• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Pyro Film Developer

Tag: Pyro Film Developer

Posted inArticles

510 Pyro. My new favourite developer? – by Chris Chinnock 

Avatar - Chris Chinnockby Chris ChinnockMarch 12, 2023March 12, 2023

One of the things that I love about film photography is how the decisions you make have an impact on the final image — choice of camera, lens, film stock, and developer as well as how you decide to apply these elements give us creative control over the final outcome.  The same logic applies to […]

High Speed Journey - Spread from the book Thin Sparks, screen print on paper.
Posted inFilm stock reviews, Kodak Film Stock Reviews, Reviews

High Speed Journey – Kodak T-MAX P3200 and Kodak Recording Film 2475

Avatar - Erik Gouldby Erik GouldApril 12, 2018July 31, 2021

New Kodak T-MAX 3200 (TMZ) is flat out great news for film lovers for the additional choice and for what it says about Kodak Alaris’s confidence in the market.

Alex Luyckx - Self Portrait
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film

Avatar - EMby EMDecember 7, 2016October 16, 2020

Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.

Bay Bridge - Wisner 8”x10” Nikkor 450mm, Ilford HP5+ in Kodak HC-110
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #113: I am Rory Earnshaw and this is why I shoot film

Avatar - EMby EMNovember 10, 2016October 16, 2020

It’s a little difficult to introduce today’s interviewee without resorting to superlatives. I’ve tried and failed. What I will say is that his images evoke feelings of peace and serenity.

  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

Saving sea turtles: Two months at the Two Oceans Aquarium Education Foundation on Kodak Tri-X 400
Cover - A brief history of Kodak EKTACHROME
A brief history of… Kodak EKTACHROME film
What I've learned from my LomoChrome Purple XR 100-400 experiences: A user's guide
What I’ve learned from my LomoChrome Purple XR 100-400 experiences: A user’s guide
Global film photography survey: Your help needed
Global film photography survey: Your help needed
Cover - How to take the leap into 35mm film photography
How to take the leap into 35mm film photography
5 Frames With... Ultrafine eXtreme 400 (35MM / EI 400 / Nikon F4) - by Jarrod Hills
5 Frames… With Ultrafine eXtreme 400 (EI 400 / 35mm format / Nikon F4)
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho
  • 510 Pyro. My new favourite developer? – by Chris Chinnock 
  • Tango Dancers, Or the story of how I made a zine
  1. Duncan G on Enter the Leica M4: Upgrading my Barnack LeicaMarch 21, 2023
  2. stevefretz on Best of both: The Nikon Z6 “vs” the Nikon F6 in a portrait sessionMarch 20, 2023
  3. wes bender on 5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K ChoMarch 19, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.