Graflex Pacemaker Speed Graphic

The Party of Trump - Graflex Speed Graphic, ILFORD HP5 PLUS

EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & …

Read moreEMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film

Autumn glow - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 4x5 format.

Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)

Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker …

Read morePhotography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)

Nook #02 - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 4x5 large format. Shot with #21 orange filter.

Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)

Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter

Read the Kodak AEROCHROME review / Prints available here

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Stumps #02 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic, Kodak Aero Ektar 178mm f/2.5. Orange 21 filter.

Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Stumps #02

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Fomapan 400 Action - EI 400 - 4x5 - US Army Air Corps Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5

5 Frames… With Fomapan 400 Action (EI 400 / 4×5 format / Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5) – by Timothy Gilbert

I don’t remember exactly when or where I first learned about the Kodak Aero Ektar lens, but I immediately knew that I had to have one! Mine is mounted an Army Air Corps Speed Graphic.

Review: Comparing FF No.1 and Cinestill Df96 monobath developers

Monobath film developers feel like the in thing for 2018.

The left of right - Shot on Rollei Infrared 400 at EI 400. Black and white negative film in 4x5 format. Graflex Speed Graphic, Graflex Optar 135mm f/4.7. Developed in Cinestill Df96 monobath.

Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)

The left of right

Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath

 

Stumps #01 - Shot on Bergger Pancro 400 at EI 200. Black and white film in 4x5 format. Graflex Pacemaker Speed Graphic. Kodak Aero Ektar 178mm f/2.5. Orange #21 filter.

Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)

Stumps #01

Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter

Read the Bergger Pancro 400 film reviews here.

Above as below - Shot on ILFORD Delta 100 Professional at EI 100. Black and white negative film in 4x5 format.

Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)

Above as below

Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4×5 format

 

 

Altitude sickness - Kodak Vericolor 160 VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)

Altitude sickness
Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back

 

 

The staircase - Kodak Vericolor III VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)

The staircase
Shot on Kodak Vericolor III VPS 6006 at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back

 

 

 

Oregon Sunset - Kodak Portra 400VC shot at EI 320. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178mm f/2.5. 6x12 film back.

Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)

Oregon Sunset #02

Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back

 

 

 

 

 

In vein - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5 - Fomapan 200 Creative shot at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Photography: In vein – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

In vein

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

 

 

 

 

 

To the light - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: To the light – Rollei INFRARED 400 (4×5)

To the light

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

 

 

 

 

 

Bunched up - Shot on Rollei IR 400 at EI 12 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Anastigmat 161mm f/4.5.

Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)

Bunched up

Shot on Rollei INFRARED 400 at EI 12
Black and white negative film in 4×5 format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter

 

 

 

 

 

Where the wild things grow - Shot on Fomapan 200 Creative at EI 200 - Black and white negative film in 4x5 format - AEROgraphic - Kodak Aero Ektar 178 f2.5

Photography: Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)

Where the wild things grow

Shot on Fomapan 200 Creative at EI 200
Black and white negative film in 4×5 format
AEROgraphic / Kodak Aero Ektar 178mm f/2.5

 

 

 

 

 

Alyse - Nikon F3HP, Kodak Tri-X 400 film

EMULSIVE interview #142: I am Don Lupo and this is why I shoot film

Today’s interviewee doesn’t always share much of his own work on Twitter but take a peek on Instagram or his website and it’s a totally different story.

I’m so happy to be able to bring you the words and pictures