Shot on Shanghai GP3 100 at EI 100Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 06:30 (N)2x 1-minute presoaks, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse Get the steps – Shot on Shanghai GP3 100 at EI 100. Black and white […]
Tag: Shanghai Film
My first roll… In a Mamiya 7 on Shanghai GP3 100 (120 Format / EI 100 / Mamiya 80mm f/4 lens)
This roll is the peak moment of my path to purchasing the camera I was dreaming about for a long time – the Mamiya 7. And also my entry to medium format film. My journey, from deciding to buy this camera, to actually buying the notoriously expensive Mamiya rangefinder, was not easy. I sold both […]
Photography: No place to run – Shot on Shanghai GP3 100 at EI 200 (35mm Format)
Shot on Shanghai GP3 100 at EI 200Black and white negative film in 35mm formatOlympus XA, Zuiko 35mm f/2.8 Development notesKodak HC-110: 1+31(B), 20°C/68°F, 06:00 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
EMULSIVE Interview #221: I am Gaetan Cormier Interview and this is why I shoot film
Stormchaser, landscape photographer and portraiture, today’s interviewee has a long and varied photographic history. Please give a warm welcome to Montrealean (-er? -an?), Gaetan Cormier! Over to you, Gaetan. Hi Gaetan, what’s this picture, then? Farm and Trees – Bronica SQ-A with 80mm lens, ILFORD FP4 PLUS GC: I learned about these cute farm buildings […]
UPDATE: New film from Shanghai: GP3 100 now in 35mm format…plus 120 format updates
See the latest updates (2019-06-25) at the foot of this page.
Retailing at just $3.50 per 36 exposure roll, another new film stock for 2019 has been announced in the form of 35mm Shanghai GP3 100, which was made
5 Frames… With Shanghai GP3 (EI 100 / 120 format / Mamiya 645 AFD)
Back when I first got into medium format film photography via the gateway drug of folding bellows cameras, I was outbid at the last second for a Mamiya RB67 kit.
Review: Comparing FF No.1 and Cinestill Df96 monobath developers
Monobath film developers feel like the in thing for 2018.
Every single film stock still made today – Part 6: Shanghai to Yodica (v2)
Update 01: 2018-09-20
Welcome to part six of this series exploring every single film stock still being made today.
Photography: Threading the needle – Shot on Shanghai GP3 100 at EI 100 (120 format)
Threading the needle
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×6
Photography: Steppps – Shot on Shanghai GP3 100 at EI 100 (120 format)
Steppps
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×12
Photography: Pinned blessings – Shanghai GP3 100 (120)
Pinned blessings
Shanghai GP3 100 shot at EI 1600
Black and white negative film in 120 format shot as 6×6
Push processed four stops
EMULSIVE interview #76: I am Melvin Mapa and this is why I shoot film
We often see the phrase “a long time coming” but what does that really mean?
Well, in this case, it’s nine months. That’s how long we’ve been working on this with Melvin.
EMULSIVE 52 Rolls 2016 Week 10-13 update
“What is this mysterious object in the sky? Why does it burn my eyes? What is this feeling on my skin?
Photography: Air roots #02 – Shanghai GP3 100 (120)
Air roots #02
Shanghai GP3 100 shot at EI 200
Black and white negative film in 120 format shot as 6×6
Photography: Pineapple light study #02 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 2 stops
Photography: Pineapple light study #01 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 2 stops
Photography: X marks the spot – Shanghai GP3 100 (120)
Shanghai GP3 100 shot at ISO100
Black and white negative film in 120 format shot as 6×6
Photography: Spitfire – Shanghai GP3 100 (120)
Spitfire
Shanghai GP3 100 shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed three stops
Photography: Flip flopped – Shot on Shanghai GP3 100 at EI 1600 (120 format)
Flip flopped
Shot on Shanghai GP3 100 at EI 1600
Black and white negative film in 120 format shot as 6×6
Push processed four stops
Photography: Follow the dragon – Shot on Shanghai GP3 100 at EI 100 (120 format)
Follow the dragon
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×6