Tag: ISO 400
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Photography: Crisp – Shot on Kodak T-MAX 400 – TMY-2 (120)
Crisp Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Crease – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Crease Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
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Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
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Photography: Succulent display – Shot on Kodak Portra 400VC at EI 200 (120 format)
Succulent display Shot on Kodak Portra 400VC at EI 200. Color negative film in 120 format shot as 6×6.
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Photography: Spring buds #02 – Fuji Provia 400X – RXP (120)
Spring buds #02 Shot on Fuji Provia 400X (RXP) at EI 800 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 32E 1-stop push
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Photography: Veins #01 – Fuji Provia 400X – RXP (120)
Veins #01 Shot on Fuji Provia 400X (RXP) at EI 800 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 32E 1-stop push
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Photography: Light and shade – JCH Streetpan 400 (35mm)
Light and shade Shot on JCH Streetpan 400 at EI 12 Black and white negative film in 35mm format R72 720nm filter Read the JCH Streetpan 400 Infrared review here
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Photography: Racked – Kodak Tri-X 400 (120)
Racked Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Tear it down…tear it all down – ILFORD HP5 PLUS (120)
Tear it down…tear it all down ILFORD HP5 PLUS shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push Processed 1+1/3 stops Read the ILFORD HP5 PLUS review.
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Photography: Eye eye – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Eye eye Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad E16 extension tube (0.7 stop compensation)
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Photography: Bodie Infrared – Rollei Infrared 400 (4×5)
Bodie infrared Rollei Infrared 400 shot at EI 6 Black and white infrared negative film in 4×5 format Graflex Speed Graphic 1957 – Kodak Anastigmat 161mm f/4.5
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Photography: Nuthin’ but bokeh – Lomography Lomochrome Purple XR 100-400 (35mm)
Nuthin’ but bokeh Lomography Lomochrome Purple XR 100-400 shot at EI 400 Color negative film in 35mm format
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Film stock review: Bergger Pancro 400 Part 1 – 35mm EI 400 (bracketed +/- 1 stop)
UPDATE: Part two: EI 800 bracketed +/- 1 stop is hereRead part two of this series, exploring Pancro 400 shot at EI 800 and bracketed +/- 1 stop here! You may have seen this recent article covering all the
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Photography: Into the breeze – ILFORD FP4 PLUS (35mm format)
Into the breeze ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: You’ve got me spinning – ILFORD FP4 PLUS (35mm format)
You’ve got me spinning ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review. You’ve got me spinning Ilford FP4+ shot at EI 400.
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Photography: Taking out the trash – ILFORD FP4 PLUS (35mm format)
Taking out the trash ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Steamroom – Ilford FP4+ (35mm)
Steamroom Ilford FP4+ shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops
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Photography: The gatekeeper – ILFORD FP4 PLUS (35mm format)
The gatekeeper ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)
Vernicular rising Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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