It must have been getting close to Christmas 2019 when I first started to sketch the rudimentary designs of what would become my first homemade wet plate camera. I’d previously built an Afghani Box Camera for my friend and fellow wet plate photographer, Simon Riddell, so I had some sense of how to go about […]
I have been looking for this historical artwork for some years – a useable Dallmeyer 3B Portrait Petzval 290mm f/3 lens made during the 70s — the1870s. Finally, I got it (with some help). The lens is at the heart of my project, “Inspired”, which will be published in a book — you can register […]
The latest photographer and YouTuber for my interview series is Borut Peterlin. Borut is a Slovenian wet plate collodion artist who lives in a small village in rural Slovenia. His photographic tool of choice – wet plate collodion – was created almost 200 years ago. Something he uses with aplomb to create beautiful, haunting and […]
“It’s Christmas Theo, it’s the time of miracles”Hans Gruber, Beloved Christmas Terrorist Christmas is a piece of family-orientated theatre, rich with idiosyncratic traditions that only exist within our own eccentric little bubbles, along with the shared, large scale infectious hysteria of a nation psyching itself up for some overly indulgent festive respite. The glittery extravagances […]
In the Summer of 2021 something special is coming to the Scottish Highlands (and hopefully elsewhere), courtesy of Simon Riddell, a van, a large camera, and a lot of chemicals! No, it’s not a sequel to Human Traffic, it’s a bold and exciting project from the man who helped bring us One Shot: Inchindown, the film […]
Even when the camera is focused on a single subject, photographic portraiture rarely, if ever, speaks with just one voice. It is this multifaceted layering, be it intentional or otherwise, that generates intrigue and keeps us coming back for another look, drawn to some inexplicable detail that refuses to sit quietly on the page. Historical […]
With half the world under lockdown and the rest being advised to implement physical distancing and other measures to stop the spread of COVID-19, a traditional approach to studio portraiture and other relatively close-quarters photography needs a rethink…
“You know me, if something bothers my mind, I have to make art out of it. Sadly at this moment, it’s the virus — COVID-19 — so I put my thoughts and feelings onto seven wet plates to make a stop motion animation.” Regular readers will no doubt be familiar with Markus Hofstaetter through my […]
Going against the grain, the on-set photographer of 2019’s Little Women included the use of traditional wet plate photography – also known as tintypes – to capture Saoirse Ronan, Laura Dern, Timothée Chalamet, Emma Watson, James Norton and the rest of the production’s cast. It’s not very often that a unit still photographer gets to […]
It was a normal Saturday afternoon in November when I walked into a flea market. I met some friends there and looked around a little bit. In the end, I bought this Gasc and Charconnet 500mm petzval lens. If you are as old as I am and have seen the movie “Big trouble in little […]
The call came in on the afternoon of Monday 7th October. Shane Balkowitsch would have little under 24 hours to plan a 15-minute wet plate photoshoot with Greta Thunberg at Standing Rock. Naturally, the first thing he did after getting off the phone was to start packing his studio up into the back of his truck — including his portable darkroom.
You may remember me talking about my plan to build an Ultra Large Format (30×40cm) stereo wet plate camera in my interview here on EMULSIVE.
Wet plate collodion doesn’t spring to mind as either the most practical or in fact, legal approach to creating passport photographs but that didn’t stop EMULSIVE interviewee #196 Markus Hofstaetter from giving it a shot.
Markus isn’t a stranger
I am a native New Yorker who has been photographing the streets city streets and musicians for over two decades, from up and coming bands to big names like Alice in Chains, Lenny Kravitz and Ice-T, I’ll shoot in
It’s an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
You might remember that we featured an interview with Robert Marsters some months ago.
When the opportunity came up to grab some time with today’s interviewee, I couldn’t help but fall over myself to grab it with both hands. You see, Robert Marsters is a bit of a conundrum.