Kodak Ektachrome 100VS (E100VS)

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Overprotected Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Nikon F6 + Nikkor 85mm f/1.8 AF-D

Photography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation …

Read morePhotography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

5 Frames With Kodak EKTACHROME E100VS (EI 400 / 120 / Bronica SQ-A) - by Monika

5 Frames… With Kodak EKTACHROME E100VS (EI 100 / 120 format / Bronica SQ-A) – by Monika

“What on earth had I been thinking?” This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.

EMULSIVE’s most popular film photography experimentation articles of 2018

Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.

Either way, it’s here.

Comparing Fujifilm Acros to… Fujifilm Acros – READ

Crank Case – Minolta XD7

Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Framed

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

Up and to the right - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

 

 

 

The moon and the mountains - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.

Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

The moon and the mountains

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

&nbsp

Cover - A brief history of Kodak EKTACHROME

A brief history of… Kodak EKTACHROME film

Just as they managed to resurrect dinosaurs with DNA in Jurassic Park, Eastman Kodak and Kodak Alaris have pulled off the magical feat of resurrecting Kodak EKTACHROME film;

Shard - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)

Shard

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

&nbsp

Breather - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal film in 120 format shot as 6x6. Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)

Breather

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

&nbsp

Granatum - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 120 format shot as 6×6. Cross processed.

Photography: Granatum – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

Granatum

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Cross processed

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

Oblique - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format.

Photography: Oblique – Shot on Kodak EKTACHROME 100VS – E100VS (35mm)

Oblique

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

 

Starliner on KODAK EKTACHROME 100VS

EMULSIVE interview #156: I am Matt Stoffel and this is why I shoot film

Ladies and gentlemen, welcome! I’ve been waiting for today’s interviewee for a while (mostly my fault). Now he’s here, I’m going to zip it and hand over to him.

Derased - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film shot as 6x6 - Cross processed

Photography: Derased – Kodak EKTACHROME 100VS – E100VS (120)

Derased

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Cross processed

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

ChickenAF - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (Slide) film in 120 format shot as 6x6.

Photography: #ChickenAF – Shot on Kodak EKTACHROME 100VS – E100VS (120 format)

#ChickenAF

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

Lookout - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film shot as 6x6.

Photography: Lookout – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

Lookout

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

 

Don't fret - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film shot as 6x6.

Photography: Don’t fret – Kodak EKTACHROME 100VS – E100VS (120)

Don’t fret

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

 

50/50 - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film shot as 6x6.

Photography: 50/50 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

50/50

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide