Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 35mm formatNikon F100 and Nikkor 50mm f/1.8 AF-D Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800.
Tag: Nikon F100
Posted in35mm format
Photography: Shortcut – Shot on Fujifilm NEOPAN 400 at EI 800 (35mm Format)
Shot on Fujifilm NEOPAN 400 at EI 800Black and white negative film in 35mm formatNikon F100 + Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 07:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted in35mm format
Photography: Magic happening – Shot on Fujifilm FUJICOLOR C200 at EI 200 (35mm Format)
Shot on Fujifilm FUJICOLOR C200 at EI 200Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D
Posted in35mm format
Photography: Anamorphic test #04 – Shot on Kodak Ektar 100 at EI 100 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted in35mm format
Photography: Anamorphic Test #03 – Shot on Kodak Eastman Double-X (5222) at EI 800 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush processed 3 stopsNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted in35mm format
Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush processed a single-stopNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted in35mm format
Photography: Small eats – Shot on Ultrafine eXtreme 400 at EI 400 (35mm format)
Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
Posted in35mm format
Photography: Anamorphic Test #01 – Shot on Bergger BRF-400 at EI 400 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Bergger BRF-400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted inFoma Bohemia Film Stock Reviews
Foma Retropan 320 Soft: A valuable way of seeing
I recently wrote an article for 35mmc reacting to my inability to obtain one of my favorite films, Foma’s Retropan 320 Soft in 35mm format .In it, I touched briefly on why I shoot film and how Retropan has helped me understand that inclination more clearly. It has inspired me to consider this issue in greater […]
Posted inArticles
Shooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil
Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. Even back when it was readily available it was still hard to find a lab that could process it. I had never shot with it because of the high price […]
Posted inLens Reviews
Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window
During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out and shoot. When that wasn’t a possibility, I started to shoot from the inside looking out. I started documenting the city around me using a mirror reflex lens. You may […]
Posted inFeatured projects
VeRtEx – photography project, Kurt Gledhill
Vertex: Latin word from which our English word “vertical” stems from. I have never really been a fan of the vertical format when it came to photography. Up until recently, probably 90% of my work has been horizontal. Whenever I put the camera to my eye, I always automatically, without thinking have the camera horizontal. […]
Posted in5 Frames..., Articles
5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100)
I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on my commute, get out of public transportation earlier and walk to work for half an hour. It’s very fortunate being able to walk along the Tagus River in Lisbon and […]
Posted in5 Frames..., Articles
5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100)
Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock to buy and where to shoot it, but a pre-Christmas 2019 trip to Copenhagen ended up forcing my hand. After the usual trawls through the local camera shops (the best […]
Posted in5 Frames..., Articles
5 Frames… With Adox HR-50 (EI 50 / 35mm format / Nikon F100)
It can be a strange experience visiting an old stamping ground after a gap of many years as it was when I went back to Newcastle-upon-Tyne in the summer; the place is still Newcastle but some of my favourite pubs have long since disappeared, some remain and new ones have sprung up, a host of […]
Posted inFeatured, Film camera reviews, Reviews
The best (and worst) film cameras of the 1990s
My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…
Posted inKodak Film Stock Reviews
Kodak T-MAX 400: An honest film stock review
I have always been on the fence about Kodak’s T-MAX 400 film. I have been using it on and off for the last ten years now but only had really used it for specific purposes, mainly portraits due to its super sharp rendering and high resolution with very fine grain. T-MAX 400 also has beautiful contrast right off […]
Posted inOpinion
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]
Posted inArticles
Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary work camera is almost always a digital body. While I love the consistently excellent results that I have been able to get with digital cameras, I have missed the beautiful […]
Posted in5 Frames..., Articles
5 Frames… With Kodak Pro Image 100 (EI 800 / 35mm format / Nikon F100)
I have been using this film for at least 2 decades. For me, Kodak Pro Image 100 was always a very good option for almost all situations. Portraits, events or whatever; it’s always been a film that returns very good or acceptable results. And best of all, you can push it three stops without any […]
