• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Silberra ULTIMA 200

Tag: Silberra ULTIMA 200

Cover - Every Film Stock Still Made 6 - Shanghai to Yodica
Posted inArticles, Film List, Film stock reviews, Reviews, Shanghai Film Stock Reviews, Silberra Film Stock Reviews, Street Candy Film Stock Reviews, Tasma Film Stock Reviews, Ultrafine Film Stock Reviews, Washi Film Stock Reviews, Yodica Film Stock Reviews

Every single film stock still made today – Part 6: Shanghai to Yodica (v2)

by EMAugust 22, 2018July 31, 2021

Update 01: 2018-09-20

Welcome to part six of this series exploring every single film stock still being made today.

Off at the door - Shot on Silberra ULTIMA 200 at EI 200. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)

by EMMay 8, 2018July 31, 2021

Off at the door

Shot on Silberra ULTIMA 200 at EI 200
Black and white negative film in 120 format shot as 6×6

 

Bird bar - Shot on Silberra ULTIMA 200 at EI 200. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Bird bar – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)

by EMMarch 6, 2018July 31, 2021

Bird bar

Shot on Silberra ULTIMA 200 at EI 200
Black and white negative film in 35mm format

 

 

 

 

 

Panels - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)

by EMOctober 27, 2017October 16, 2020

Panels
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Searching for an open door - Shot on Silberra ULTIMA 200 at EI 200 - 35mm black and white format film - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)

by EMOctober 26, 2017October 16, 2020

Searching for an open door
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Lines - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Lines – Shot on Silberra ULTIMA 200 (35mm)

by EMOctober 25, 2017October 16, 2020

Lines
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Top entrance - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Top entrance – Shot on Silberra ULTIMA 200 (35mm)

by EMOctober 24, 2017October 16, 2020

Top entrance
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Barred - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter.
Posted in35mm format, Photography

Photography: Barred – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)

by EMOctober 23, 2017October 16, 2020

Barred
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

This was EMULSIVE month 4
Recap #4: September 2015 – decisions, decisions
Building the SCURA
Camera review: The Dora Goodman SCURA pinhole experience
Nikon F100 and Nikon Nikkor 28mm f/3.5 AI - Rodrigo Veríssimo
5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100)
Filing
Photography: Filing – Ultrafine Extreme 400 (120)
5 Frames… Of pre-US election day 2020 on ILFORD FP4 PLUS (Nikon FE / 35mm Format)
Cover - Looking back at EMULSIVE Santa 2017
A look back at EMULSIVE Secret Santa 2017
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
PhotoKlassik Internationsl
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of panoramas in Grenoble on Kodak Panchromatic Separation Film 2238 (35mm Format / EI 12 / Horizon Perfekt + OF-28p 28mm f/2.8 MC lens) – by Alfonso Carpio Rovira
  • Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown Graphic
  • 6 Frames… Of macro-ish photos on ADOX COLOR MISSION 200 and a Nikkor OC 35mm + macro tube (EI 200 / 35mm Format / Nikon F)
  1. Pip on A creative machine: The Konica C35 EFPMay 26, 2022
  2. Jesse on The new Lomography DigitaLIZA + / Max film scanning kits for 35mm and 120 filmMay 25, 2022
  3. EM on Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown GraphicMay 23, 2022
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2022 EMULSIVE.
Posting....