I first heard about the 24x65mm panoramic format when I bought my Fujifilm GFX50S a few years back. The digital medium format camera is able to shoot in 24×65 cropped mode whilst keeping the raw file intact and uncropped. I thought it was fun to shoot but I didn’t really commit to the format that […]
Tag: Wide format 35mm
Photography: On the line – Shot on Kodak Portra 160NC – unperforated (35mm Format) at EI 100
Shot on Kodak Portra 160NC (unperforated) at EI 100Color negative film in 35mm format Fuji GW 690III / EBC Fujinon 90mm F3.5 lens set up as a TEXPan
Photography: Yakult, Love, and Loss – Shot on Kodak Portra 160NC – unperforated (35mm Format) at EI 100
Shot on Kodak Portra 160NC (unperforated) at EI 100Color negative film in 35mm format Fuji GW 690III / EBC Fujinon 90mm F3.5 lens set up as a TEXPan
Photography: Hungry work – Shot on ILFORD Delta 400 Professional at EI 400 (35mm format)
Hungry work
Shot on ILFORD Delta 400 Professional at EI 400.Black and white negative film in 35mm format.Horizon S3 Pro.
Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder
In this article, I’ll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan).
Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse