Tag: Hasselblad
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Shooting an album cover on film – Eyedress’ Sensitive G
I had previously worked with Eyedress in Tokyo at Big Love Records. He’s a Philipines based artist who is currently on Lex Records based out of England.
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The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
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EMULSIVE’s most popular film camera reviews of 2018
Merry Christmas to everyone celebrating today!
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Creating the GX-Pan: a wide format cinematic Hasselblad
I’ve always been fascinated by the cinematic look of movies.
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Camera review: the Hasselblad 903 SWC
I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM).
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Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
My spot Shot on Fuji Provia 100F (RDP III
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5 Frames… With Fomapan 100 Classic (EI 25 / 120 format / Hasselblad 500CM)
A few weeks ago I travelled to Con Dao island in Southern Vietnam – one of the very few destinations which are yet to be destroyed by the growing tourism industry in this country. I expected some dramatic seascapes
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How-to: Shoot a wedding on film… dos, don’ts and the beauty of film
First things first, I am not a full time professional (or really even a part-time) wedding photographer.
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Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6 Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
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My Return to film: Nick Orloff
As a teenager (I’m 55 now) I was the kid that was always carrying a camera – a Pentax K1000 that my grandfather gave me – and at the time I thought that’s where my career would be.
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5 Frames… With Fujifilm Fujichrome Velvia 50 RVP50 (EI 50 / 120 format / Hasselblad 500CM)
Since discovering slide film recently, I simply can’t stop shooting it.
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Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6×6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4 Development notes Cinestill Df96 monobath
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Featured project: Finding your way in the dark (printing Dublin by night)
I wanted a few nighttime square images for the final chapter of a book I was just completing on Dublin, a kind of goodnight to the City.
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Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #02 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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5 Frames… With Kodak Ektar 100 (EI 100 / 120 format / Hasselblad 503CX)
After a more than 20 year break from taking anything much more than ‘happy snaps’ photography has started to reemerge as a very important part of my life. I swore I’d never shoot analogue again – digital is so much
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Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)
Not in stock Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)
Light traffic Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
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Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)
My pond has no fish Shot on ILFORD FP4 PLUS at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 1 2/3 stops Read the ILFORD FP4 PLUS review
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Photography: Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 (120 format)
Seventeen sticks Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
