EMULSIVE’S most popular film camera reviews of 2020
Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to …
An in-depth guide to: The Leica M6 (aka M6 Classic / M6 Non-TTL)
The Leica M6 — also commonly known as the Leica M6 Classic or Leica M6 Non-TTL — is a 35mm film rangefinder camera designed and …
5 Frames… At night with Kodak VISION3 500T 5219 (EI 800 / 35mm format / Leica M6 TTL) – by Wyatt Clough
A couple of weeks ago, stuck with no gigs for the week and suffering through the anxiety-filled boredom that freelancing can suddenly bring, I decided to fly to New York (only an hour from Toronto) to shoot some street shots.
Photography: Don’t leave your sh!t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.
Mumbai Part 5: a permanent change of station – by Andrew J. Tonn
MEXICO — The monsoon rains had been slow in coming. The heat built and there were clouds in the white-hot sky but the rains did not come. People died in their houses and in the streets.
5 Frames… With. Kodak ColorPlus 200 (EI 200 / 35mm format / Leica M6) – by Adib Mufty
After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting
Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Cast off
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop
Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Face the waves
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop
5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Leica M6 TTL) – by James King
As someone used to living in walkable European cities with functioning public transport, LA is a city I’ve found hard to like. I’ve been back a few times now, though, and enjoy it more each time I do.
5 Frames… Avec la pellicule ILFORD HP5 Plus, par Grégoire Huret
Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque exclusivement des photos en noir et blanc, et la plupart du temps des photos de rue.
5 Frames… With ILFORD HP5 Plus (EI 400 / 35mm / Leica M6 TTL) – By Grégoire Huret
My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white photographs almost exclusively, and most of the time work on street photography.
Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Panels
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)
Searching for an open door
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Lines – Shot on Silberra ULTIMA 200 (35mm)
Lines
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Top entrance – Shot on Silberra ULTIMA 200 (35mm)
Top entrance
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Photography: Barred – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Barred
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
EMULSIVE interview #157: I am Perry J Resnick and this is why I shoot film
You may recall today’s interviewee from his piece on Kodachrome some time ago.
Photography: Morning layers #02 – Shot on Kodak Portra 160NC at EI 100 (35mm format)
Morning layers #02
Shot on Kodak Portra 160NC at EI 100
Color negative film in 35mm format
EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.
Back? Excellent.
Mumbai Part 4: In which one requires a proportionate response
MUMBAI–India cannot be forced. India will not adapt to you.
I am still learning the pattern and subtexts of interactions and could continue to learn them for several lifetimes to come.
