I headed out to the West Australian Wheatbelt with a battery of cameras: a Polaroid SX-70, a Kodak Cresta, an Ilford disposable, and a Kodak …
Many lifetimes ago but mainly before family, I did a lot of film photography. I had a small darkroom, shot 35mm, medium format, large format …
It’s an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
Top to bottom
Shot on Fuji Acros 100 at EI 100
Black and white negative film in 120 format shot as 6×17
Postie
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Holga 120 PAN + Schneider Angulon 90mm f/6.8
Read the ILFORD FP4 PLUS review
Steppps
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×12
On edge
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
You may recall the scene below from Rear Window (1954).
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?
