ISO 1600
Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Muckcatcher
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions
Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Under cover
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1
Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Keep your head down
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops
Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial
Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)
Area secured
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops
Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)
Load bearing
Shot on Lomography Lady Grey BW 400 at EI 1600.
Black and white negative film in 35mm format.
Push processed two stops.
Development notes:
Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2)
No presoak, 1-minute initial agitation
Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat
Shot on Fuji NEOPAN 1600 at EI 1600.
Black and white negative film in 35mm format.
Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick
Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.
Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That's my ride
Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format
Photography: Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Light shower
Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6x6
Push processed 2 stops
Photography: Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)
Nailed it
Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6x6
Push processed 2 stops
Photography: Recyc – Shot on Fuji Natura 1600 at EI 1600 (35mm)
Recyc
Shot on Fuji Natura 1600 at EI 1600
Color negative film in 35mm format
Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Famous express
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops
Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in
Photography: STOP – Shot on ILFORD Pan 100 at EI 1600 (35mm format)
STOP
Shot on ILFORD Pan 100 at EI 1600
Black and white negative film in 35mm format
Push processed 4 stops
Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)
Lightbulb moment
Shot on Lomography Color Negative 800 at EI 1600.
Colour negative film in 120 format shot as 6x6.
Push processed one stop.
Film stock review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)
Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you've come to know and love.
In case you're new to the
Photography: Focal point – Fuji Provia 400X – RXP (120)
Focal point
Shot on Fuji Provia 400X (RXP) at EI 1600
Color reversal (slide) film in 120 format shot as 6x6
Push processed two stops
Photography: To the beat of the same drum – Fuji Superia 1600 (35mm)
To the beat of the same drum
Shot on Fuji Superia 1600 at EI 1600
Color negative film in 35mm format
Developed in Rodinal (1+100 / 20c / 60:00)
Photography: Under the eaves – Ilford Delta 3200 Professional (120)
Under the eaves
Shot on Ilford Delta 3200 Professional at EI 1600
Black and white negative film in 120 format shot as 6x4.5
Orange #21 filter
Photography: Pediment – Kodak ULTRA MAX 400 (35mm)
Pediment
Kodak ULTRA MAX 400 shot at EI 1600
Color negative film in 35mm format
Push processed two stops.
Photography: Pinned blessings – Shanghai GP3 100 (120)
Pinned blessings
Shanghai GP3 100 shot at EI 1600
Black and white negative film in 120 format shot as 6×6
Push processed four stops
