film.photography
Late bloomer
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
Pumpkin pile
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
Stagnant staircase
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
Tucked away
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
2016-10-05 – Last light
Kodak Ektar 100 shot at EI 800
Color negative film in 120 format shot as 6×6
No push processing / under exposed 2 stops
Turquoise butterflies
Lomochrome Turquoise XR 100-400 shot at EI 50
Color negative film in 120 format shot as 6×6
2016-08-31 – Just a little peek
Fuji Superia 100 shot at EI50
Color negative film in 120 format shot as 6×6
Stumped
Shot on Polypan F at EI 400Black and white negative film in 35mm formatPush processed three stops
StumpedPolypan F shot at EI 400.Black and white negative film in 35mm format.Push processed three stops.
Turquoise and red
Fuji Velvia 50 (RVP) shot at EI 40
Color reversal (slide) film in 120 format shot as 6×6
Expired and cross processed
Fuji Velvia 50 (RVP 50) shot at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Cross processed
Fuji Velvia 50 (RVP 50) shot at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Cross processed
Fuji Velvia 50 (RVP50) shot at EI 40
Color reversal (slide) film in 120 format shot as 6×6
Expired and cross processed
Fuji Velvia 50 (RVP50) shot at EI 40
Color reversal (slide) film in 120 format shot as 6×6
Expired and cross processed
Ilford Pan F+ shot at EI 50
Black and white negative film in 120 format shot as 6×6
We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.
It’s a great read for those of you who are thinking about dipping
Fuji Velvia 50 (RVP50) shot at EI50
Color reversal (slide) film in 120 format shot as 6×4.5
Fuji Velvia 50 (RVP50) shot at EI50
Color reversal (slide) film in 120 format shot as 6×4.5
Fuji Velvia 50 (RVP 50) shot at ISO 50
Color reversal (slide) film in 120 format shot as 6×6
Push processed one stop and cross processed
Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube
Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube
