Tag: ILFORD HP5 PLUS
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EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my “…this is why I shoot film” series!
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Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
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EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film
I can’t begin to tell you how happy I am to finally bring today’s interviewee to these pages.
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Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
5 o’clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6×6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Read the ILFORD HP5 PLUS review. Development notesKodak HC-110 1+47
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5 Frames… With Kodak Panchromatic Sound Recording Film 2374 (EI 100 / 35mm format / Lomo LC-A) – by Andrea Taurisano
My choice fell on Kodak Panchromatic Sound Recording Film 2374, a film I had never heard of until I saw a few dusty rolls in a photo store in Ukraine.
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5 Frames… With ILFORD HP5 PLUS (EI 1600 / 35mm format / Nikon FE)
These 5 frames are from a roll of ILFORD HP5 PLUS I shot on my Nikon FE and 24mm f/2.8D lens while visiting Toronto earlier this year. It had been raining for two full days.
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Film photography in album cover design
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
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EMULSIVE interview #198: I am Angela Solis and this is why I shoot film
I’ve known today’s interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.
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Why did it take me so long to start shooting Kodak Tri-X?
There are a few reasons it’s taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
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Holgas in the Himalayas
I continue to carry film cameras long after the world has gone digital. We had a darkroom when I was growing up and I learned to develop film and print photos when I was about 10.
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The Olympus XA review: how I fell in love with a tiny plastic box…
…and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
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5 Frames… Of people and their dogs with ILFORD HP5 PLUS (EI 400 / 120 format / Rolleiflex T) – Joan Sorolla
I started to shoot daily images while I was walking my dog some years ago.
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Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Cup holder as standard Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6×9. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 20°C/68°F, 05:00
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5 Frames… Of insect macros with ILFORD HP5 PLUS (EI 1600 / 35mm format / Canon EOS-5)
I have been photographing with film for many years, and also doing macro photography with digital cameras.
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5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Zenit E)
These five frames are very special to me because are part of the very first black and white roll that I developed for myself.
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Traveling with film, shooting in Rajasthan
Travelling to unknown places makes you feel alive. Experiencing new things in a new environment makes your heart pumping.
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EMULSIVE’s most popular film stock reviews of 2018
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?
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Interview #194: I am Ezequiel Grimaldi and this is why I shoot film
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian. I’ll keep this short so you can spend as much time as possible on the images below.