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EMULSIVE interview #196: I am Markus Hofstaetter and this is why...

It's an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter...

The Hasselblad 2000FCW was the third in the legendary Swedish company's family of 6x6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this

Photography: Top to bottom – Shot on Fuji Acros 100 at...

Top to bottom Shot on Fuji Acros 100 at EI 100 Black and white negative film in 120 format shot as 6x17    

Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100...

Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120 PAN + Schneider Angulon 90mm f/6.8 Read the ILFORD FP4 PLUS review    

Photography: Steppps – Shot on Shanghai GP3 100 at EI 100...

Steppps Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as 6x12          

Photography: On edge – Ilford Pan F+ (120)

On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6x12 Schneider Super Angulon 90mm f/8 MC - Graflex Pacemaker Speed Graphic      

The beautiful but maddening Exakta VAREX IIb

You may recall the scene below from Rear Window (1954).

EMULSIVE interview #30: I am Matthew Hinther and this is why...

Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?