• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Nikon Nikkor 28-105mm f/3.5-4.5 AF-D

Tag: Nikon Nikkor 28-105mm f/3.5-4.5 AF-D

Nikon N90S and Nikon 80-200mm f/2.8 AF lens
Posted in5 Frames..., Articles

5 Frames… With 15-year expired Kodak KODALITH Ortho Film 6556 (EI 12 / 35mm format / Nikon N90S)

by Guilherme MaranhãoMarch 9, 2020July 31, 2021

I knew this film existed, but it was not until 2016 when a friend showed up in my studio with this box as a gift that I saw it. Yes, it a box, not a can, if you haven’t seen it. A black box, similar to the ones Kodak sells 16mm film, self-sealing box, probably […]

Black sand - Shot on Kodak VISION3 200T 5213 at EI 200. Color motion picture film in 35mm format.
Posted in35mm format, Photography

Photography: Black sand – Kodak VISION3 200T 5213 at EI 200 (35mm format)

by EMSeptember 17, 2018July 31, 2021

Black sand

Shot on Kodak VISION3 200T 5213 at EI 200
Color motion picture film in 35mm format

 

 

 

Bound - Shot on Fuji Superia 100 at EI 100. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: Bound – Shot on Fuji Superia 100 at EI 100 (35mm format)

by EMAugust 14, 2018July 31, 2021

Bound

Shot on Fuji Superia 100 at EI 100
Color negative film in 35mm format

 

 

 

Coiled #03 - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI 100 (35mm format)

by EMNovember 16, 2017October 16, 2020

Coiled #03
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
 

 
 

 
 

Coiled #02 - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)

by EMNovember 14, 2017October 16, 2020

Coiled #02
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
 

 
 

 
 

Translucent - Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format. Reversal developed.
Posted in35mm format, Photography

Photography: Translucent – Shot on FILM Ferrania FERRANIA P30 Alpha (35mm)

by EMOctober 6, 2017October 16, 2020

Translucent
Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80.
Black and white negative film in 35mm format.
Reversal developed.

 
 

 
 

Stumped - Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format. Reversal developed.
Posted in35mm format, Photography

Photography: Stumped – Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80 (35mm format)

by EMOctober 5, 2017October 16, 2020

Stumped
Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80.
Black and white negative film in 35mm format.
Reversal developed.
 

 
 

 
 

The hunt - Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format. Reversal developed.
Posted in35mm format, Photography

Photography: The hunt – Shot on FILM Ferrania FERRANIA P30 Alpha (35mm)

by EMOctober 4, 2017October 16, 2020

The hunt
Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80.
Black and white negative film in 35mm format.
Reversal developed.

 
 

 
 

King Pidgey - Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format. Reversal developed.
Posted in35mm format, Photography

Photography: King Pidgey – Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80 (35mm format)

by EMOctober 3, 2017October 16, 2020

King Pidgey
Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80
Black and white negative film in 35mm format
Reversal developed
 

 
 

 
 

Blades - Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format. Reversal developed.
Posted in35mm format, Photography

Photography: Blades – Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80 (35mm format)

by EMOctober 2, 2017October 16, 2020

Blades
Shot on FILM Ferrania FERRANIA P30 Alpha at EI 80
Black and white negative film in 35mm format
Reversal developed
 

 
 

 
 

Bergger Pancro 400 - Reversal Development - Lightbox
Posted inBergger Film Stock Reviews

Film stock review: Bergger Pancro 400 Part 6 – 35mm EI 400 reversal development (bracketed +/- 1 stop)

by EMSeptember 8, 2017December 11, 2019

It’s about time to wrap up the part of this series that covers Bergger’s 35mm Pancro 400 film with something a bit special: reversal development results.
Before you start scratching your head or disappear altogether, allow me a minute or

Pillars of society - Shot on FILM Ferrania P30 Alpha at EI 80. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Pillars of society – FILM Ferrania P30 Alpha (35mm)

by EMSeptember 1, 2017October 16, 2020

Pillars of society

Shot on FILM Ferrania P30 Alpha at EI 80
Black and white negative film in 35mm format

 

 

 

 

 

Tree of life - Shot on FILM Ferrania P30 Alpha at EI 40. Black and white negative film in 35mm format. Over exposed one stop.
Posted in35mm format, Photography

Photography: Tree of life – FILM Ferrania P30 Alpha (35mm)

by EMAugust 31, 2017October 16, 2020

Tree of life

Shot on FILM Ferrania P30 Alpha at EI 80
Black and white negative film in 35mm format

 

 

 

 

 

Net - Shot on FERRANIA P30 Alpha at EI 40. Black and white negative film in 35mm format. Over exposed one stop.
Posted in35mm format, Photography

Photography: Net – Shot on FILM Ferrania P30 Alpha (35mm format)

by EMAugust 30, 2017October 16, 2020

Net

Shot on FILM Ferrania P30 Alpha at EI 40.
Black and white negative film in 35mm format
Over exposed one stop

 

 

 

 

 

Let the light shine - Shot on FILM Ferrania P30 Alpha at EI 320. Black and white negative film in 35mm format. Push processed 3 stops and over exposed one stop.
Posted in35mm format, Photography

Photography: Let the light shine – FILM Ferrania P30 Alpha (35mm)

by EMAugust 29, 2017October 16, 2020

Let the light shine

Shot on FILM Ferrania P30 Alpha at EI 320
Black and white negative film in 35mm format
Push processed 3 stops and over exposed one stop

 

 

 

 

 

Halo - Shot on FILM FERRANIA P30 Alpha at EI 80. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Halo – FILM Ferrania P30 Alpha (35mm)

by EMAugust 28, 2017October 16, 2020

Halo

Shot on FILM Ferrania P30 Alpha at EI 80
Black and white negative film in 35mm format

 

 

 

 

 

Ginger snaps - Lucky New SHD 100 shot at EI 50. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Ginger snaps – Lucky New SHD 100 (35mm)

by EMAugust 18, 2017October 16, 2020

Ginger snaps

Lucky New SHD 100 shot at EI 50
Black and white negative film in 35mm format

 

 

 

 

Bergger Pancro 400 - EI 1600 - underexposed one stop
Posted inBergger Film Stock Reviews

Film stock review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)

by EMAugust 3, 2017January 18, 2020

Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love.

In case you’re new to the

Stairs - Shot on Ilford Delta 100 Professional at EI 800. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Stairs – Shot on ILFORD DELTA 100 PROFESSIONAL at EI 800 (35mm)

by EMJune 29, 2017October 16, 2020

Stairs

Shot on Ilford Delta 100 Professional at EI 800
Black and white negative film in 35mm format

 

 

 

 

 

Nice perch - Shot on Ilford 100 Professional at EI 800. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Nice perch – Ilford Delta 100 Professional (35mm)

by EMJune 27, 2017October 16, 2020

Nice perch
Shot on Ilford Delta 100 Professional at EI 800
Black and white negative film in 35mm format

 

 

 

 

Posts navigation

1 2 Older posts
  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

EMULSIVE’s most popular articles of 2018
Holga Week 2015
Holga Week 2015 is here: start your engines!
2017 Film Schedule
所有的 2017 年宣布的底片
Rollei 35S and Hasselblad 500CM
5 Frames… With ILFORD HP5 PLUS (EI 6400 / 35mm format / Rollei 35S)
My Nikkormat FT2 and Nikkor 35mm f/2 AI-S lens, Matthew Sandiford
5 Frames… Of Prague on ILFORD FP4 PLUS with my new Nikkormat FT2 (EI 125 / 35mm Format)
Fuji GA645 - Kodak Ektar 100
EMULSIVE interview #110: I am Kristen Smith and this is why I shoot film
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
PhotoKlassik Internationsl
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Just northeast of Memphis on Classic EZ 400 (35mm / EI 400 / Minolta X-370 + Minolta MD 50mm f/1.4) – by Jon Woodhams
  • The vast White: Two months on Svalbard in the arctic winter, a film photography diary – by Josua Schindewolf
  • 5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero
  1. Marcelo Paniagua on Opinion: Why did Zeiss stop making cameras?May 18, 2022
  2. Andrew on The vast White: Two months on Svalbard in the arctic winter, a film photography diary – by Josua SchindewolfMay 18, 2022
  3. Paul on The Contax RX: My search for the perfect cameraMay 16, 2022
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2022 EMULSIVE.
Posting....