Tag: Fujifilm
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Photography: The path ahead – Fuji Pro 160NS (120)
2016-06-16 – The path ahead Fuji Pro 160NS (120) shot at EI 400 Color negative film in 120 format shot as 6×7 Push processed 1+1/3 stops
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EMULSIVE interview #87: I am Christopher Schmidtke and this is why I shoot film
I’ve got more fresh blood for you today in the form of Christopher Schmidtke from Wuerzburg, Germany. I won’t spoil it and let you all jump in;
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Photography: Look but don’t touch – Fuji Pro 160NS (120)
2016-06-13 – Look but don’t touch Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6×6 Push processed three stops
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Esperimenti fotografici con Fuji Instanx in bianco e nero
English version here: https://emulsive.org/experiments/black-and-white-fuji-instax-photographic-experiments Mi chiamo WhatsBehindThat e faccio foto. La mia prima foto e’ stata fatta con una Yashica, dopo che mio fratello mi spiego’ come leggere la tabella dei valori dietro al flash e come impostare
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Photography: Danger close – Fuji Pro 160NS
2016-06-10 – Danger close Fuji Pro 160NS shot at EI 100. Color negative film in 120 format shot as 6×6.
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Experimenting with black and white photography on colour Fuji INSTAX
Versione in Italiano e qui: https://emulsive.org/experiments/esperimenti-fotografici-con-fuji-instanx-in-bianco-e-nero My name is WhatsBehindThat and I make photos. I took my first shots with a Yashica film camera (after my brother explained me how to read the table of values behind the
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EMULSIVE interview #86: I am Jamelle Bouie and this is why I shoot film
Today we’re sitting down with film photographer Jamelle Bouie.
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Photography: Standing guard – Fuji Pro 160NS
2016-06-08 – Standing guard Fuji Pro 160NS shot at EI 400. Color negative film in 120 format shot as 6×6. Push processed two stops.
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Photography: Behind the blue door – Fuji Pro 160NPC (120)
2016-06-07 – Behind the blue door Fuji Pro 160~NPC shot at EI100 Color negative film in 120 format shot as 6×6 Bleach bypass C-41 development
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EMULSIVE interview #83: I am Joffrey Carpentier and this is why I shoot film
I’ve been looking forward to this one!
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Photography: Turquoise and red – Shot on Fuji Velvia 50 – RVP50 (120)
Turquoise and red Fuji Velvia 50 (RVP) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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EMULSIVE interview #77: I am Lucy Wainwright and this is why I shoot film
Today we’re sitting down with She Shoots Film founding member and Film Shooters Collective contributor, Lucy Wainright. Lucy has a wonderful mix of styles that sit somewhere between playful, abstract and experimental.
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Photography: Moored – Fuji Provia 100F RPDIII (120)
Moored Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed Read the Fuji Provia 100F (RDP III) review here.
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Photography: Last of the sakura – Fuji Pro 400H (120)
Last of the sakura – 2015-05-05 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: Besom 02 – Fuji Pro 400H (120)
Besom 02 – 2015-05-03 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x teleconverter
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EMULSIVE interview #74: I am Brian Miner and this is why I shoot film
35mm, medium format, large format…today’s interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he’s into year two of an ongoing large format 365 project.
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Photography: Simply sakura – Fuji Superia Premium 400
Fuji Superia Premium 400 shot at EI 400 Color negative film in 35mm format
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EMULSIVE interview #67: I am Pierluigi Tolu and this is why I shoot film
Well then, who do we have here? I’m incredibly pleased to welcome today’s interviewee and new (re)entrant to the film photography world.