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Home » Leica M6 TTL

Tag: Leica M6 TTL

Posted inBest Of

EMULSIVE’S most popular film camera reviews of 2020

by EMDecember 30, 2020August 28, 2021

Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to everyone who submitted their own reviews, and helped my with my own efforts this year cataloguing a series of exhaustive Leica M Camera guides! I’d love to hear from you […]

An in-depth guide to: The Leica M6 TTL
Posted inLeica film camera reviews

An in-depth guide to: The Leica M6 TTL

by EMJuly 5, 2020August 10, 2021

Made for only four years between 1998 and 2002, the Leica M6 TTL was the successor the 1984-98 Leica M6 and brought with it a couple of new party tricks: an ergonomically designed shutter speed dial and TTL flash metering. That huge shutter dial might not seem like a big deal today, in fact, you […]

An in-depth guide to: The Leica M6 (aka M6 Classic + M6 Non-TTL)
Posted inLeica film camera reviews

An in-depth guide to: The Leica M6 (aka M6 Classic / M6 Non-TTL)

by EMJune 14, 2020July 31, 2021

The Leica M6 — also commonly known as the Leica M6 Classic or Leica M6 Non-TTL — is a 35mm film rangefinder camera designed and manufactured by Leica in Germany between 1984 and 1998. The camera was the successor to the Leica M4-P, which was produced concurrently for the first two years of the M6’s […]

5 Frames With... Kodak VISION 500T 5219 (EI 800 / 35mm / Leica M6 TTL) - by Wyatt Clough
Posted in5 Frames..., Articles

5 Frames… At night with Kodak VISION3 500T 5219 (EI 800 / 35mm format / Leica M6 TTL)

by Wyatt CloughAugust 17, 2019July 31, 2021

A couple of weeks ago, stuck with no gigs for the week and suffering through the anxiety-filled boredom that freelancing can suddenly bring, I decided to fly to New York (only an hour from Toronto) to shoot some street shots.

Don't leave your sh1t at the beach - Shot on Kodak Ektar 100 at EI 100. Color negative film in 35mm format. Over processed one stop.
Posted in35mm format

Photography: Don’t leave your sh!t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)

by EMJuly 25, 2018July 31, 2021

Don’t leave your sh1t at the beach

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.

 

 

 

Mumbai part 4
Posted inArticles, Travelogue

Mumbai Part 5: a permanent change of station

by Andrew TonnJuly 19, 2018July 31, 2021

MEXICO — The monsoon rains had been slow in coming. The heat built and there were clouds in the white-hot sky but the rains did not come. People died in their houses and in the streets.

Adib Mufty - Kodak Colour Plus 200 / Leica M6 TTL / 7artisans 50mm f/1.1
Posted in5 Frames..., Articles

5 Frames… With. Kodak ColorPlus 200 (EI 200 / 35mm format / Leica M6)

by Adib MuftyApril 30, 2018July 31, 2021

After a long struggle trying to find the right lens for my Leica M6, I decided to give the 7Artisans 50mm f/1.1 a try (in other words, I was giving myself a chance to shoot with the Leica since getting

Cast off - Shot on Kodak Ektar 100 at EI 100. Color negative film in 35mm format. Over processed one stop.
Posted in35mm format, Photography

Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)

by EMApril 16, 2018July 31, 2021

Cast off

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop

 

 

 

 

Face the waves - Shot on Kodak Ektar 100 at EI 100. Color negative film in 35mm format. Over processed one stop.
Posted in35mm format, Photography

Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)

by EMApril 13, 2018July 31, 2021

Face the waves

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop

 

 

 

 

Kodak Tri-X 400 - Leica M6 TTL - James King
Posted in5 Frames..., Articles

5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Leica M6 TTL)

by James KingMarch 12, 2018July 31, 2021

As someone used to living in walkable European cities with functioning public transport, LA is a city I’ve found hard to like. I’ve been back a few times now, though, and enjoy it more each time I do.

Grégoire Huret - Happy hour - Paris 2017
Posted in5 Frames..., Articles

5 Frames… Avec la pellicule ILFORD HP5 Plus

by Grégoire HuretOctober 28, 2017July 3, 2021

Je m’appelle Grégoire Huret, je vis à Paris et je fais de la photo argentique. Je prends presque exclusivement des photos en noir et blanc, et la plupart du temps des photos de rue.

Grégoire Huret - Subway - Paris 2017
Posted in5 Frames..., Articles

5 Frames… With ILFORD HP5 Plus (EI 400 / 35mm / Leica M6 TTL)

by Grégoire HuretOctober 27, 2017July 3, 2021

My name is Grégoire Huret, I live in Paris and I practice 35mm photography. I take black and white photographs almost exclusively, and most of the time work on street photography.

Panels - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)

by EMOctober 27, 2017October 16, 2020

Panels
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Searching for an open door - Shot on Silberra ULTIMA 200 at EI 200 - 35mm black and white format film - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)

by EMOctober 26, 2017October 16, 2020

Searching for an open door
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Lines - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Lines – Shot on Silberra ULTIMA 200 (35mm)

by EMOctober 25, 2017October 16, 2020

Lines
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Top entrance - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter. Leica M6 / Leica Tele-Elmarit 90mm f/2.8.
Posted in35mm format, Photography

Photography: Top entrance – Shot on Silberra ULTIMA 200 (35mm)

by EMOctober 24, 2017October 16, 2020

Top entrance
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Barred - Shot on Silberra ULTIMA 200 at EI 200. 35mm black and white format film. Orange #25 filter.
Posted in35mm format, Photography

Photography: Barred – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)

by EMOctober 23, 2017October 16, 2020

Barred
Shot on Silberra ULTIMA 200 at EI 200
35mm black and white format film
Orange #21 filter
Leica M6 / Leica Tele-Elmarit 90mm f/2.8
 

 
 

 
 

Light on Blue on Chrome - West Chicago IL, Leica M6 TTL, Summicron 35mm, Kodak Ektachrome 200
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #157: I am Perry J Resnick and this is why I shoot film

by EMOctober 11, 2017October 16, 2020

You may recall today’s interviewee from his piece on Kodachrome some time ago.

Posted in35mm format, Photography

Photography: Morning layers #02 – Shot on Kodak Portra 160NC at EI 100 (35mm format)

by EMMay 23, 2017October 16, 2020

Morning layers #02

Shot on Kodak Portra 160NC at EI 100
Color negative film in 35mm format

 

 

 

Self portrait with Leica, Ilford XP2 Super, Leica M6TTL, 2016
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film

by EMNovember 30, 2016October 16, 2020

I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.

Back? Excellent.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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