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Home » Nikon F100 Film Camera

Tag: Nikon F100 Film Camera

Posted in5 Frames...

5 Frames… On ILFORD FP4 PLUS (35mm / EI 125 / Nikon F100 + Nikkor 50mm f/1.8 AF-D)

Avatar - EMby EMDecember 7, 2021December 7, 2021

Mid October is really the time of year that marks the end of summer in Greece, with the first rainy days starting to appear, it was on such a rainy day I visited the new National Gallery of Greece in Athens along with friends. The building that the gallery is housed in was recently renovated, […]

Side on - Lomography CN 800 (200) - Nikon F100 - Nikkor 85mm f/1.8 AF-D
Posted in35mm format

Photography: Side on – Shot on Lomography Color Negative 800 at EI 800 (35mm Format)

Avatar - EMby EMNovember 2, 2021November 2, 2021

Shot on Lomography Color Negative 800 at EI 800Color negative film in 35mm formatNikon F100 + Nikkor 85mm f/1.8 AF-D Side on – Lomography CN 800 (200) – Nikon F100 – Nikkor 85mm f/1.8 AF-D

5 frames... Of double exposures with my EMULSIVE Santa on Fuji Pro 400H
Posted in5 Frames...

5 (6) frames… Of double exposures with my EMULSIVE Santa on Fuji Pro 400H

Avatar - Virgil Rogerby Virgil RogerOctober 22, 2021October 22, 2021

You know what’s fun? Photography. You know what I like about photography? Sharing it. Sharing prints, drinks or talks, or whatever else you might want to share. And speaking of sharing, I’m rather happy to share this small experiment, on EMULSIVE nonetheless, which might very well be the best place to share film-related stuff on […]

Swap shop - Shot on Silberra U400 at EI 400. Black and white negative film in 35mm format. Nikon F100, Nikkor 85mm f/1.8 AF-D
Posted in35mm format

Photography: Swap shop – Shot on Silberra U400 at EI 400 (35mm Format)

Avatar - EMby EMOctober 14, 2021October 11, 2021

Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
 

 
 

 

Blergh - Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Posted in35mm format

Photography: Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)

Avatar - EMby EMSeptember 7, 2021September 7, 2021

Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200Color reversal (Slide) film in 35mm format Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)

Split #07 - Shot on Kodak EKTACHROME E100 at EI 100. Color reversal (slide) film in 35mm format. Nikon F100 and Nikkor 50mm f/1.8 AF-D.
Posted in35mm format

Photography: Split #07 – Shot on Kodak EKTACHROME E100 at EI 100 (35mm format)

Avatar - EMby EMJuly 27, 2021July 27, 2021

Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 35mm formatNikon F100 and Nikkor 50mm f/1.8 AF-D Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800.

Fujifilm NEOPAN 400, EI 800, 35mm format - Nikon F100, Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D
Posted in35mm format

Photography: Shortcut – Shot on Fujifilm NEOPAN 400 at EI 800 (35mm Format)

Avatar - EMby EMMay 25, 2021December 26, 2021

Shot on Fujifilm NEOPAN 400 at EI 800Black and white negative film in 35mm formatNikon F100 + Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 07:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Fujifilm FUJICOLOR C200, EI 200, 35mm format - Nikon F100, Nikkor 85mm f1.8 AF-D
Posted in35mm format

Photography: Magic happening – Shot on Fujifilm FUJICOLOR C200 at EI 200 (35mm Format)

Avatar - EMby EMMay 20, 2021December 26, 2021

Shot on Fujifilm FUJICOLOR C200 at EI 200Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D

Posted in35mm format

Photography: Anamorphic test #04 – Shot on Kodak Ektar 100 at EI 100 (35mm Format)

Avatar - EMby EMMay 18, 2021December 26, 2021

Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1

Posted in35mm format

Photography: Anamorphic Test #03 – Shot on Kodak Eastman Double-X (5222) at EI 800 (35mm Format)

Avatar - EMby EMMay 13, 2021December 26, 2021

Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush processed 3 stopsNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1

Posted in35mm format

Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)

Avatar - EMby EMMay 11, 2021December 26, 2021

Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush processed a single-stopNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1

Ultrafine Xtreme 400, EI 400, 35mm format - Nikon F100, Nikkor 50mm f/1.8 AF-D
Posted in35mm format

Photography: Small eats – Shot on Ultrafine eXtreme 400 at EI 400 (35mm format)

Avatar - EMby EMMay 6, 2021December 26, 2021

Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D

Posted in35mm format

Photography: Anamorphic Test #01 – Shot on Bergger BRF-400 at EI 400 (35mm Format)

Avatar - EMby EMMay 4, 2021December 26, 2021

Part of my ongoing 35mm anamorphic tests on film… Shot on Bergger BRF-400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1

Posted inFoma Bohemia Film Stock Reviews

Foma Retropan 320 Soft: A valuable way of seeing

Avatar - Yorgo Douramacosby Yorgo DouramacosMarch 24, 2021July 31, 2021

I recently wrote an article for 35mmc reacting to my inability to obtain one of my favorite films, Foma’s Retropan 320 Soft in 35mm format .In it, I touched briefly on why I shoot film and how Retropan has helped me understand that inclination more clearly. It has inspired me to consider this issue in greater […]

Posted inArticles

Shooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil

Avatar - Anthony Bevilacquaby Anthony BevilacquaJanuary 10, 2021August 28, 2021

Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. Even back when it was readily available it was still hard to find a lab that could process it. I had never shot with it because of the high price […]

Shooting São Paulo with a Nikon 500mm f/8 Reflex-NIKKOR: The Pandemic from my Window
Posted inLens Reviews

Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window

Avatar - Anthony Bevilacquaby Anthony BevilacquaSeptember 25, 2020July 31, 2021

During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out and shoot. When that wasn’t a possibility, I started to shoot from the inside looking out. I started documenting the city around me using a mirror reflex lens. You may […]

VeRtEx - Photography Project, Kurt Gledhill
Posted inFeatured projects

VeRtEx – photography project, Kurt Gledhill

by Kurt GledhillSeptember 2, 2020July 31, 2021

Vertex: Latin word from which our English word “vertical” stems from. I have never really been a fan of the vertical format when it came to photography. Up until recently, probably 90% of my work has been horizontal. Whenever I put the camera to my eye, I always automatically, without thinking have the camera horizontal. […]

Nikon F100 and Nikon Nikkor 28mm f/3.5 AI - Rodrigo Veríssimo
Posted in5 Frames..., Articles

5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100)

Avatar - Rodrigo Verissimoby Rodrigo VerissimoJune 29, 2020July 31, 2021

I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on my commute, get out of public transportation earlier and walk to work for half an hour. It’s very fortunate being able to walk along the Tagus River in Lisbon and […]

Nikon F100 and Nikkor 50mm f/1.8G - Brian Ferguson
Posted in5 Frames..., Articles

5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100)

Avatar - Brian Fergusonby Brian FergusonMay 31, 2020July 31, 2021

Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock to buy and where to shoot it, but a pre-Christmas 2019 trip to Copenhagen ended up forcing my hand. After the usual trawls through the local camera shops (the best […]

My Nikon F100 and Sigma 35 ART lens
Posted in5 Frames..., Articles

5 Frames… With Adox HR-50 (EI 50 / 35mm format / Nikon F100)

Avatar photoby Adam CotterillMarch 30, 2020August 28, 2021

It can be a strange experience visiting an old stamping ground after a gap of many years as it was when I went back to Newcastle-upon-Tyne in the summer; the place is still Newcastle but some of my favourite pubs have long since disappeared, some remain and new ones have sprung up, a host of […]

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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