Tag: Fujifilm
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How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder
In this article, I’ll be showing you how to very simply modify your Fuji medium format rangefinder to shoot wide-format 35mm film (aka make your own TEXPan).
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Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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How to shoot Instax Square in an Instax Wide camera (free download)
When we talk about instant film, Fujifilm and Polaroid Originals are the only mature solutions available at this time. One of the characteristics of these cameras is that we can choose only one format for one camera.
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Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6×9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B
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Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
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Camera review: the Nikon FE 2
Over the past few months, I’ve been trying to settle on “the one.” The one 35mm film camera that will serve all my photography needs.
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Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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EMULSIVE interview #195: I am David Jazay and this is why I shoot film
Welcome to EMULSIVE interview #195 and film photographer David Jazay, Berlin-based urban and rural photographer. It’s an interesting read ahead, so I’ll bow out and pass you over to David. Hi David, what’s this picture, then? Antique Shops and
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EMULSIVE’s most popular articles of 2018
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
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EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not. Either way, it’s here. Comparing Fujifilm Acros to… Fujifilm Acros – READ Crank Case – Minolta XD7
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EMULSIVE’s most popular film stock reviews of 2018
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?
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EMULSIVE’s most popular film camera reviews of 2018
Merry Christmas to everyone celebrating today!
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EMULSIVE’s most popular film photography posts of 2018
2017’s end of year listicles seem like they went down pretty well, so I’ve decided to put my personal prejudice against them to one and put together a few more for 2018.
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5 Frames… With Fujicolor 200 (EI 200 / 35mm format / Nikon FG-20)
Fujicolor cross processes as a wonderful black & white film with great tonality and nice grain.
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Interview #194: I am Ezequiel Grimaldi and this is why I shoot film
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian. I’ll keep this short so you can spend as much time as possible on the images below.
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Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
On point Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6×6. Cross processed.
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5 Frames… With Fujifilm Superia X-TRA 400 (EI 200 / 35mm format / Minolta XD-7)
I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon MC f/4.5 80-200mm zoom, Minolta auto winder and various filters!) and, it was an excellent
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Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3… Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×4.5
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Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Left Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×4.5
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Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6
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