Article tags ISO 50
Tag: ISO 50
Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)
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Scripted deliveryShot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as...
Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)
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Nature always winsShot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot...
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
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Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x4.5
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
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Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
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Stand aloneShot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6x6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4 Development notes
Cinestill Df96 monobath
Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
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Light pollutionShot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6x6
Pull processed one stop
Photography: Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
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Hanging on a prayer
Shot on ILFORD PAN F PLUS at EI 50
Black and white negative film in 35mm format
Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
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Pre-exposed
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
XPRO
Photography: Ginger snaps – Lucky New SHD 100 (35mm)
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Ginger snapsLucky New SHD 100 shot at EI 50
Black and white negative film in 35mm format
Photography: Halfway there – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
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Halfway thereShot on Fuji Velvia 50 (RVP) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
Photography: Low tide – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
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Low tideShot on Fuji Velvia 50 (RVP) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
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SquiddingShot on ILFORD Pan F+ at EI 50.
Black and white negative film in 35mm format.
Photography: Small worlds #01 – Shot on Fuji Velvia 50 RVP50 (120 format)
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Small worlds #01
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x6
Photography: One more coat – Kodak Ektar 100 (35mm)
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One more coat
Kodak Ektar 100 shot at EI 50
Color negative film in 35mm format
Push processed 2-stops
Photography: Gotta catch ’em all – Shot on Fuji Velvia 50 RVP50 (120 format)
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Gotta catch 'em all
Fuji Velvia 50 (RVP 50) shot at EI 50
Color reversal (slide) film in 120 format shot as 6x6
Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
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Through the crackKodak Ektar 100 shot at EI 50
Color negative film in 35mm format
One stop push / one stop over development
Photography: Drunk – Lomochrome Turquoise XR 100-400 (120)
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Drunk
Lomochrome Turquoise XR 100-400 shot at EI 50
Color negative film in 120 format shot as 6x4.5
Photography: At the foot of the hill – Ilford Pan F+ (120)
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Just at the foot of the hill
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6x6
Push processed 4 stops
Photography: Address unknown – Ilford Pan F+ (120)
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Address unknown
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6x6
Push processed 4 stops
