Nikon F100

Shooting São Paulo with a Nikon 500mm f/8 Reflex-NIKKOR: The Pandemic from my Window

Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window

During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out …

Read moreShooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window

Nikon F100 and Nikon Nikkor 28mm f/3.5 AI - Rodrigo Veríssimo

5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100) – by Rodrigo Verissimo

I enjoy waking up early and just walk, which are two great things that combine well with photography. I bring my camera with me on …

Read more5 Frames… Of The Tagus River on Kodak ColorPlus 200 (EI 800 / 35mm format / Nikon F100) – by Rodrigo Verissimo

Nikon F100 and Nikkor 50mm f/1.8G - Brian Ferguson

5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100) – by Brian Ferguson

Scrolling through my Instagram feed introduced me to the wonderful world of CineStill. I had been having an extensive internal debate over which CineStill stock …

Read more5 Frames… In Copenhagen with CineStill BwXX (35mm format / EI 250 / Nikon F100) – by Brian Ferguson

The best (and worst) film cameras of the 1990s

The best (and worst) film cameras of the 1990s

My take on the 10 “best” film cameras released during the 1990s. It’s not a countdown in the traditional sense and “best”…well…

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

Read morePacking light for the Congo: Two countries, one river, eight film stocks

Guardians at the door #02 - Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)

Guardians at the door #02

Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color

Office space - Shot on Fuji NEOPAN 100 ACROS at EI 400. Black and white negative film in 35mm format. Push processed 2 stops.

Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)

Office space
Shot on Fuji NEOPAN 100 ACROS at EI 400
Black and white negative film in 35mm format
Push processed 2 stops
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1

 

Development notes

Cover - Our lady of heaven / 天上聖母 / Tiānshàng Shèngmǔ - Shot on Kosmo Foto Mono 100 at EI 200. Black and white negative film in anamorphic 35mm format. Push processed 1-stop. Nikon F100 + Nikkor 85mm f/1-4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1.

Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)

Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ)
Shot on Kosmo Foto Mono 100 at EI 200
Black and white negative film in anamorphic 35mm format
Push processed 1-stop
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra

Biarzo, Italy, 2016 - Kodak T-MAX 400, Contax G2

Interview #194: I am Ezequiel Grimaldi and this is why I shoot film

I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian.

I’ll keep this short so you can spend as much time as possible on the images below.