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Author: EMULSIVE

Well moored – Shot on Fuji Velvia 50 – RVP50 (120)

    Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Film noir daycare – Fomapan R100 (35mm)

Film noir daycare Shot on Fomapan R100 at EI 100 Black and white reversal (slide) film in 35mm format Reversal development       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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EMULSIVE x FILM Ferrania Community Interview: results time

At the beginning of March 2017, we opened the doors for you you to submit your questions to the team at FILM Ferrania. The wait is finally over, it’s time for the results! Before we get into the meat of the interview first let me send a huge thanks to everyone who got involved in the final Q&A presented below. The panel for this interview comprised of  Massimiliano Acanfora, Massimiliano Marchetti, Pierluigi Tolu. Your support and help was invaluable, thank you all.     The FILM Ferrania team We were very lucky to have Dave Bias, marketing, communication and sales director for FILM Ferrania taking care of...

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Wall Lords – Kodak VISION3 250D 5207 – (35mm)

Wall Lords Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am Jacopo Brancati and this is why I shoot film

My short interview hiatus is over and I’m very happy to bring you the words and pictures of a wonderful man and past contributor to EMULSIVE, Jacopo Brancati! I’m going to leave my thoughts on the man himself until the bottom of the page. In the meantime, I’d like to invite you to scroll down, open your mind and feast your eyes on what lies below. Over to you, Jacopo!     Hi Jacopo, what’s this picture, then? JB: This picture is the scan of a negative 6×9 taken during the early ‘90s with a camera I inherited from...

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恭喜發財 / Gōngxǐ Fācái / Wishing you prosperity – Kodak VISION3 250D 5207 – (35mm)

恭喜發財 / Gōngxǐ Fācái / Wishing you prosperity Shot on Kodak VISION3 250D (5207) at EI 250 Color negative motion picture film in 35mm format         Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Finding film part six: taking it slow with ILFORD Pan F+ – Tom Rayfield

Having had a lot of very average weather lately, I was delighted to see a weekend of sunshine! Not the kind where you get a burst for the odd hour or so, I mean full on sunshine, blue skies, all weekend (at the time of writing/shooting we are talking mid-March, which for the UK is pretty good going). I know it sounds like I bang on about the weather a lot, but good light definitely helps photographers, and when every weekend is grey, flat and overcast, it really starts to get me down after a while, as I start...

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Happy birthday ‘Murica! – Fuji Provia 100F – RDP III (35mm(

Happy birthday ‘Murica! Shot on Fuji Provia 100F (RDP III) Color reversal (slide) film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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…and it was all yellow – Fuji ETERNA 400 8583 – (35mm)

…and it was all yellow Shot on Fuji ETERNA 400 (8583) at EI 400 Color negative motion picture film in 35mm format         Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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An Intrepid project: building a new 8×10 camera

“Experimentation.” This is what Max Grew, co-founder of Intrepid Camera told me when I asked him what the driving force behind his company was in a conversation we had some days before the closing date of their successful 8×10 Kickstarter campaign. “I’d say that we’re coming from a very different perspective to most companies making camera’s these days. Our stance is more a case of, here are the tools, go and experiment with them. Don’t worry about your camera, we’re here to fix it for as long as you, it and we are around.” Followers of the Intrepid story...

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I don’t – Kodak Tri-X 400 (435mm)

I don’t Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Stairs – Ilford Delta 100 Professional (35mm)

Stairs Shot on Ilford Delta 100 Professional at EI 800 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.    ...

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No loitering – Fuji Neopan 400 (35mm)

No loitering Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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CineStill 50D is available right NOW in 120 format

It seems that a few sneaky types have recently been spreading rumours about a new film from Cinestill on social media. These have, until now, gone unconfirmed by CineStill or the brothers Wright. A few hours ago, the brothers were kind enough to get in touch and provide me with early access to the press release for their brand new film – CineStill 50D in 120 format. Yup, you heard it, Cinestill 50D is now being produced in 120 format, and the link below will get you early access before the official announcement later today (June 28th 2017). You can...

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Nice perch – Ilford Delta 100 Professional (35mm)

Nice perch Shot on Ilford Delta 100 Professional at EI 800 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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I am 苦 / I am kǔ / I am bitter – Oriental Seagull 400 (35mm)

I am 苦 / I am kǔ / I am bitter Shot on Oriental Seagull 400 at EI 400 Black and white negative film in 35mm format       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Shrooming – Kodak EKTACHROME 200 – E200 (120)

Shrooming Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Spent – Kodak EKTACHROME 200 – E200 (120)

Spent Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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Hung to dry – Kodak EKTACHROME 200 – E200 (120)

Hung to dry Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out.  ...

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#NEOPANTASTIC May 2017 – winner announcement

Welcome to the winner announcement for the first and sadly only #NEOPANTASTIC of 2017. Voting for your favourite submission of the month started on Tuesday June 13th and closed on the 18th. Over the course of those seven days we received a total of 62 votes and it was close, very close indeed. There were only four votes separating first, second and third place, with third place ending up as a tie. As with all of these parties, the quality of submissions was incredibly hightThere were some fantastic photographs posted during post week and it was a close call. Thanks to everyone...

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