When you think about rolling car photography — the art of taking photos of moving vehicles, not just moving cars — while moving, using large format film probably won’t spring to mind as your first choice. Hell, 35mm film probably won’t either, let alone a ponderous format, exposed one sheet at a time into a box weighing 10lbs/4.5kg (without lens).
Tag: Schneider
Posted inFeatured projects
Going underground: Documenting the history, legacy, and radioactivity of uranium mining with autoradiograms
My Geiger counter crackled and I read the dial: one thousand counts per minute, roughly twenty-seven times normal background radiation….
Posted inArticles
5 Frames… Of the the West Australian Wheatbelt on Kodak Ektar 100 and a Franka Rolfix II (120 Format / EI 100 / Schneider Kreuznach Radionar 105mm f/4.5)
I headed out to the West Australian Wheatbelt with a battery of cameras: a Polaroid SX-70, a Kodak Cresta, an Ilford disposable, and a Kodak Hawkeye, but the Franka Rolfix was the sentimental favorite. I bought it in Ottawa for fifty dollars, mainly because of the stamp near the hinge: “Made in Germany U.S Zone”, […]
Posted in5 Frames..., Articles
5 frames with 11-year expired Era Pan 100 on a Richard Ritter 7×17 ULF View Camera
Many lifetimes ago but mainly before family, I did a lot of film photography. I had a small darkroom, shot 35mm, medium format, large format and even ultra large format film. Lith printing was the most fun. I didn’t do it professionally, I did it to escape. Stuck in front of screens all day as […]
Posted inFilm Photographer Interviews
EMULSIVE interview #196: I am Markus Hofstaetter and this is why I shoot film
It’s an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
Posted inHasselblad film camera reviews
The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
Posted inMedium format, Photography
Photography: Top to bottom – Shot on Fuji Acros 100 at EI 100 (120 format)
Top to bottom
Shot on Fuji Acros 100 at EI 100
Black and white negative film in 120 format shot as 6×17
Posted in35mm format, Photography
Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Holga 120 PAN + Schneider Angulon 90mm f/6.8
Read the ILFORD FP4 PLUS review
Posted inMedium format, Photography
Photography: Steppps – Shot on Shanghai GP3 100 at EI 100 (120 format)
Steppps
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×12
Posted inMedium format, Photography
Photography: On edge – Ilford Pan F+ (120)
On edge
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
Posted inExakta film camera reviews
The beautiful but maddening Exakta VAREX IIb
You may recall the scene below from Rear Window (1954).
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #30: I am Matthew Hinther and this is why I shoot film
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?
