film.photography
Framed
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
Tiered
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Cross processed
‘lil stunner
Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops.
Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested.
‘lil stunnerShot on Kodak
Up and to the right #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1
The images below form part
The moon and the mountains
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
On edge
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
Morning light
Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Bound
Shot on Fuji Provia 100F (RDP
Tussled
Shot on Fuji Provia 100F (RDP
365 textures #02
Shot on Kodak PROFESSIONAL ELITE Chrome
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Seventeen sticks
Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
Light pollution
Shot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6×6
Pull processed one stop
Bound
Shot on Fuji Superia 100 at EI 100
Color negative film in 35mm format
Picnic time
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
To the bitter end
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
