Filter - Infrared R72


Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

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Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Bathed in light - Shot on Rollei Superpan 200 at EI 3. Black and white negative film in 120 format shot as 6x6. R72 filter.

Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)

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Bathed in light

Shot on Rollei Superpan 200 at EI 3
Black and white negative film in 120 format shot as 6×6
R72 filter

Read the Rollei Superpan 200 review and experimentation guide.

 

 

 

 

 

Vandalartists - Shot on Konica Infrared 750 at EI 8 - Black and white infrared film in 120 format shot as 6x6 - R72 filter

Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)

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Vandalartists
Shot on Konica Infrared 750 at EI 8
Black and white infrared film in 120 format shot as 6×6
R72 filter
 

 
 

 
 

Sea of light - Shot on JCH Streetpan 400 at EI 12 - Black and white negative film in 120 format shot as 6x6 - R72 filter

Photography: Sea of light – Shot on JCH Streetpan 400 at EI 12 (120 format)

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Sea of light
Shot on JCH Streetpan 400 at EI 12
Black and white negative film in 120 format shot as 6×6
R72 filter
Read the JCH Streetpan 400 120 format review.
 

 
 

 
 

Light and shade - JCH Streetpan 400 shot at EI 12. Black and white negative film in 35mm format. R72 720nm filter.

Photography: Light and shade – JCH Streetpan 400 (35mm)

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Light and shade

Shot on JCH Streetpan 400 at EI 12
Black and white negative film in 35mm format
R72 720nm filter

 

Read the JCH Streetpan 400 Infrared review here

 

 

Bodie Infrared - Rollei Infrared 400 shot at EI 6. Black and white infrared negative film in 4x5 format. Graflex Speed Graphic 1957 - Kodak Anastigmat 161mm f:4.5

Photography: Bodie Infrared – Rollei Infrared 400 (4×5)

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Bodie infrared

Rollei Infrared 400 shot at EI 6
Black and white infrared negative film in 4×5 format
Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5

 

 

 

Creep - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.

Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)

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Creep
Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 filter

Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!

 

 

Mannequin parade - Rollei Superpan 200 shot at EI 3 with R72 filter. Black and white film in 120 format shot as 6x6.

Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)

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Mannequin parade

Rollei Superpan 200 shot at EI 3
Black and white film in 120 format shot as 6×6
R72 720mn infrared filter

Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!

 

 

 

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Waiting zone - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.

Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)

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Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the …

Read morePhotography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)

Infra-shroom - Rollei Superpan 200 shot at ISO3. Black and white negative film in 120 format shot as 6x4.5. R72 720mn infrared filter.

Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)

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Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the …

Read morePhotography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)