Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. …
Read moreShooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil
During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out …
Read moreShooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window
Vertex: Latin word from which our English word “vertical” stems from. I have never really been a fan of the vertical format when it came …
I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on …
Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock …
It can be a strange experience visiting an old stamping ground after a gap of many years as it was when I went back to …
Read more5 Frames… With Adox HR-50 (EI 50 / 35mm format / Nikon F100) – by Adam Cotterill
My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…
I have always been on the fence about Kodak’s T-MAX 400 film. I have been using it on and off for the last ten years now …
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …
Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …
Read morePacking light for the Congo: Two countries, one river, eight film stocks
I have been using this film for at least 2 decades. For me, Kodak Pro Image 100 was always a very good option for almost …
Read more5 Frames… With Kodak Pro Image 100 (EI 800 / 35mm format / Nikon F100) – by Sebastian Mas
I had purchased a couple of rolls of JCH Streetpan 400 in 35mm but held off shooting the film until I had an opportunity I felt was worthy of its Streetpan name. That opportunity came in…
Guardians at the door #02
Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D
Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
Thirsty work
Shot on Kodak Pro Image 100 at EI 400Color negative film in
Guardians at the door #01
Shot on Fuji Pro 400H at EI 200.Color negative film
Office space
Shot on Fuji NEOPAN 100 ACROS at EI 400
Black and white negative film in 35mm format
Push processed 2 stops
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1
Development notes
Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ)
Shot on Kosmo Foto Mono 100 at EI 200
Black and white negative film in anamorphic 35mm format
Push processed 1-stop
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.
I’ll keep this short so you can spend as much time as possible on the images below.
PADI certified
Shot on Oriental Seagull 100 at EI 100.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.
