Tag: ISO 50
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Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as...
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Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot...
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Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
Hanging on a prayer Shot on ILFORD PAN F PLUS at EI 50 Black and white negative film in 35mm...
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Pre-exposed – Fuji Velvia 50 – RVP 50 (120)
Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format...
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Ginger snaps – Lucky New SHD 100 (35mm)
Ginger snaps Lucky New SHD 100 shot at EI 50 Black and white negative film in 35mm format ...
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Well moored – Shot on Fuji Velvia 50 – RVP50 (120)
Write for EMULSIVE The driving force behind EMULSIVE is knowledge transfer, specifically...
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Halfway there – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Halfway there Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot...
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Low tide – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Low tide Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as...
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Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format. Write...
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Small worlds – Shot on Fuji Velvia 50 RVP50 (120)
Small worlds Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format...
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One more coat – Kodak Ektar 100 (35mm)
One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed...
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Gotta catch ’em all – Shot on Fuji Velvia 50 RVP50 (120)
Gotta catch ’em all Fuji Velvia 50 (RVP 50) shot at EI 50 Color reversal (slide) film in 120...
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Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push /...
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Drunk – Lomochrome Turquoise XR 100-400 (120)
Drunk Lomochrome Turquoise XR 100-400 shot at EI 50 Color negative film in 120 format shot as...
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At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120...
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Address unknown – Ilford Pan F+ (120)
Address unknown Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as...
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Late bloomer – Ilford Pan F+ (120)
Late bloomer Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as...
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Pumpkin pile – Ilford Pan F+ (120)
Pumpkin pile Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as...
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Stagnant staircase – Ilford Pan F+ (120)
Stagnant staircase Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot...
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Tucked away – Ilford Pan F+ (120)
Tucked away Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as...
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All Categories
- Articles (578)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (6)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,085)
- 110 format (4)
- 35mm format (474)
- 5 Frames With (106)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (268)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (191)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (6)
- Foma Films (4)
- Fuji Films (38)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (10)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (11)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (2)
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