Tag: Mamiya RZ67 Professional II Film Camera
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Benefits of ample exposure in black and white film photography: Or, let there be light
Detail of a component on one of the very few operating steam locomotives in the United States, Oregon Rail Heritage Center, Portland, OR. Hasselblad 503CX, Zeiss Planar f3.5 100 mm. Kodak T-MAX 100 developed in HC-110.
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EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)
Welcome to today’s fresh EMULSIVE interview. We have a bit of a treat this week in the form of polymath Ellen Rogers. Ellen is a photographer, colourist, lecturer, PhD student and fantasist — among other things. I’m so, so glad to be able to welcome her onto these pages! A couple of the photos are…
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EMULSIVE’S most popular articles of 2020
And here it is, the final listicle of 2020. The most popular articles of the year as decided by you for the year we all want to forget. I don’t really have anything more to add other than to wish you all well as you see in the new year and to thank you for…
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EMULSIVE’S most popular film camera reviews of 2020
Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to everyone who submitted their own reviews, and helped my with my own efforts this year cataloguing a series of exhaustive Leica M Camera guides! I’d love to hear from you…
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5 Frames… Working within limitations: Long exposures at the Concours d’Elegance
I’ve always loved classic cars… I had a 1966 Mustang for a number of years, but I sold it to get the down payment on my first house. I still go to car shows once in a while and usually bring a film camera along to rip through a roll or two. It’s probably considered…
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My First Roll… Of 120 film: ILFORD HP5 PLUS on a Mamiya RB67 at Palm Springs Air Museum
A return to film. Again… For the fourth time. Yep, FOUR TIMES. I learned on film, eventually abandoned for digital due to work, got bored of digital and went back to film, got a digital Hasselblad, got obsessed with pixel-peeping and left film. Sold the ‘Blad, picked up a shitty Kiev 88 for $60 with…
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A complete guide to the Mamiya RZ67, part five: conclusion and personal stories
This five-part review has taken the best part of three years to complete. At over 40,000 words, I admit that it is quite long (!) but I wanted it to be as detailed and as precise as possible. To the best of my knowledge, no book has ever been written about the Mamiya RZ67 Professional,…
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A complete guide to the Mamiya RZ67, part four: maintenance and miscellaneous accessories
Over the past three weeks, I have introduced you to the Mamiya RZ67 Professional camera, its series of film holders and the extensive lens system. In this, part four of the series, I will introduce you to the main system accessories and some basic maintenance/troubleshooting concepts. The neck strap After purchasing my RZ, the first…
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A complete guide to the Mamiya RZ67, part three: lenses, filters and accessories
Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be covering the lenses. If you’ve read the previous two parts, you’ll know that I’m a huge fan of the…
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A complete guide to the Mamiya RZ67, part two: film holder system
Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one I gave you a deep overview of the RZ67 system; its history, breadth, basic steps to taking your first photograph, focusing and use cases. Part two dives deep into the RZ’s revolving back,…
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A complete guide to the Mamiya RZ67 Pro: part one – deep system overview
The Mamiya RZ67 is very interesting and in many ways, an unusual camera. It’s not very easy to operate and a little bit slow if you’re not used to it, so it’s maybe not a camera for everybody. It’s also huge and a bit heavy and was primarily created for studio work and landscapes for…
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