• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » ISO 1600

Tag: ISO 1600

Muckcatcher - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops
Posted in35mm format, Darkroom printing, Photography

Photography: Muckcatcher – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMNovember 5, 2018July 31, 2021

Muckcatcher

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1 inversions

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 29, 2018July 31, 2021

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 26, 2018July 31, 2021

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.
Posted in35mm format, Photography

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

by EMOctober 22, 2018July 31, 2021

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Load bearing - Shot on Lomography Earl Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops.
Posted in35mm format, Photography

Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)

by EMAugust 21, 2018July 31, 2021

Load bearing

Shot on Lomography Lady Grey BW 400 at EI 1600.
Black and white negative film in 35mm format.
Push processed two stops.

 

Development notes:
Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2)
No presoak, 1-minute initial agitation

Beat - Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.
Posted in35mm format, Photography

Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)

by EMMay 24, 2018July 31, 2021

Beat

Shot on Fuji NEOPAN 1600 at EI 1600.
Black and white negative film in 35mm format.

 

 

Just a lick - Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
Posted in35mm format, Photography

Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)

by EMMay 21, 2018July 31, 2021

Just a lick

Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.

 

 

EMULSIVE 52 Rolls - Week 08 - Kodak Tri-X 400 (35mm) - EI1600
Posted in35mm format, Photography

Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)

by EMApril 19, 2018July 31, 2021

That’s my ride

Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format

 

 

 

 

 

Light shower - Shot on Fuji Provia 400X RXP at EI 1600. Color reversal (slide) film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Light shower – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)

by EMMarch 22, 2018July 31, 2021

Light shower

Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops

 

 

 

 

 

Nailed it - Shot on Fuji Provia 400X RXP at EI 1600. Color reversal (slide) film in 120 format shot as 6x6. Push processed 2 stops.
Posted inMedium format, Photography

Photography: Nailed it – Shot on Fuji Provia 400X RXP at EI 1600 (120 format)

by EMMarch 20, 2018July 31, 2021

Nailed it

Shot on Fuji Provia 400X RXP at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed 2 stops

 

 

 

 

 

Recyc - Shot on Fuji Natura 1600 at EI 1600. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: Recyc – Shot on Fuji Natura 1600 at EI 1600 (35mm)

by EMFebruary 14, 2018July 31, 2021

Recyc

Shot on Fuji Natura 1600 at EI 1600
Color negative film in 35mm format

 

 

 

 

 

Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.
Posted in35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

by EMFebruary 8, 2018July 31, 2021

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in

STOP - Shot on ILFORD Pan 100 at EI 1600. Black and white negative film in 35mm format. Push processed 4 stops.
Posted in35mm format, Photography

Photography: STOP – Shot on ILFORD Pan 100 at EI 1600 (35mm format)

by EMJanuary 30, 2018July 31, 2021

STOP

Shot on ILFORD Pan 100 at EI 1600
Black and white negative film in 35mm format
Push processed 4 stops

 

 

 

 

 

Lightbulb moment - Shot on Lomography Color Negative 800 at EI 1600. Colour negative film in 120 format shot as 6x6. Push processed one stop.
Posted inMedium format, Photography

Photography: Lightbulb moment – Shot on Lomography Color Negative 800 (120)

by EMDecember 11, 2017October 16, 2020

Lightbulb moment
Shot on Lomography Color Negative 800 at EI 1600.
Colour negative film in 120 format shot as 6×6.
Push processed one stop.
 

 
 

 
 

Bergger Pancro 400 - EI 1600 - underexposed one stop
Posted inBergger Film Stock Reviews

Film stock review: Bergger Pancro 400 Part 3 – 35mm EI 1600 (bracketed +/- 1 stop)

by EMAugust 3, 2017January 18, 2020

Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you’ve come to know and love.

In case you’re new to the

Focal point - Shot on Fuji Provia 400 at EI 1600. Color reversal (slide) film in 120 format shot as 6x6. Push processed two stops.
Posted inMedium format, Photography

Photography: Focal point – Fuji Provia 400X – RXP (120)

by EMJune 8, 2017October 16, 2020

Focal point
Shot on Fuji Provia 400X (RXP) at EI 1600
Color reversal (slide) film in 120 format shot as 6×6
Push processed two stops

 

 

 

 

 

To the beat of the same drum - Fuji Superia 1600 Shot at EI 1600. Color negative film in 35mm format. Developed in Rodinal (1+100 / 20c / 60:00).
Posted in35mm format, Photography

Photography: To the beat of the same drum – Fuji Superia 1600 (35mm)

by EMMay 16, 2017February 5, 2022

To the beat of the same drum

Shot on Fuji Superia 1600 at EI 1600
Color negative film in 35mm format
Developed in Rodinal (1+100 / 20c / 60:00)

 

 

 

 

 

Under the eaves - Shot on Ilford Delta 3200 Professional at EI 1600. Black and white negative film in 120 format shot as 6x4.5. Orange #21 filter.
Posted inMedium format, Photography

Photography: Under the eaves – Ilford Delta 3200 Professional (120)

by EMApril 10, 2017October 16, 2020

Under the eaves
Shot on Ilford Delta 3200 Professional at EI 1600
Black and white negative film in 120 format shot as 6×4.5
Orange #21 filter

 

Pediment - Kodak ULTRA MAX 400 shot at EI 1600. Color negative film in 35mm format. Push processed two stops.
Posted in35mm format, Photography

Photography: Pediment – Kodak ULTRA MAX 400 (35mm)

by EMDecember 19, 2016October 16, 2020

Pediment
Kodak ULTRA MAX 400 shot at EI 1600
Color negative film in 35mm format
Push processed two stops.

 

 

Pinned blessings - Shanghai GP3 100 shot at EI 1600. Black and white negative film in 120 format shot as 6×6. Push processed four stops.
Posted in35mm format, Photography

Photography: Pinned blessings – Shanghai GP3 100 (120)

by EMDecember 14, 2016October 16, 2020

Pinned blessings
Shanghai GP3 100 shot at EI 1600
Black and white negative film in 120 format shot as 6×6
Push processed four stops

 

 

 

Posts navigation

1 2 3 Older posts
  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

I have no idea what this is - Shot on Kodak Portra 160NC (unperforated) at EI 100. Color negative film in 35mm format.
Photography: I have no idea what this is – Shot on Kodak Portra 160NC – unperforated (35mm)
Feathers and Flowers - Contax RTS with 50mm lens, Rollei RPX 25
EMULSIVE Interview #221: I am Gaetan Cormier Interview and this is why I shoot film
Solden, Austria - Kodak Tri-X 400 - Leica M6 & 50mm Summicron
EMULSIVE interview #218: I am Andrew Whitehurst and this is why I shoot film
Wispy - Rollei Infrared 400 shot at ISO400
Photography: Wispy – Shot on Rollei Infrared 400 at EI 400 (120 format)
Altitude sickness - Kodak Vericolor 160 VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.
Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Fields of Gold
EMULSIVE interview #139: I am Adam White and this is why I shoot film
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
PhotoKlassik Internationsl
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)
  • Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach
  • 5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant
  1. Jon Woodhams on 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)June 27, 2022
  2. Dan Kehlenbach on Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan KehlenbachJune 27, 2022
  3. Susan Phillips on Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan KehlenbachJune 26, 2022
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2022 EMULSIVE.
Posting....