Tag: Lens Filter – Infrared R72
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Using filters with monochrome film
If you have been giving monochrome (aka black and white) film photography a go, you will have realised that film doesn’t quite see things the way your eye does. With modern, panchromatic film stocks that “see” the entire visible light spectrum, the difference isn’t great but can be significant in some areas. In this article,…
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Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6×6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter
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Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6×6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.
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Photography: Vandalartists – Shot on Konica Infrared 750 at EI 8 (120)
Vandalartists Shot on Konica Infrared 750 at EI 8 Black and white infrared film in 120 format shot as 6×6 R72 filter
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Photography: Sea of light – Shot on JCH Streetpan 400 at EI 12 (120 format)
Sea of light Shot on JCH Streetpan 400 at EI 12 Black and white negative film in 120 format shot as 6×6 R72 filter Read the JCH Streetpan 400 120 format review.
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5 Frames… With Rollei Infrared 400 (EI 12 / 120 format / Bronica SQ)
Over the past couple of summers I’ve been experimenting a bit with infrared photography. I’ve always been intrigued by the alienating look that infrared images can give you.
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Photography: Light and shade – JCH Streetpan 400 (35mm)
Light and shade Shot on JCH Streetpan 400 at EI 12 Black and white negative film in 35mm format R72 720nm filter Read the JCH Streetpan 400 Infrared review here
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Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
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Photography: Straight down – JCH Streetpan 400 (35mm)
Straight down JCH Streetpan 400 shot at EI 12 Black and white negative film in 35mm format R72 720nm filter
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Photography: Glow – Shot on Kodak High Speed Infrared / HIE at EI 100 (35mm format)
Glow Kodak High Speed Infrared / HIE shot at EI 100 Black and white infrared film in 35mm format
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Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)
Creep Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)
Stack Rollei Infrared 400 shot at EI 6 with R72 filter Black and white infrared film in 120 format shot as 6×6
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Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Photography: Black lightning – Shot on Rollei Infrared 400 at EI 6 (120 format)
Black lightning Rollei Infrared 400 shot at EI 6 Black and white negative in 120 format shot as 6×6 R72 infrared filter
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Photography: BT – Shot on ILFORD SFX 200 at EI 25 (35mm format)
BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process
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Photography: Waiting zone – Shot on Rollei Superpan 200 at EI 3 (120 format)
Waiting zone Rollei Superpan 200 shot at ISO3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Infra-shroom – Shot on Rollei Superpan 200 at EI 3 (120 format)
Infra-shroom Rollei Superpan 200 shot at EI 3 Black and white negative film in 120 format shot as 6×4.5 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Going nowhere – ILFORD SFX 200 at EI 6 (35mm format)
Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 35mm format R72 IR filter
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Photography: Stake-out – Rollei Retro 400S (35mm)
Stake-out Rollei Retro 400S shot at EI 25 Black and white infrared-sensitive negative film in 35mm format R72 filter
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Photography: Intertwined – Shot on Rollei Infrared 400 at EI 25 (35mm format)
Intertwined Shot on Rollei Infrared 400 at EI 25 Black and white infrared sensitive film in 35mm format