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Author: EMULSIVE

Nuthin’ but bokeh – Lomography Lomochrome Purple XR 100-400 (35mm)

Nuthin’ but bokeh Lomography Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Spring growth – Ilford Pan F+ (120)

Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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EMULSIVE x Kodak Alaris Community Interview: results time

Back in October 2016, we invited you all to submit your questions to Kodak Alaris for the third #EMULSIVE community interview. Well, we’re finally ready to share the results!     Thank you’s and introductions First of all, a massive thanks to everyone who got involved in the final Q&A presented below. We chopped, diced and spliced as many of your questions as we could for a totally packed submission to the team over at Kodak Alaris. I’d like to extend a huge thank you to David Toman, Erik Gould and Ribnar Mazumdar for taking the helm on this community interview. Your insight, advice and feedback was invaluable in shaping the direction of...

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門 / mén / door #02 – Fuji Provia 100F RDP III (120)

門 / mén / door #02 Fuji Provia 100F (RDP III) shot at EI 100 Color reversal (slide) film in 4×5 format Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Jessica Hobbs and this is why I shoot film

This week’s interview is with talented Montrealian (Montrealite?) Jessica Hobbs. It’s been a busy 12 months for Jessica, she’s recently finished her Montreal Festival project – 225 festivals in Montreal in 12 months…I’m guessing she’s in need of a bit of a rest. Anyway, enough from me. It’s over to you, Jessica!     Hi Jessica, what’s this picture, then? JH: Sometimes the best photographs are the ones you almost don’t take. This was taken a few years ago in the woods surrounding my fiancé’s farm, my favourite place to shoot. It was a hot, late August afternoon and...

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On edge – Ilford Pan F+ (120)

On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)

Bougainvillea bonsai Fuji Provia 100F (RDP III) shot at EI 100 Color reversal (slide) film in 4×5 format Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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門 / mén / door #01 – Ilford Pan F+ (120)

門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 4 – reassembly

Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together. By the time you’ve completed the steps described in this article you’ll have a fully functioning 4×5 camera, so don’t lose heart. But…we don’t want to stop there. In part five, I’ll be showing you how to calibrate your rangefinder to your lens, and set your focal plane shutter for accurate speeds. Finally, In part six, I will be showing you some of the photographs I’ve taken with my own AEROgraphic and inviting you to share your own....

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In thought – ADOX Silvermax 100 (35mm)

In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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EMULSIVE x FILM Ferrania Community Interview: Submit your questions

It’s time to introduce the fifth in our series of EMULSIVE Community Interviews to you, this time with the brains at FILM Ferrania, a little Italian company you may have heard of here and there. If you’re wondering where interviews 3 and 4 are (Kodak Alaris and Billingham), I assure you that they are both coming. Keep a close eye on the EMULSIVE feed over the coming weeks. While gears are whirring in the background for those two, I’d like to call you all to arms and submit your questions to the Film Ferrania team starting today.     FILM…Ferrania?...

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Stop – ADOX Silvermax 100 (35mm)

Stop Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Dave Bias and this is why I shoot film

Today’s interview is a bit of a treat, as well as a precursor for things to come. If you don’t know of Dave Bias, I’ll say this; he’s a vocal and active advocate of film with a purpose, having previously started US operations for The Impossible project and now running global sales and marketing for a little upstart called FILM Ferrania (that name might ring a bell). It’s time to step into the words and pictures of a man better known for shouting about film, rather than shooting it. Over to you, Dave.     Hi Dave, What’s this...

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Safe harbour – ADOX Silvermax 100 (35mm)

Safe harbour Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Fire damage – ADOX Silvermax 100 (35mm)

Fire damage Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed 1 stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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所有的 2017 年宣布的底片

2017 年對底片界來說真是可圈可點。現在不過是二月份而已我們就已經可以接受到新產品了。   January 5thKodak EKTACHROME 100   February 1stFERRANIA P30® (ALPHA) 2ndBergger Pancro 400 23rdLomography Color Negative F²/400   March TBAJCH Streetpan 400 - 135 (2nd run) and 120       KODAK EKTACHROME 100 – 彩色正片 KODAK EKTACHROME 100 從這世界上消失了足足兩年,KODAK 在2017從新推出了這款底片。他不只會有 135, 36張的規格,他也將推出 Super 8 電影底片。 這款底片是ISO100。比較值得一提的是他是俗稱的正片,也就是說他是可以直接上投影器來顯示照片的。 (右圖:以前的包裝)   KODAK EKTACHROME 100 說明: NameKodak EKTACHROME 100 (2017) VendorKodak TypeColor slide (Reversal) Format35mm Speed (ISO)ISO 100 Development processE6 Exposure latitudeUNTESTED Push processingUNTESTED Cross processingUNTESTED DatasheetCurrently unavailable       FERRANIA P30 (Alpha) – 黑白負片 FERRANIA P30 (Alpha) 由 Nicola Baldini,Ferrania 合夥人發表。這款底片有著三-乙酸鹽的包覆,為了達到更高的銀鹽比,換句話說,照片能夠更細緻。這款底片規格 ISO 80 ,包裝是135規格, 36張。 實拍照片 by Gianni...

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Film review: Bergger Pancro 400 35mm – EI 400 (bracketed +/- 1 stop)

You may have seen this recent article covering all the films announced and released in 2017. One of the films featured was Bergger Pancro 400, a totally brand new emulsion for 2017. In fact, if my research is correct, it’s the first totally new black and white emulsion for over a decade (and yes, that includes ADOX Scala 160, which is apparently a reformulation of APX 100). Since getting my hands on a few rolls of Pancro 400 in both 35mm and 120, I’ve been hard at work testing out a batch of the 35mm for this mini review of Bergger...

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滿 / Full – ADOX Silvermax 100 (35mm)

滿 / Full Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed 1 stop     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 3 – preparing and finishing the body

Welcome to part three of the AEROgraphic Project! There’s no time for preamble, as this is where things start to get really interesting (and fun). If you’ve been following along so far, you should have: A dozen or so bags of components Several large parts Quite a bit of leather A now-naked Graflex Pacemaker Speed Graphic shell Deep sense of foreboding. The final item on the list is completely natural and should be expected but fear not, things are about to get much better. If you haven’t been following along and are wondering what all this is about, jump on over...

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Canon porn – Kodak T-MAX 100 (35mm)

Canon porn Shot on Kodak T-MAX 100 at EI 100 35mm Black and white film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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