Photography: Anamorphic Test #03 – Shot on Kodak Eastman Double-X (5222) at EI 800 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush …
Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush …
Photography: Small eats – Shot on Ultrafine eXtreme 400 at EI 400 (35mm format)
Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
Photography: Anamorphic Test #01 – Shot on Bergger BRF-400 at EI 400 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Bergger BRF-400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor …
Foma Retropan 320 Soft: A valuable way of seeing
I recently wrote an article for 35mmc reacting to my inability to obtain one of my favorite films, Foma’s Retropan 320 Soft in 35mm format .In …
Shooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil
Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. …
Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window
During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out …
VeRtEx – photography project, Kurt Gledhill
Vertex: Latin word from which our English word “vertical” stems from. I have never really been a fan of the vertical format when it came …
5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100) – by Rodrigo Verissimo
I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on …
5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100) – by Brian Ferguson
Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock …
5 Frames… With Adox HR-50 (EI 50 / 35mm format / Nikon F100) – by Adam Cotterill
It can be a strange experience visiting an old stamping ground after a gap of many years as it was when I went back to …
The best (and worst) film cameras of the 1990s
My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…
Kodak T-MAX 400: An honest film stock review
I have always been on the fence about Kodak’s T-MAX 400 film. I have been using it on and off for the last ten years now …
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …
5 Frames… With Kodak Pro Image 100 (EI 800 / 35mm format / Nikon F100) – by Sebastian Mas
I have been using this film for at least 2 decades. For me, Kodak Pro Image 100 was always a very good option for almost …
5 Frames… With Japan Camera Hunter Streetpan 400 (EI 400 / 35mm format / Nikon F100) – by Mike Baker
I had purchased a couple of rolls of JCH Streetpan 400 in 35mm but held off shooting the film until I had an opportunity I felt was worthy of its Streetpan name. That opportunity came in…
Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #02
Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D
Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)
Thirsty work
Shot on Kodak Pro Image 100 at EI 400Color negative film in
Photography: Guardians at the door #01 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #01
Shot on Fuji Pro 400H at EI 200.Color negative film
