Tag: Leica M6 TTL
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Don’t leave your sh1t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in...
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5 Frames With… Kodak ColorPlus 200 (EI 200 / 35mm Leica M6) – by Adib Mufty
After a long struggle trying to find the right lens for my Leica M6, I decided to give the...
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Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one...
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Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed...
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5 Frames With… Kodak Tri-X 400 (EI 400 / 35mm / Leica M6 TTL) – by James King
As someone used to living in walkable European cities with functioning public transport, LA is a...
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5 frames with… la pellicule ILFORD HP5 Plus, par Grégoire Huret
Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque...
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5 frames with… ILFORD HP5 Plus (EI 400 / 35mm / Leica M6 TTL) – By Grégoire Huret
My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white...
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Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Panels Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter...
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Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)
Searching for an open door Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film...
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Lines – Shot on Silberra ULTIMA 200 (35mm)
Lines Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter...
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Top entrance – Shot on Silberra ULTIMA 200 (35mm)
Top entrance Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21...
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Barred – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Barred Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter...
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EMULSIVE interview #157: I am Perry J Resnick and this is why I shoot film
You may recall today’s interviewee from his piece on Kodachrome some time ago. Well, Perry...
Read MoreMorning layers #02 – Shot on Kodak Portra 160NC at EI 100 (35mm format)
Morning layers #02 Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format Write for EMULSIVE The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film...
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I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article...
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Mumbai Part 4: In which one requires a proportionate response
MUMBAI–India cannot be forced. India will not adapt to you. I am still learning the pattern...
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