Tag: ISO 200
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Photography: By the sack – Fuji Pro 400H (35mm)
2016-09-28 – By the sack Fuji Pro 400H shot at EI 200 Color negative film in 35mm format Over exposed by one stop
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Photography: Step right up – Fuji Acros 100 (35mm)
Step right up Shot on Fuji Acros 100 at EI 200 Black and and white negative film in 35mm format Push processed two stops
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Photography: Pipes – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Pipes Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: Darkness and light – Kodak EKTACHROME E200 (120)
Darkness and light Shot on Kodak EKTACHROME E200 at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Photography: Underside – Kodak EKTACHROME E200 (120)
Underside Shot on Kodak EKTACHROME E200 at EI100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Photography: Needles in the sky – Fuji Neopan 400 (35mm)
Needles in the sky Shot on Fuji Neopan 400 at EI 200 Black and white negative film in 35mm format Expired and over exposed one stop
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Photography: Tapped out – Ultrafine Xtreme 100 (120)
2016-06-14 – Tapped out Ultrafine Xtreme 100 shot at EI 200 Black and white film in 120 format shot as 6×6 Push processed one stop
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Campinas: o berço da fotografia mundial
Campinas é o berço da fotografia mundial. Sei que provavelmente você não conhece a cidade, e muito menos porque eu disse que ela é o berço da fotografia.
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Campinas: The cradle of world photography
Campinas is the cradle of world photography. I know you probably do not know the city, regardless of my statement about it being the cradle of photography, so here’s a little background why I believe it to be true. For
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Photography: Last of the sakura – Fuji Pro 400H (120)
Last of the sakura – 2015-05-05 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: Besom 02 – Fuji Pro 400H (120)
Besom 02 – 2015-05-03 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x teleconverter
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Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
To infinity Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format
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Photography: Glow – Shot on Kodak High Speed Infrared / HIE at EI 100 (35mm format)
Glow Kodak High Speed Infrared / HIE shot at EI 100 Black and white infrared film in 35mm format
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Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)
Creep Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
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Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!