Tag: Nikon F100
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5 Frames With… Fujicolor C200 (El 100 / 35mm / Nikon F100) – by Bart Patitucci
Fujifilm’s Fujicolor C200 is one of my favorite film stocks, it seems to love the bright...
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Photoset: Capturing the Red Bull Hardline 2018 on Kodak Tri-X 400 – by Cat Topham
I’m very privileged to be able to call photography my job, all be it part-time. I have a small...
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Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Film review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then...
Read MoreCronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Write for EMULSIVE The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film...
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On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
On edge Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm...
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Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)
Morning light Shot on Kodak EKTACHROME 100 (E100) at EI 200 Color reversal (slide) film in 35mm...
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Black sand – Kodak VISION3 200T 5213 at EI 200 (35mm format)
Black sand Shot on Kodak VISION3 200T 5213 at EI 200 Color motion picture film in 35mm format ...
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Bound – Shot on Fuji Superia 100 at EI 100 (35mm format)
Bound Shot on Fuji Superia 100 at EI 100 Color negative film in 35mm format Write for...
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Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 35mm format Reversal...
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5 Frames With… ILFORD HP5 PLUS (EI 3200 / 35mm / Nikon F100) – by Tim Dobbs
My go to black and white film has always been ILFORD HP5 PLUS for its excellent versatility, I...
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5 Frames With… Fuji Superia X-TRA 400 (EI 400 / 35mm / Nikon F100) – by Graeme Tregay
When I returned to film a couple of years ago I shot black and white films and had them...
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蔭 / yīn / shaded – Shot on ILFORD FP4 PLUS (35mm)
蔭 / yīn / shaded Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 35mm format...
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Coiled #03 – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Coiled #03 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read...
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Coiled #02 – Shot on ADOX Silvermax 100 (35mm)
Coiled #02 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read...
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Featured project: ROY STRYKER | An FSA-inspired film Documentary photography project to introduce America to Americans – by Kenneth Wajda
I’m a dreamer. I believe the power of photographs can change America, and I have proof...
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Translucent – Shot on FILM Ferrania FERRANIA P30 Alpha (35mm)
Translucent Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in...
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