Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter
Bathed in light
Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6×6
R72 filter
Read the Rollei Superpan 200 review and experimentation guide.
Vandalartists
Shot on Konica Infrared 750 at EI 8
Black and white infrared film in 120 format shot as 6×6
R72 filter
Sea of light
Shot on JCH Streetpan 400 at EI 12
Black and white negative film in 120 format shot as 6×6
R72 filter
Read the JCH Streetpan 400 120 format review.
Over the past couple of summers I’ve been experimenting a bit with infrared photography. I’ve always been intrigued by the alienating look that infrared images can give you.
Light and shade
Shot on JCH Streetpan 400 at EI 12
Black and white negative film in 35mm format
R72 720nm filter
Read the JCH Streetpan 400 Infrared review here
Bodie infrared
Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4×5 format
Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
Straight down
JCH Streetpan 400 shot at EI 12
Black and white negative film in 35mm format
R72 720nm filter
Glow
Kodak High Speed Infrared / HIE shot at EI 100
Black and white infrared film in 35mm format
Creep
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 filter
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Stack
Rollei Infrared 400 shot at EI 6 with R72 filter
Black and white infrared film in 120 format shot as 6×6
Mannequin parade
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 720mn infrared filter
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Black lightning
Rollei Infrared 400 shot at EI 6
Black and white negative in 120 format shot as 6×6
R72 infrared filter
BT
ILFORD SFX 200 shot at EI 25
Black and white infrared film in 35mm format
R72 filter plus two-stop push process
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the … Read more
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the … Read more
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 35mm format
R72 IR filter
Stake-out
Rollei Retro 400S shot at EI 25
Black and white infrared-sensitive negative film in 35mm format
R72 filter
Intertwined
Shot on Rollei Infrared 400 at EI 25
Black and white infrared sensitive film in 35mm format
Infra-fern
Rollei 400 Infrared shot at EI 25 with R72 filter.
Back and white infrared-sensitive negative film in 35mm format.
