I’d originally got my Pentax 67II primarily for portraits and the chance of using the sublime 105mm f2.4 lens. For me, that is the perfect portrait lens, as it delivers a wonderful spatially separated look, usually only found from a large format camera set up. Whilst there are plenty of merits of a one-camera and one-lens set up, I did often feel limited when I wanted a wider composition, so I decided to investigate my options.
Why bother with opting for a shift lens; after all, Lightroom and Photoshop do a great job in correcting any in camera limitations? However, it was after talking to, and marvelling at the precision and clean lines of the work of Ashley Carr, https://www.instagram.com/acarrphoto/ that I realised how much I needed one (yes, needed, not wanted). After looking for a UK seller without luck, my impatience got the better of me and I decided to purchase a 75mm f4.5 shift lens through a Japanese outlet on eBay.
As it is the first shift lens I’ve owned, I wasn’t used to the pre-focusing, aperture setting, and meter reading process required. Compared to the 105mm f2.4, using the 75mm f4.5 shift certainly slowed the image taking process down more than usual. For each exposure you need to open the lens fully to f4.5, otherwise, the screen won’t be bright enough for you to focus. Then you must remember to step it down again to match the aperture you wish the exposure to be taken on, otherwise, your image won’t be metered correctly. Once you start composing your image and extend the shift mechanism, the image will need to be metered for again as it will potentially include more sky than you originally framed. Rather than metering centre weighted or matrix it’s also advised to spot meter for a more accurate reading.
Perhaps I made my life more difficult by shooting at night and introducing all these new steps into my shooting process which resulted in me making plenty of errors. However, I’m sure with practice the workflow will become more second nature; In the meantime, I’m just glad I didn’t mess these images up!
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This series is produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.
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