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Scripted delivery - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops
Medium format

Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI...

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Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as...
Nature always wins - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops
Medium format

Photography: Nature always wins – Shot on CatLABS X-Film 80 at...

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Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot...
Left - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI...

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Left Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x4.5      
Meeting place - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at...

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Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6      
Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.
Medium format

Photography: Stand alone – Shot on ILFORD PAN F PLUS at...

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Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6x6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4   Development notes Cinestill Df96 monobath
Light pollution - Shot on Fuji ACROS 100 at EI 50. Black and white negative film in 120 format shot as 6x6. Pull processed one stop.
Medium format

Photography: Light pollution – Shot on Fuji ACROS 100 at EI...

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Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6x6 Pull processed one stop      
Hanging on a prayer - Shot on ILFORD PAN F PLUS at EI 50 - Black and white negative film in 35mm format
35mm format

Photography: Hanging on a prayer – Shot on ILFORD PAN F...

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Hanging on a prayer Shot on ILFORD PAN F PLUS at EI 50 Black and white negative film in 35mm format          
Pre-exposed - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)

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Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6 XPRO          
Ginger snaps - Lucky New SHD 100 shot at EI 50. Black and white negative film in 35mm format.
35mm format

Photography: Ginger snaps – Lucky New SHD 100 (35mm)

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Ginger snaps Lucky New SHD 100 shot at EI 50 Black and white negative film in 35mm format        
Well moored - Shot on Fuji Velvia 50 (RVP50). Colour reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Well moored – Shot on Fuji Velvia 50 – RVP50...

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Halfway there - Shot on Fuji Velvia 50 (RVP) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Halfway there – Shot on Fuji Velvia 50 RVP50 at...

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Halfway there Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6x6        
Low tide - Shot on Fuji Velvia 50 (RVP) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Low tide – Shot on Fuji Velvia 50 RVP50 at...

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Low tide Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6x6          
Squidding - Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.
35mm format

Photography: Squidding – Shot on ILFORD Pan F+ at EI 50...

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Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.      
Small worlds - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6..jpg
Medium format

Photography: Small worlds #01 – Shot on Fuji Velvia 50 RVP50...

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Small worlds #01 Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6        
One more coat - Kodak Ektar 100 shot at EI 50. Color negative film in 35mm format. Push processed 2-stops.
35mm format

Photography: One more coat – Kodak Ektar 100 (35mm)

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One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops      
Gotta catch 'em all - Fuji Velvia 50 (RVP 50) shot at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Gotta catch ’em all – Shot on Fuji Velvia 50...

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Gotta catch 'em all Fuji Velvia 50 (RVP 50) shot at EI 50 Color reversal (slide) film in 120 format shot as 6x6          
Through the crack - Kodak Ektar 100 shot at EI 50. Color negative film in 35mm format. One stop push / one stop over development.
35mm format

Photography: Through the crack – Shot on Kodak Ektar 100 at...

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Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development          
Drunk - Lomochrome Purple XR 100-400 shot at EI 50. Color negative film in 120 format shot as 6x6.
Medium format

Photography: Drunk – Lomochrome Turquoise XR 100-400 (120)

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Drunk Lomochrome Turquoise XR 100-400 shot at EI 50 Color negative film in 120 format shot as 6x4.5      
Just at the foot of the hill - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Medium format

Photography: At the foot of the hill – Ilford Pan F+...

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Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6x6 Push processed 4 stops      
Address unknown - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Medium format

Photography: Address unknown – Ilford Pan F+ (120)

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Address unknown Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6x6 Push processed 4 stops      
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