film.photography
Lookout
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Don’t fret
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
50/50
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Purrrple
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Spring buds #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
Death Valley Approach #02 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×12 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Festa della Repubblica
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Cross Processed
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
ABC Housing
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Cross processed
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
One to go, please
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Expired, push processed 1-stop and cross processed
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Hello one and all!
It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
Cart Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Pushed one stop and cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Two-tone Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Push processed one-stop and cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Blackout
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Well connected
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×4.5
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Director and travel junkie Shikha Makan is today’s interviewee and what an interesting character she is.
After Kodak closed its doors in India, a friend handed her hundreds (yes, hundreds), of rolls of expired Kodak Ektachrome.
Sakura
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Boarded
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Cross processed
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Guarded dog Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×4.5 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
