Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to …
Read moreEMULSIVE’S most popular film camera reviews of 2020
The Leica M6 — also commonly known as the Leica M6 Classic or Leica M6 Non-TTL — is a 35mm film rangefinder camera designed and …
Read moreAn in-depth guide to: The Leica M6 (aka M6 Classic / M6 Non-TTL)
A couple of weeks ago, stuck with no gigs for the week and suffering through the anxiety-filled boredom that freelancing can suddenly bring, I decided to fly to New York (only an hour from Toronto) to shoot some street shots.
Don’t leave your sh1t at the beach
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.
MEXICO — The monsoon rains had been slow in coming. The heat built and there were clouds in the white-hot sky but the rains did not come. People died in their houses and in the streets.
After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting
Cast off
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop
Face the waves
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop
As someone used to living in walkable European cities with functioning public transport, LA is a city I’ve found hard to like. I’ve been back a few times now, though, and enjoy it more each time I do.
Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque exclusivement des photos en noir et blanc, et la plupart du temps des photos de rue.
My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white photographs almost exclusively, and most of the time work on street photography.
Panels
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Searching for an open door
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Lines
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Top entrance
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Barred
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
You may recall today’s interviewee from his piece on Kodachrome some time ago.
Morning layers #02
Shot on Kodak Portra 160NC at EI 100
Color negative film in 35mm format
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.
Back? Excellent.
MUMBAI–India cannot be forced. India will not adapt to you.
I am still learning the pattern and subtexts of interactions and could continue to learn them for several lifetimes to come.
