Author: EM
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Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
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EMULSIVE Interview #191: I am Robin Kuusela and this is why I shoot film
A film shooter for a little under ten years so far, this week’s fresh EMULSIVE interviewee is Robin Kuusela.
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Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
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Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
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Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Muckcatcher Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1 inversions
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Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format
‘lil stunner Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops. Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested. ‘lil stunnerShot on Kodak
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Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right #01 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
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Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1 The images below form part
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Photography: Starin’ at the world – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
Starin’ at the world… Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Under cover Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial agitation, 1
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Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Keep your head down Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 Black and white negative film in 35mm format Push processed 22/3 stops Development notes Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3) 1 minute presoak, 30 seconds initial
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Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
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EMULSIVE interview #190: I am Simon Riddell and this is why I shoot film
Based in the Scottish Highlands, today’s interviewee gets about a bit, and I don’t just mean island hopping in the Scottish seas.
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Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
On edge Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
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Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)
Morning light Shot on Kodak EKTACHROME 100 (E100) at EI 200 Color reversal (slide) film in 35mm format Push processed one stop
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Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Area secured Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
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Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6 Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
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Photography: Bound – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Bound Shot on Fuji Provia 100F (RDP
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Photography: Stuffed – Shot on Wittner Chrome 200 at EI 200 (35mm format)
Stuffed Shot on Wittner Chrome 200 at EI 200Color reversal (slide) film in 35mm format StuffedShot on Wittner Chrome 200 at EI 200.Color reversal (slide) film in 35mm format.
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