In conversation with: Burley Cameras
More and more film photographers are — literally — taking it into their own hands to create products and accessories that improve camera usability and …
5 Frames… With a medium format shift lens on Kodak Portra 400 (EI 400 / 120 format / Pentax 67II) – by Matt Peers
I’d originally got my Pentax 67II primarily for portraits and the chance of using the sublime 105mm f2.4 lens. For me, that is the perfect …
The East African Savannah on medium format film: Twice the weight for black and white? Any time.
I hate travelling light. Truth be told, I always surprise myself with the amount of gear I consider necessary on a trip. That’s better. You …
5 Frames… At a steam traction engine rally with Kodak T-MAX 400 (EI 400 / 120 format / Pentax 67II) – by Ian Folland
I came back into film in 2016 after a ten-year break, initially resurrecting my 1981 Pentax ME Super which I’ve had from new.
EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in …
Read moreEMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Film vs digital? It’s a pointless debate: photographing the Northern Lights on both
The debate pitting traditional film vs digital photography and which is superior has been going on over a decade – more than two depending on …
Read moreFilm vs digital? It’s a pointless debate: photographing the Northern Lights on both
EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film
I can’t begin to tell you how happy I am to finally bring today’s interviewee to these pages.
EMULSIVE interview #6: I am Antonio Biagiotti and this is why I shoot film
Here we are with another interview for you all. This time we’re sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6×7 using his Pentax 67ii.
