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Author: EMULSIVE

To the beat of the same drum – Fuji Superia 1600 (35mm)

To the beat of the same drum Shot on Fuji Superia 1600 at EI 1600 Color negative film in 35mm format Developed in Rodinal (1+100 / 20c / 60:00)     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.    ...

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Off the wall – Kodak T-MAX 400 (120)

Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Film review: Bergger Pancro 400 35mm – First impressions at EI 800 (bracketed +/- 1 stop)

Following on from my recent film review of Bergger Pancro 400 (35mm shot at EI 400 and bracketed +/- 1 stop), I’m pleased to bring you the second instalment, this time discussing Pancro 400 shot at EI 800 and bracketed +/- 1 stop. Once again, the format is 35mm. I will also be sharing my 35mm results at EI 1600 (bracketed) and with the film processed as black and white slides. Once published, you can expect exactly the same treatment for 120 format film – it’s all been shot and developed, so it’s just a question of time to put it together. By...

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All spent – Kodak Portra 160NC (120)

All spent Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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TMAX Party April 2017 – winner announcement

Welcome to the winner announcement for the first #TMAXParty for 2017! We received a total of 74 votes over the course of the voting period and whilst the winner ran away with 50% of the votes. Second and third place were only separated by one percent; a very close call. There were some fantastic photographs posted during post week and it was a close call. Thanks to everyone who took part and the judges and I are very much looking forward to welcoming you all back for TMAX in 2018. So, without further adieu, lets count down from third to first place!    ...

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Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)

Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Adam White and this is why I shoot film

Welcome, welcome to Adam J White, aka Twitter’s @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February. Thankfully that wasn’t enough to put him off, so he’s back as this week’s EMULSIVE interviewee. Take it away, Adam!     Hi Adam, what’s this picture, then? AW: These are my kids. This is why I do photography on film; to keep things close to me and traditional. Plus it its something I can go and do with them and teach to them to pass on to their children.     Ok, so...

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Small worlds – Fuji Velvia 50 – RVP 50 (120)

Small worlds Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Venn – Rollei Superpan 200 (120)

Venn Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Black and white reversal development     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Buoy oh buoy! – Fuji Provia 100F – RDP III (120)

Buoy oh buoy! Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Succulent display – Kodak Portra 400VC (120)

Succulent display Shot on Kodak Portra 400VC at EI 200. Color negative film in 120 format shot as 6×6.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Shoreline – Kodak EKTACHROME Professional Plus 100 – 6005 (120)

Shoreline Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6×6.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Jef Price and this is why I shoot film

Today’s interview has been written, rewritten, added to and chopped up many, many times over the past few months but it’s finally ready and I couldn’t be more pleased. I’m finally ready to bring you thoughts and words from the curious mind of Jef Price. Over to you, Jef!     Hi Jef, what’s this picture, then? JP: This is a photograph of my father from a wedding we were shooting. It’s very early on in my time as a working photographer, I was 15-16 when I took this. For me it’s a good representation of the things that...

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Dried out – Kodak T-MAX 100 – TMX (120)

Dried out Shot on Kodak T-MAX 100 (TMX) at EI 100. Black and white negative film in 120 format shot as 6×6.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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TMAX Party: Best of April 2017

Welcome to the best of #TMAXParty April 2017. It was a short run but there are plenty of films to fill the gap through 2017 (say hello to NEOPANtastic for May 2017). We’ve provided a voting form at the foot of this page for you to cast your votes  for your favorite of the 21 photographs below and voting is open until Sunday May 7th, at which point your votes will be collated and a winner announced. Here we go.     Day one – 17 April 2017 Daniel Tim‏ – @Dani_Timo #TMAXParty @TMAX_party E.I.1600 in HC-110 (semistand)   Ashley B Williams‏...

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A stitch in time – Kodak Portra 160NC (120)

A stitch in time Shot on Kodak Portra 160NC at EI 160 Color negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Welcome to #NEOPANtastic 2017 – Celebrating Fujifilm NEOPAN in all its variations and in any format of your choice

With the exception of a shortlist article covering the best of April, TMAXparty 2017 is all but over. Long Live TMAXparty! At the risk of film party fatigue, it;s time to announce our next celebration: it’s time for #NEOPANtastic. As ever, the rules are simple: Shoot a roll or sheet of any version of Fujifilm Neopan, new or old in any format you wish during the “shoot week” listed below. FYI, This all started as a way of celebrating Fuji NEOPAN 400 but over the months, we’ve decided to encompass all of Fuji’s black and white films, as they technically all use the...

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On the range – Fuji Pro 160NS (120)

On the range Shot on Fuji Pro 160NS at EI 160 Colour negative film in 120 format shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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50/50 – Kodak EKTACHROME 100VS – E100VS (120)

50/50 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Spring buds #02 – Fuji Provia 400X – RXP (120)

Spring buds #02 Shot on Fuji Provia 400X (RXP) at EI 800 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 32E 1-stop push     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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