film.photography
Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200Color reversal (Slide) film in 35mm format Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 35mm formatNikon F100 and Nikkor 50mm f/1.8 AF-D Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800.
Shot on Fujifilm NEOPAN 400 at EI 800Black and white negative film in 35mm formatNikon F100 + Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 07:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Shot on Fujifilm FUJICOLOR C200 at EI 200Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush processed 3 stopsNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush processed a single-stopNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
Part of my ongoing 35mm anamorphic tests on film… Shot on Bergger BRF-400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
I recently wrote an article for 35mmc reacting to my inability to obtain one of my favorite films, Foma’s Retropan 320 Soft in 35mm format .In it, I touched briefly on why I shoot film and how Retropan has helped me understand that inclination more clearly. It has inspired me to consider this issue in greater […]
Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. Even back when it was readily available it was still hard to find a lab that could process it. I had never shot with it because of the high price […]
During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out and shoot. When that wasn’t a possibility, I started to shoot from the inside looking out. I started documenting the city around me using a mirror reflex lens. You may […]
Vertex: Latin word from which our English word “vertical” stems from. I have never really been a fan of the vertical format when it came to photography. Up until recently, probably 90% of my work has been horizontal. Whenever I put the camera to my eye, I always automatically, without thinking have the camera horizontal. […]
I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on my commute, get out of public transportation earlier and walk to work for half an hour. It’s very fortunate being able to walk along the Tagus River in Lisbon and […]
Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock to buy and where to shoot it, but a pre-Christmas 2019 trip to Copenhagen ended up forcing my hand. After the usual trawls through the local camera shops (the best […]
It can be a strange experience visiting an old stamping ground after a gap of many years as it was when I went back to Newcastle-upon-Tyne in the summer; the place is still Newcastle but some of my favourite pubs have long since disappeared, some remain and new ones have sprung up, a host of […]
My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…
I have always been on the fence about Kodak’s T-MAX 400 film. I have been using it on and off for the last ten years now but only had really used it for specific purposes, mainly portraits due to its super sharp rendering and high resolution with very fine grain. T-MAX 400 also has beautiful contrast right off […]
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]
