Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss …
Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl …
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone
Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4
Development notes
Cinestill Df96 monobath
Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution
Shot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6×6
Pull processed one stop
Photography: Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
Hanging on a prayer
Shot on ILFORD PAN F PLUS at EI 50
Black and white negative film in 35mm format
Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
XPRO
Photography: Ginger snaps – Lucky New SHD 100 (35mm)
Ginger snaps
Lucky New SHD 100 shot at EI 50
Black and white negative film in 35mm format
Photography: Halfway there – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Halfway there
Shot on Fuji Velvia 50 (RVP) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Photography: Low tide – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Low tide
Shot on Fuji Velvia 50 (RVP) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding
Shot on ILFORD Pan F+ at EI 50.
Black and white negative film in 35mm format.
Photography: Small worlds #01 – Shot on Fuji Velvia 50 RVP50 (120 format)
Small worlds #01
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Photography: One more coat – Kodak Ektar 100 (35mm)
One more coat
Kodak Ektar 100 shot at EI 50
Color negative film in 35mm format
Push processed 2-stops
Photography: Gotta catch ’em all – Shot on Fuji Velvia 50 RVP50 (120 format)
Gotta catch ’em all
Fuji Velvia 50 (RVP 50) shot at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack
Kodak Ektar 100 shot at EI 50
Color negative film in 35mm format
One stop push / one stop over development
Photography: Drunk – Lomochrome Turquoise XR 100-400 (120)
Drunk
Lomochrome Turquoise XR 100-400 shot at EI 50
Color negative film in 120 format shot as 6×4.5
Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
Photography: Address unknown – Ilford Pan F+ (120)
Address unknown
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
