ISO 800

Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Downtime - Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film. Fuji GW690III + EBC Fujinon 90mm f/3.5 (COVER)

Photography: Downtime – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)

Downtime
Shot on Fuji Superia X-TRA 400 at EI 400.
Color negative film in 35mm format film.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Window shopping - Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)

Window shopping
Shot on Fuji Superia X-TRA 400 at EI 800.
Color negtive film in wide 35mm format (TEXPan).
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

 

 

Off the job - Shot on ILFORD FP4 PLUS at EI 800 - Black and white negative film in wide 35mm format (TEXPan) CROP

Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji …

Read morePhotography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III …

Read morePhotography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Duvel - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)

Duvel
Shot on Lomography Berlin 400 at EI 800.
Black and white motion picture film in wide 35mm format (TEXPan)
Push processed 1-stop.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 11:00

Slow day - Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in 35mm format. Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)

Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji …

Read morePhotography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

1000 layers - Shot on Lomography Color Negative 800 at EI 800. Color negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2 AI-S.

Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)

1000 layers

Shot on Lomography Color Negative 800 at EI 800
Color negative film in 35mm format
Nikon FM3A / Nikkor 50mm f/1.2 AI-S

1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon

Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)

Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110

No smoking - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format. Over processed one stop.

Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)

No smoking

Shot on Fuji NEOPAN 400 at EI 400
Black and white negative film in 35mm format
Over processed one stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Twins

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Condensed

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Royalty

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B