5 frames with 11-year expired Era Pan 100 on a Richard Ritter 7×17 ULF View Camera – by Andrew Keedle
Many lifetimes ago but mainly before family, I did a lot of film photography. I had a small darkroom, shot 35mm, medium format, large format …
EMULSIVE interview #196: I am Markus Hofstaetter and this is why I shoot film
It’s an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
Photography: Top to bottom – Shot on Fuji Acros 100 at EI 100 (120 format)
Top to bottom
Shot on Fuji Acros 100 at EI 100
Black and white negative film in 120 format shot as 6×17
Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Holga 120 PAN + Schneider Angulon 90mm f/6.8
Read the ILFORD FP4 PLUS review
Photography: Steppps – Shot on Shanghai GP3 100 at EI 100 (120 format)
Steppps
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×12
Photography: On edge – Ilford Pan F+ (120)
On edge
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
The beautiful but maddening Exakta VAREX IIb
You may recall the scene below from Rear Window (1954).
EMULSIVE interview #30: I am Matthew Hinther and this is why I shoot film
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?
