Author: EM

EM

Founder, overlord, and editor-in-chief at EMULSIVE.org. I may be a benevolent gestalt entity but contrary to increasingly popular belief, I am not an AI.

EMULSIVE x CineStill Film Community Interview: submit your questions

Dec 12, 2018

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by

EM

in Community Interviews, Interviews

It’s time to introduce the latest in this series of EMULSIVE Community Interviews, this time we’re going one-on-one (one-on-two?) with the Brothers Wright, the brains and brawn behind CineStill Film – Cinema film for Still cameras.
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

Dec 12, 2018

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by

EM

in Medium format, Photography

Left Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×4.5
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

Dec 11, 2018

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by

EM

in Medium format, Photography

Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6
Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

Dec 10, 2018

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by

EM

in Medium format, Photography

Wow, what a difference! Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6×6. Cross processed.
EMULSIVE October 2018: month in review

Dec 8, 2018

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EM

in Articles, Best Of

Welcome to the 31 days, 24 articles and 23 Daily Photo posts that was October 2018 here on EMULSIVE In case you’re wondering, November’s month in review will be out next Saturday 😉 ~ EM Review: Comparing FF No.1 and Cinestill
Photography: PADI certified – Shot on Oriental Seagull 100 at EI 100 (35mm format)

Dec 7, 2018

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by

EM

in 35mm format, Photography

PADI certified Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)

Dec 6, 2018

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by

EM

in Articles

Ready to roll Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal film in 35mm format Cross processed Read the Fuji Velvia 100 (RVP 100) review here.
EMULSIVE Interview #193: I am Lee Gavin and this is why I shoot film

Dec 5, 2018

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by

EM

in Film Photographer Interviews, Interviews

I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK. Over to you, Lee. Hi Lee, what’s this picture, then? Memory – Fuji Fujicolor 200 LG: Having always been fascinated
Photography: Y? – Shot on Oriental Seagull 100 at EI 100 (35mm format)

Dec 5, 2018

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by

EM

in 35mm format, Photography

Y? Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

Dec 4, 2018

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by

EM

in Medium format, Photography

My spot Shot on Fuji Provia 100F (RDP III
Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)

Dec 3, 2018

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by

EM

in 35mm format, Photography

Buttcrack Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
Welcome to EMULSIVE v3

Dec 2, 2018

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EM

in Articles, News

For readers without a long memory, the last major design update to EMULSIVE was way back in February 2016, just 7 short months after launch.
EMULSIVE September 2018: month in review

Nov 24, 2018

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by

EM

in Articles, Best Of

Welcome to the 30 days, 27 articles and 20 Daily Photo posts that made up September 2018 here on EMULSIVE. I know this recap is a little bit late.
EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film

Nov 21, 2018

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by

EM

in Darkroom printing, Film Photographer Interviews, Interviews

This week’s interviewee has been shooting film for a little over a year at the time of writing.
Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)

Nov 16, 2018

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by

EM

in 35mm format, Darkroom printing, Photography

Tanked Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 Color reversal (slide) film in 35mm format Cross processed
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Nov 15, 2018

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by

EM

in 35mm format, Darkroom printing, Photography

Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
Photography: Baroo? – Shot on Kodak EKTACHROME 64T (EPY) at EI 64 (35mm format)

Nov 14, 2018

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by

EM

in 35mm format, Darkroom printing, Photography

Baroo? Shot on Kodak EKTACHROME 64T (EPY) at EI 64 Color reversal (slide) film in 35mm format
Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Nov 13, 2018

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by

EM

in Darkroom printing, Large format, Photography

Stumps #02 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter Read the Bergger Pancro 400 film reviews here.
Photography: Tiered – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Nov 12, 2018

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by

EM

in 35mm format, Darkroom printing, Photography

Tiered Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Cross processed
Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Nov 9, 2018

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by

EM

in 35mm format, Darkroom printing, Photography

Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

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