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5 Frames With… Kodak VISION 500T 5219 (EI 800 / 35mm...

A couple of weeks ago, stuck with no gigs for the week and suffering through the anxiety-filled boredom that freelancing can suddenly bring, I decided to fly to New York (only an hour from Toronto) to shoot some street shots.

Photography: Don’t leave your sh!t at the beach – Shot on...

Don't leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop.      

5 Frames With… Kodak ColorPlus 200 (EI 200 / 35mm Leica...

After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting

Photography: Cast off – Shot on Kodak Ektar 100 at EI...

Cast off Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop        

Photography: Face the waves – Shot on Kodak Ektar 100 at...

Face the waves Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop        

5 Frames With… Kodak Tri-X 400 (EI 400 / 35mm /...

As someone used to living in walkable European cities with functioning public transport, LA is a city I've found hard to like. I've been back a few times now, though, and enjoy it more each time I do.

5 frames with… la pellicule ILFORD HP5 Plus, par Grégoire Huret

Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque exclusivement des photos en noir et blanc, et la plupart du temps des photos de rue.

5 frames with… ILFORD HP5 Plus (EI 400 / 35mm /...

My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white photographs almost exclusively, and most of the time work on street photography.

Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200...

Panels Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8          

Photography: Searching for an open door – Shot on Silberra ULTIMA...

Searching for an open door Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8          

Photography: Lines – Shot on Silberra ULTIMA 200 (35mm)

Lines Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8          

Photography: Top entrance – Shot on Silberra ULTIMA 200 (35mm)

Top entrance Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8          

Photography: Barred – Shot on Silberra ULTIMA 200 at EI 200...

Barred Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8          

EMULSIVE interview #157: I am Perry J Resnick and this is...

You may recall today's interviewee from his piece on Kodachrome some time ago.

Photography: Morning layers #02 – Shot on Kodak Portra 160NC at...

Morning layers #02 Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format      

EMULSIVE interview #116: I am Richard Pickup and this is why...

I'm hoping you remember today's interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven't read it yet head on over, we'll wait. Back? Excellent.

Mumbai Part 4: In which one requires a proportionate response

MUMBAI--India cannot be forced. India will not adapt to you. I am still learning the pattern and subtexts of interactions and could continue to learn them for several lifetimes to come.