In vein
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
In vein
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
V
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
Where the wild things grow
Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5
BE&ER MOVIES
Shot on Kodak Portra 400VC at EI 200
Color negative film in 120 format shot as 6×6
Venn
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Black and white reversal development
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Succulent display
Shot on Kodak Portra 400VC at EI 200.
Color negative film in 120 format shot as 6×6.
Purrrple
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Spring buds #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Fire damage
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed 1 stop
Spindly bobbly things
Lomochrome Purple XR 100-400 shot at EI 200
Color negative film in 35mm format
Through the crack
Kodak Ektar 100 shot at EI 50
Color negative film in 35mm format
One stop push / one stop over development
Hitachi 1969
Lomography Lomochrome Purple XR 100-400 shot at EI 200
Color negative film in 35mm format
Thermoplastic
Agfa Vista Plus 200 shot at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
I’m so glad you came…
Fuji Pro 160 NPC shot at EI 160
Color negative film in 120 format shot as 6×6
2x Tele-Converter
2- stop push process
Eastern skies
Agfa Vista Plus 200 shot at EI 200
Color negative film in 35mm format
Read the Agfa Vista Plus 200 review
God’s library
Agfa Scala 200X shot at EI 100
Black and white reversal (slide) film shot in 35mm format
The longer you wait…
Agfa Scala 200X shot at EI 100
Black and white reversal (slide) film shot in 35mm format
All bunched up
Shot on Fuji Provia 100F (RDP III) at EI 200
Color reversal (slide) film in 120 format shot as 6×6
30mm fisheye
Push processed one stop
Read the Fuji Provia 100F (RDP III) review here.
 
Barred skies
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
RAMP
Fuji Pro 400H shot at EI 200Color negative film in 35mm formatOver exposed 1-stop
RAMPFuji Pro 400H shot at EI 200.Color negative film in 35mm formatOver exposed 1-stop.