana Tăut, set in the wonderful world of her instant photography. Over to you, Ioana! Hi Ioana, what’s this picture, then? IT: I randomly
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Photography: Sweetspot – Shot on Fuji Superia 400 Premium at EI 1600 (35mm format)
Sweetspot Shot on Fuji Superia 400 Premium at EI 1600 Color negative film in 35mm format Push processed two stops
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Film review: Lomography Color Negative 400 in 120 format
I noticed a 3 roll box of 120 Lomography Color Negative 400 film in my local Boots Pharmacist some time ago.
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Photography: Postie – Shot on Lomography Redscale XR 50-200 at EI 100 (35mm format)
Postie Shot on Lomography Redscale XR 50-200 at EI 100 Color negative film in 35mm format, redscaled
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Photography: Call a spade a spade – Shot on Kodak Portra 400 (35mm)
Call a spade a spade Shot on Kodak Portra 400 at EI 400 Color negative film in 35mm format
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Photography: Lane control – Shot on Maco Eagle AQS 400 at EI 320 (35mm)
Lane control Shot on Maco Eagle AQS 400 at EI 320 Black and white negative film in 35mm format
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EMULSIVE interview #174: I am Ian Bartlett and this is why I shoot film
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you’ll be more than familiar with today’s interviewee, Ian Bartlett. I’m looking forward to this!
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Photography: Recyc – Shot on Fuji Natura 1600 at EI 1600 (35mm)
Recyc Shot on Fuji Natura 1600 at EI 1600 Color negative film in 35mm format
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Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm)
At the end of 2017 I mentioned to Aislinn Chuahiock that I’d received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography’s Color Negative 800 in a side-by-side review. In her infinite wisdom
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Photography: Transfixed – Shot on Fuji Pro 400H at EI 400 (120 format)
Transfixed Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×6







